Yzabel / September 27, 2013

Review: Shakespeare v. Lovecraft

Shakespeare vs. Lovecraft: A Horror Comedy Mash-Up featuring Shakespeare's Characters and Lovecraft's CreaturesShakespeare vs. Lovecraft: A Horror Comedy Mash-Up featuring Shakespeare’s Characters and Lovecraft’s Creatures by D.R. O’Brien

My rating: [rating=2]

Summary:

“We are such stuff as dreams are made on; and our little life is rounded with a sleep.” — William Shakespeare

“In his house at R’lyeh dead Cthulhu waits dreaming.” —Howard Phillips Lovecraft.

In the same putrid vein as Pride and Prejudice and Zombies, Shakespeare v. Lovecraft slithers hideously onto the literary mash-up scene, whispering of cosmic horrors and eldritch tales whilst espousing sweet soliloquys and profoundly contemplating mankind’s place in the universe.

Prospero, driven dangerously insane by prolonged exposure to the dread Necronomicon, makes a terrible pact with the titanic alien beast known only as Cthulhu. Now only his enchantress daughter Miranda and a handful of history’s greatest heroes are all that stand between humanity and blasphemous eternal subjugation.

It’s a bloodbath of Shakespearean proportions as Cthulhu and his eldritch companions come at our protagonists from all manner of strange geometric angles in a hideous and savage battle for supremacy.

This horror-comedy novella of 36,000 words will seize you in its clammy grip and not release you until you have gone positively mad with delight! Witness all this and more:

Histrionic Heroes vs. Tentacled Terrors!!! Endless Soliloquys vs. Unnatural Silences!!!
Romeo vs. Mi-Go!!! England’s Royal Beasts vs. A Shoggoth!!!
The Author vs. Iambic Pentameter!!!

Review:

(I received an e-copy of this book through NetGalley, in exchange for an honest review.)

2.5 stars. I liked some parts better than others.

Overall, this book was a quick and nice read that made me smile, although I can’t say it made me actually laugh.

I appreciated the numerous winks to and quotes to Shakespeare, of course. The latter may be both a strength and a weakness: just knowing a couple of lines from the Bard isn’t enough to get them, since they cross-reference several plays (The Tempest first, but also Macbeth, Hamlet, King Lear, Henry V, Henry IV, A Midsummer’s Night Dream… and others). If one knows these works well enough, the inserts are likely to look awesome (personnally, I loved Henry V’s “Gods, stand up for mankind!”, alluding to Edmund’s soliloquy in King Lear); otherwise, they may fall flat. The same goes with Lovecraft—and I’m positive I missed a few things regarding those parts, since I haven’t read his works in the past eight years or so. I suppose that such mash-ups don’t appeal to people who don’t like the original novels they’re inspired from, so it’s not that much of a problem; but it could be for readers who know only a little.

The writing style attempts at emulating both Shakespeare’s and HPL’s. In my opinion, sometimes it manages, and sometimes it fails, making reading somewhat fastidious; I’m thinking about the heavy use of adverbs stacked almost one upon the other, among other things, which made a lot of sentences and paragraphs look weird. This is somewhat paradoxical, considering how short the book is (86 pages or so).

Also, the narrative itself regularly seemed more of a pretext than a real story. Again, this may not be the aim of a mash-up (I admit I haven’t read a lot of those, so perhaps I’m just a poor judge), but I still expected events to be stringed in a more streamlined way. As it is, I couldn’t care about the characters like I would have for Shakespeare’s, nor did I get the feeling of human life easily discarded as I would in Lovecraft’s works.

All in all, it wasn’t a bad read, though. Only I was expecting more, and therefore ended up disappointed.

Yzabel / August 13, 2012

Review: Tiger Lily

Tiger LilyTiger Lily by Jodi Lynn Anderson

My rating: 3

Summary:

Before Peter Pan belonged to Wendy, he belonged to the girl with the crow feather in her hair. . . .

Fifteen-year-old Tiger Lily doesn’t believe in love stories or happy endings. Then she meets the alluring teenage Peter Pan in the forbidden woods of Neverland and immediately falls under his spell.

Peter is unlike anyone she’s ever known. Impetuous and brave, he both scares and enthralls her. As the leader of the Lost Boys, the most fearsome of Neverland’s inhabitants, Peter is an unthinkable match for Tiger Lily. Soon, she is risking everything—her family, her future—to be with him. When she is faced with marriage to a terrible man in her own tribe, she must choose between the life she’s always known and running away to an uncertain future with Peter.

