Yzabel / May 8, 2014

Review: The Shadow Master

The Shadow MasterThe Shadow Master by Craig Cormick

My rating: [rating=3]

Summary:

In a land riven with plague, inside the infamous Walled City, two families vie for control: the Medicis with their genius inventor Leonardo; the Lorraines with Galileo, the most brilliant alchemist of his generation.

And when two star-crossed lovers, one from either house, threaten the status quo, a third, shadowy power – one that forever seems a step ahead of all of the familial warring – plots and schemes, and bides its time, ready for the moment to attack…

Assassination; ancient, impossible machines; torture and infamy – just another typical day in paradise.

Review:

[I got an ARC from the publisher through NetGalley, in exchange for an honest review. Text is liable to change in parts upon publishing.]

I’ll admit I’m not quite sure yet what to make of this book, so for once, I’m going to make up my mind as I write my review.

The story’s set in an alternate Renaissance setting, in which the Medici and Lorraine families compete within the Walled City for the monopoly on a spice able to keep the plague out. While in other parts of the country, plague-infected people are dying by dozens, those in the city worry more about the political schemes of the two families, carried by the inventions of Galileo and Leonardo. The one controls time through clever devices; the other controls weather and has developed a science of metamorphosis. Amidst the tensions, Lucia Lorraine, the Duke’s daughter, and Lorenzo, apprenticed to Galileo and ward of the Medici, just want to be free to let their young love blossom, all too conscious that it could never happen unless they eloped or found another way.

There are lots of hints to well-known plots and historical events and people here. Renaissance Italy, the great inventors, Shakespeare’s plays (Romeo and Juliet comes to mind, of course, and the Duchess definitely has something of Lady Macbeth to her)… Mostly they’re easy to catch, though missing them would mean missing on some finer aspects of the novel. It didn’t lack a touch of humour either, and I found myself smiling more than once, because it was just the right amount for me, without derailing the story. The part with the cook’s assistant and the pie later delivered made me laugh, for its sheer “what the hell” aspect. The inventions were brilliant, and I liked that this strange science, poised between our own and sorcery, had drawbacks, such as making people grow older, faster, or turning them to stone. No such power should ever be totally free to wield.

The novel’s more plot-driven than character-driven. It worked for me, due to the context, the many winks to history and plays, and the city setting (I much prefer fantasy within enclosed spaces, than “travel fantasy”); on the other hand, a reader won’t find deep psychological profiles here.

I found the writing style efficient, able to carry vivid descriptions—the Walled City felt like a character itself, and I had no problem when it came to imagining it. However, the book could do with a last round of proof reading. There were a few typos and missing words now and then, noticeable enough that I couldn’t help but make a mental note about those. (This being an ARC copy, those typos may be fixed once the official publishing date rolls in.)

While the first part of the story was really entertaining, I thought the second one was a little confusing, in that I was left with more than just a couple of questions about who was who and what exactly happened. If those answers were hidden somewhere, then I’m afraid I missed them. What about the Medici and the Lorraine at the end? Was a new order meant to happen, or not? Who exactly were the Nameless One and the Shadow Master? At some point, I had that theory that the Master was part of Lorenzo’s mind only, that he didn’t really exist and was a way for the young man to find his place in the world, but it seems I was wrong. I also wondered if the Nameless One’s wife wasn’t Cosimo’s mother, but no father was ever mentioned, so I guess I was wrong again. I’m not positive I fully “got it”. It may be intentional, in order to leave the readers come up with their own conclusions and interpretations, but in this case, it was a little too vague to my liking.

3 to 3.5 stars, because I liked it no matter what.

Yzabel / February 6, 2014

Review: Stiltskin

StiltskinStiltskin by Andrew Buckley

My rating: [rating=3]

Summary:

What would you do if you found an evil dwarf in your bathtub?

In Robert Darkly’s case you scream like a girl… and then you get taken on a journey to an entirely different world living just on the other side of our own reality; a world where fairy tales are real but not in the way we’ve come to expect them.

The aforementioned dwarf, Rumpelstiltskin, has escaped the Tower prison of Thiside determined to finish the sinister plot he started so many years ago.

