review Archives - Page 12 of 63

Yzabel / April 30, 2018

Review: Wizards And Robots

WaR: Wizards and Robots by Will.i.am

My rating: [rating=3]

Blurb:

When a young man breaks into her home claiming her life is in danger, Ada Luring’s world changes forever. Geller is a wizard, on the run from his father’s hidden clan who want to kill Ada and her mother. Sara Luring is the scientist who will create the first robot, the wizards’ age-old foes.

But a robot has travelled back in time to find Ada, and will lay everything on the line to protect her, as she may just be the key to preventing the earth’s destruction in the future.

Ada, Geller and the robots must learn to work together to change the past and secure the future. But they don’t have much time before a mysterious enemy launches its attack on Earth…

Review:

[I received a copy of this book through NetGalley.]

That was a quick and fun read, even though I think it was too quick, and could’ve been developed into something a little longer without losing its focus or just filling pages: there was definietely a lot going on in this story, what’s with robots and wizards, of course, but also aliens and time travel!

I found the plot easy enough to follow, which isn’t always the case when time travel is concerned. I liked the two (three?) worlds depicted, too: Ada’s ‘present’ with its computers, drones and technological feats; the future world, full of despair but also of loyal robots holding the fort until the end; and, in a way, the world of the wizards, in a ‘powerful beings mired into their own past and refusing to acknowledge changes’ way.

The main characters, too, all had aspects that made them quite likeable in spite of their faults. Sara’s mum may not be available for her family, but she wants to further the cause of knowledge and build a good future for humanity. Ada has her sulky side, but on the other hand she’s loyal to her friends, whether humans or robots. Kaku is powerful, but uses his power and intelligence to learn and protect. Geller isn’t strong, but when offered a bigger power, he clearly uses it to help, and not for his own personal gain.

I’m not giving the book more than 2.5/3 stars, because even though I enjoyed it, it was too short to properly deal with everything, and the ending raised so many questions, and left so many doors open, for something that doesn’t look like a sequel’s in the plans (I had that feeling when I was some 50 pages from the end, and wondering how on Earth everything could be wrapped up). So, yes, the characters were enjoyable, but not very developed. There’s no clear explanation as to why the Spawn is here (well, there is one, but we never get to learn why exactly what they wre trying to destroy was so dangerous -for them-). There are too many unresolved threads when it comes to Ada’s present, such as the future role of the anti-robots people, or what she’s going to do after such an end to the story; and what awaits Geller is too vague, too.

Conclusion: Good for a quick and entertaining read, but don’t expect well-developed characters or a tight plot.

Yzabel / April 29, 2018

Review: Fire (The Ninth Circle)

Fire by C.A. Harland

My rating: [rating=2]

Blurb:

Tala Morgenstern lives for the hunt, embracing her heritage as a demon hunter. When her younger sister, Hartley, disappears while on the trail of her long-lost father, Tala must seek the help of her other sister Aiva, who has turned her back on the underworld of magic and hunting. Suspecting demonic involvement, Tala and Aiva race to find Hartley before she can be claimed by hell.

Their search takes them deeper into the bowels of Dublin’s criminal underground, where the gangs are led by demons, and the currency is souls. With each Circle of hell bringing new dangers, and new revelations about their own place in the demon hunting world, Tala and Aiva have to rely on each other if they are to stand a chance of fighting their way to the Ninth Circle, and the demon lord who is waiting for them.

Review:

[I received a copy of this book through NetGalley.]

I had trouble at first to get into this book (I don’t know why, the first paragraphs felt strange?), however the feeling vanished after a while, once I got used to the narrative style.

The narrative is indeed somewhat specific, in that the chapters seem to me like they mirror episodes from a TV series, with the search for Hartley being the ‘season arc’, and the chapters often revolving around ‘side quests’. This turned out to be both interesting and a weakness. Interesting, because it’s a format I don’t see that often in books; a weakness, because it forced the chapters into a pattern that works on screen, but not so well on books (especially since here, most of the time it was about the sisters finding clues and rushing into a trap). So we had both an overabundance of side plots, but at the same time these plots were discarded after their ‘episode’, and in turn the main narrative was the only real one in the book.

Now, I kind of liked the world building in this story. It’s not the most original ever (there are demons and fae, and humans who train to fight and destroy them and have their own community… we’ve seen that in several series), but the way the nine ‘circles of Hell’ were also involved in the mundane world as nine circles of criminality (prostitution, gambling, money laundering, etc.), and let’s not forget Hell’s Archive and its government, was a good idea. This organisation, this world both parallel to and intertwined with the human world, organised in something understandable, lent more weight, too, to the argument the characters have at some point with the enemy, that is, ‘you kill us demons, but contrary to humans, -we- aren’t given free will, so who’s the most at fault here?’ (So yeah, demons kill and abduct humans and all that, and have to be stopped. Still, that guy had a point.)

I also enjoyed the relationship between the sisters. Tala first appeared as annoying, but redeems this aspect thanks to her strong loyalty to her family. Same with Aiva, who at first looked like she had taken the easy way out for no reason, but turned out to have one (or at least, a trauma explaining her decision), and then focused back on her family when it became really important.