With enemies threatening to tear them apart, the lovers seem doomed. But it’s the arrival of Wendy Darling, an English girl who’s everything Tiger Lily is not, that leads Tiger Lily to discover that the most dangerous enemies can live inside even the most loyal and loving heart.

Review:

I read the original Peter Pan story a long, long time ago (over 15 years), and so I can’t tell honestly that I remember its every little detail—therefore I can’t tell if this retelling is especially good or bad, compared to J.M. Barrie’s piece. This point notwithstanding, “Tiger Lily” was for me what I’d call an average pleasant book: neither detestable nor excellent.

I liked that the author chose to have the story told from Tinkerbell’s point of view; in itself, this was an interesting idea, and I found her character actually more likeable here than I remember having perceived it in the original tale. Besides, having the faeries be able to feel people’s thoughts and emotional states justified her comments about Tiger Lily’s and Peter’s story. Said story was touching, and never all black nor all white (especially considering the presence of darker themes like rape and suicide), which is something I prefer to clear-cut morality in my reading in general. Tiger Lily herself was strong, independent, able to face a lot of hardships, yet those very strengths in her were also what made her vulnerable, what prevented her from finding the right words to say. In fact, I found several other characters were really likeable, especially Tik Tok the shaman, and the issues his ways of living raise in terms of acceptance and difference.

On the other hand, the very choice of point of view I mentioned above may have made things a little too far-fetched at times: could Tink *really* know everything, be in the protagonists’ heads with such efficiency? There were a few moments when I found maintaining my suspension of disbelief rather… difficult. Second, while the story was touching, its pace was too slow, and dragged now and then. I also regretted the way certain events seemed to be rushed, such as what happens with Moon Eye or Tik Tok; in my opinion, they’d have deserved something better, just like the pirates would have deserved more spotlight. Finally, I want to say: where was the magic? Just like Nevereland here wasn’t the magical place I expected, save for the presence of mermaids and faeries, and the fact that the tribes’ people wouldn’t age, I felt that it lacked just that little touch that would have allowed me to really like this book, more than just ‘like’ it.

Yzabel / July 22, 2012

Review: Cinder

Cinder (Lunar Chronicles, #1)Cinder by Marissa Meyer

My rating: [rating=4]

Retellings of tales usually attract my attention, even though I haven’t read that many of them. Add to this the idea of a *cyborg* Cinderella, and of course I had to give it a shot.

The first thing to say is I had a hard time putting it down. On the one hand, because it is a retelling and makes uses of fairy tales codes, the story follows patterns that make it predictable (it is easy, for instance, to tell who Cinder really is, and I think the author clealry did that on purpose). On the other hand, “Cinder” falls, for me, into this category of books whose events you can predict, yet at the same time are nevertheless thrilled to see happen. Moreover, the tale itself wasn’t all there was to it, since it was intertwined with other plots (the plague, the threat of a war); in fact, I’m not sure that the Cinderella part was that essential to the story as a whole… but all in all, I still enjoyed the cross-references, and the overall plot also removed the problem of “already knowing where it’s going”.

The main character is a skilled cyborg mechanic, with still enough of her human body to long for a place in a society that rejects the likes of her, and not human enough anymore for that same society to fully accept her as more than a mere ward. Not considering the fact that “skilled cyborg mechanic” already sold me from the start, Cinder is also an interesting person to follow. She has spunk, a will of her own, she’s intelligent and resourceful, she fights to lead her own life, and she doesn’t hesitate to act, rather than just runaway—she’s very far from the passive Cinderella from the tale. At times, she was maybe a little too focused on herself, but it didn’t detract from her that much.

Prince Kai, too, is a fairly nice modern retelling of his original counterpart: more than just a handsome prince, he actively thinks about the future of his country, weighs the choices he has to make, and is ready to personal sacrifice if this can ensure the well-being of his people. The relationship that builds between him and Cinder throughout the story is also believable, not instant love, not instant recognition, but feelings and interests that develop through their encounters.

Finally, I was fascinated by the world developed by the author. The tense relations between the Earth and Luna, the devastating plague, a setting not so often used in YA literature (Asia, (New) Beijing), the suspected plans laid out by the Lunars… There was more to “Cinder” than what I suspected at first, and that world seems to stand its own (I hope the next installments will confirm this, since they’ll take place in other settings on Earth and Luna). If one thing, though, I would really have appreciated getting more of a ‘feeling’ for the atmosphere of New Beijing. I couldn’t really picture it, apart from the use of a few honorifics, characters’ names, or the market place. It was too bad, because this setting was part of what thrilled me when I picked the book, and I regretted not seeing, not feeling more of it.