Robert Darkly, oblivious that he is the son of the Mad Hatter, must partner with the mysterious ‘Agency’ to pursue Rumpelstiltskin across our world and the world of Thiside and uncover the treacherous secret that threatens to throw both realities into eternal chaos.

Review:

(I received an ebook copy from NetGalley, in exchange for an honest review.)

2.5 stars.

While the idea of retelling fairy tales and/or making them bastardised versions of darker truths is nothing new in itself, I think Andrew Buckley did a good job in building his world. In this world, nothing is as bright and pure as we were led to believe as children, and Robert Darkly is going to discover it fast. Some were thiefs; some were murderers; some were imprisoned in the Tower, or died, while others managed to remain at large; but all characters from those “tales” lived much different lives in Thiside than human people remember them in Othaside.

I had no problems when it came to imagining Thiside and its twisted landscapes, nor to appreciating the various twists made on stories: the author made the latter seem almost logical, in a convoluted way. And darker. Much darker. If it’s happy-ever-afters you’re looking for, it’s not in those versions of the tales you’ll find them. I tend to like this; other readers may not. In any case, this novel is fraught both with darkness and with humour, making the spins strangely amusing; I found myself chuckling more than once, even though some of the events weren’t perceived as such by the characters.

However, at times, said characters seemed a little too bland to my taste. I’m not sure why exactly, I just had the feeling that, while in some parts they came truly alive, in others they were “made for the story”, so to speak. As a result, a few happenings and evolutions had an aftertaste of artificial. (Well, of course a story is artificial, and the ones who people it are just as artificial; I just don’t like feeling it.) In some places, too, the writing wasn’t as polished as in others; for instance, I’d spot a fine sentence next to one full of unneeded (in my opinion, that is) adverbs.

It was an amusing book—and I must say, I loved the ending. I sensed it coming, but only in retrospect: only when it happened did I realise it just couldn’t end in any other way. I’ll remember the story and the atmosphere more than the characters, though.

Yzabel / September 7, 2013

Review: Once Upon A Time Machine

Once Upon a Time MachineOnce Upon a Time Machine by Andrew Carl

My rating: [rating=4]

Summary:

Fairy tales have fueled our dreams and fired our imaginations for centuries. Step inside a time machine built by a collection of today’s finest storytellers, and enter a range of futures where familiar tales are reimagined in an astonishing variety of styles. This collection of twenty-five retold tales delivers a reading experience that will delight generations young, old, and yet to come, featuring the next wave of leading writers and illustrators.

Review:

(A long-due review, considering I got an ebook copy through NetGalley over one year ago, but got sidetracked and forgot about reading it before it was archived there. Well, I can still give my opinion, though.)

This comic-book/graphic novel is about retellings with a sci-fi/futuristic twist—fairy tales and heroic deeds, but not only European ones: it also contains it shares of stories inspired by Asian folklore. As with every anthology-type book, quality varies, some stories being really good, and others leaving me cold; overall, though, I thoroughly enjoyed it. Every story is by a different author, too, and so you’ll get very different styles, both in drawing and storytelling (here, too, you might like or dislike a given style, depending on what your tastes are like).

Among my favourite ones, I would list:

– 1001: An interesting beginning, playing, of course, on the “1001 Nights”.
– John Henry: I admit I didn’t know about him before reading this book, and then researching him… No matter what, it was a strong story, even without previous knowledge of the original one, and proved to be a good way of illustrating the man/machine conflict.
– The Stars are not Wanted Now: Pinocchio as an AI who doesn’t know how “it” should behave. I liked how the part about lying was revisited.
– The Three Musketeers, in an unexpected setting where it’s indeed “all for one”, and where they either work together or don’t work at all.
– The Three Little Pigs: Highly unusual, especially regarding the role played by the wolf, who doesn’t go around destroying houses, but reputations. I loved the ending.
– Rikki-Tikki-Tavi: My favourite, even though it deals with a theme I’m not at ease with. The original one had always been one of my favourites, and it remains so here.
– The Five Chinese brothers also left a strong impression on me.
– Bombus and Vespula: Really creepy in its ending, and not where I thought it would take me… yet it made its point pretty well.