Last but not least, while there were a couple of potential love interests throughout the book, the story remained focused on family relationships (including Owen), and I was glad it didn’t devolve into the typical ‘urban fantasy that is in fact an excuse for some shoddy paranormal romance’ (UF and PNR are two different genres for me, you can tell which one I favour…).

I do regret not seeing more about their relationship with Hartley. All we know about the younger sister is that she’s a paranormal investigator and has a gambling problem, but since she was never seen interacting with her sisters before she vanished, it was difficult for me to really care about her, about what motivated her search, and more importantly, to understand her decisions and her exact plan. It also raises the question of what exactly will happen after that: so there was that huge plan in motion for years, and… Now what? What will the sisters do with their inheritance after that?

Another problem were the action/fight scenes (and there were quite a few), which I found a little too ‘descriptive’, and as such didn’t have enough impact. I didn’t have trouble to imagine them, but I didn’t feel the tension, the adrenaline, so to speak. The writing in general was okay-ish, and didn’t thrill me.

Conclusion: 2.5 stars. It’s not the most original story or world ever, and the writing has just as many good as bad points. I may still be interested in checking out the next book, though, if only to see what the consequences to this series of events will be.

Yzabel / April 24, 2018

Review: Norman, The Doll That Needed to Be Locked Away

Norman: The Doll That Needed to Be Locked Away by Stephen Lancaster

My rating: [rating=2]

Blurb:

When paranormal investigator Stephen Lancaster brought home an old doll from an antique shop, he had no idea what bizarre and terrifying things were about to occur. From Day One, Norman the doll raised Hell. He caused sudden infestations of rats and spiders. He frightened dogs and put children in trances. He even moved on his own in video surveillance footage. And that was just the beginning.

Norman takes you on a thrilling journey into Stephen’s life with a doll that has held the spirit of an unborn child for over fifty years. A haunted doll that still lives in Stephen’s house, locked away in his own room to keep him from once again endangering the house and Stephen’s family.

Review:

[I received a copy of this book through NetGalley. ]

I’m not sure how to rate this book. When I requested it, I thought it was a horror novel, but then upon looking closer, it was in fact a recounting of actual facts? Problem being that, while I am interested in paranormal phenomenons in a vague, general way, I’m not what you could call a ‘believer’—I’ll read about it, and watch shows etc., but I’m going to be detached from it. And while I’ll appreciate those things for the storyteller factor, for the ideas they give me for stories or pen & paper RPG games, I actually have trouble with suspension of disbelief when they’re -not- novels (yes, strangely as it sounds, I may ‘believe’ in this slightly more if it’s fiction… go figure).

So, do keep that in mind when it comes to my review: I probably wasn’t the right audience for it, at least not at this moment in my life.

I kept wondering why the family had the doll in their bedroom, of all places. I’ve always found dolls creepy AF (whether the ragdoll type or those uncanny-valley ‘looks like a real baby’ dolls), so even for the sake of research, I wouldn’t see myself keeping one in anything else than a closet or the basement. More puzzling is why they’d do that in a house where a teenager lives, where the grandchildren regularly come to visit, and where pets dwell, too. Choosing to endanger yourself for the sake of studying some phenomenon is fine and all, I mean it’s your choice, but bringing your kid and pets into it is… I don’t know, kind of irresponsible. I never got the feeling that Hannah agreed to it, or was thrilled with the idea. And when you see what happened to the cat, well…

The other big problem I had with this book was the amount of errors. Since I got an advanced reader copy, I know (I hope) these may have been corrected in the final, printed version, but in the meantime, they threw me out of the narrative.

This said, even though I’m ever the sceptic, the photos and video captures throughout the book were interesting to have a look at. This is typically the kind of stuff I have to see for myself in order to ‘believe’, of course, so the whole ‘we’re not releasing them because it’s our private home’ won’t convince me. Still, it remained interesting to see.

Conclusion: 2.5 stars.

Yzabel / April 23, 2018

Review: Home

Home by Amanda Berriman

My rating: [rating=4]

Blurb:

Meet Jesika, aged four and a half. She lives in a flat with her mother and baby brother and she knows a lot. She knows their flat is high up and the stairs are smelly. She knows she shouldn’t draw on the peeling wallpaper or touch the broken window. And she knows she loves her mummy and baby brother Toby.

She does not know that their landlord is threatening to evict them and that Toby’s cough is going to get much worse. Or that Paige, her new best friend, has a secret that will explode their world.

Review:

[I received a copy of this book through NetGalley. ]

This started as a bit of an annoying read, due to the ‘child voice’ narrating it—it wasn’t so easy for me to get into it. Jesika is a difficult narrator to contend with, in that, on top of being unreliable because she sees the world through her own filters, those filters are very much naïve and different from an adult’s. The way she perceives and interprets events wasn’t always easy to follow, and the fact that the words she used weren’t necessarily the right ones didn’t help. However, after the first couple of chapters, I got used to her voice, and I didn’t notice its ‘quirks’ anymore, or at least not in a way that disrupted my reading. Which was, of course, a good thing.

The story itself deals with difficult themes, too, that aren’t completely visible at first due to the aforementioned filters. But don’t mistake those for callousness: because Jesika seems ‘remote’, this actually makes events more… raw, in a way, in the absence of adult filtering. The reader soon gets to realise the issues Jesika’s family is facing: poverty… but not enough to really get help; having to contend with shady people; illness, probably due to their dire living conditions; and, of course, what comes later, once Jesika meets Paige and starts to wonder if what’s happening at her home is normal or naughty, and if she should tell her mother Tina, and won’t her mother stop loving her if she does that? (And that’s the biggest fear for her child: being rejected by their parents…)

Although the novel never veers into sordid (I don’t want to say that Jesika’s narration revealed Paige’s secret in a ‘cute’ way, because it’s not cute, it’s never cute, it’s creepy AF and no child, well actually no one, should ever have to go through that—but it did soften the blows in a certain way), it wasn’t exactly an easy read. Jesika and Paige are both so very young and vulnerable, all the more when one remembers that getting through the regular babble of children at such a young age can be exhausting, and doesn’t leave much room for actually listening, really listening to them when they try to convey something serious. I did enjoy the grown-ups’ reactions around Jesika, though, since they did take things seriously. There was a particular moment, for instance, when Tina could’ve done the coward thing, could’ve chosen to ignore the signals, because acknowledging them sort of put her at risk, too. There are so many stories, so many happening in real life, too, when unfortunately people close their eyes on the obvious and choose the easy way out.

At the same time, the circumstances Jesika, her mother and her baby brother have to face aren’t all in shades of black only. There are people around who’re ready to help them, and once Tina manages to get past her pride and accept those outstretched hands, she realises that friendship and trust are things you can find even when everything looks bleak. There could have been darker consequences, and in fact, it’s good there weren’t, considering the story’s themes are already dark enough as it is.

Conclusion: 3.5 / 4 stars.

Yzabel / April 21, 2018

Review: Zombie Abbey

Zombie Abbey by Lauren Baratz-Logsted

My rating: [rating=3]

Blurb:

And the three teenage Clarke sisters thought what they’d wear to dinner was their biggest problem…

Lady Kate, the entitled eldest.
Lady Grace, lost in the middle and wishing she were braver.
Lady Lizzy, so endlessly sunny, it’s easy to underestimate her.

Then there’s Will Harvey, the proud, to-die-for—and possibly die with!—stable boy; Daniel Murray, the resourceful second footman with a secret; Raymond Allen, the unfortunate-looking young duke; and Fanny Rogers, the unsinkable kitchen maid.

Upstairs! Downstairs! Toss in some farmers and villagers!

None of them ever expected to work together for any reason.

But none of them had ever seen anything like this.

Review:

[I received a copy of this book through Netgalley. ]

A story with Austen undertones… and zombies. (I’ve seen it compared to ‘Pride and Prejudice and Zombies’, but not having read that one, I honestly can’t tell.)
At Porthampton Abbey, a couple of years after World War I, the Clarke family has to contend with the problem of the entail, just like in ‘Pride and Prejudice’—meaning that if one of the daughters (preferably the elder, Kate) doesn’t marry very soon and has a male heir, their family will lose their estate after the death of Earl Clarke. Which is why the latter has invited a couple of potential suitors to stay for the weekend, including an older businessman from London, a duke, and a recently discovered cousin who’s very likely to inherit anyway, considering he’s the only male heir (but here’s to hope he’ll marry Kate, and all will be well in the world). And the story would go its posh, merry way, if not for the strange death of a villager, found half-devoured… A villager whom his widow has to kill a second time with a bullet to the head.

The beginning of this story definitely has its appeal: the Clarkes display a comical mix of common sense (Kate when it comes to hunting, for instance) and quirky, whimsical inability to grasp that other people are not only their servants, they’re, well, human beings with their own lives, too. This was a conflict in itself in the book, with the ‘Upstairs’ people having to realise that they have to pay more attention to the ‘Downstairs’ people. The build-up to the part where zombies actually make an appearance was a little slow, but in itself, it didn’t bother me, because discovering the characters (and rolling my eyes while trying to guess who’d kick the bucket) was quite fun. Granted, some of the characters weren’t very likeable; the earl felt too silly, Kate too insensitive… but on the other hand, I liked where Lizzy and Grace started and how they progressed—Lizzy as the girl whom everyone thinks stupid, yet who turns out to be level-headed when things become dangerous, and Grace being likely the most humane person in her family. The suitors, too, looked rather bland at first, however a couple of them started developing more of a (pleasant) personality. And I quite liked Fanny as well, the quiet-at-first but assertive maid who refuses to let ‘propriety’ walk all over charity.

After a while, though, the style became a little repetitive. The way the various characters’ point of views were introduced at the beginning of each chapter or sub-chapter, for some reason, tended to grate on my nerves, I’m not exactly sure why; and while I don’t have issues with casts of more than 2-3 POV characters, here the focus regularly went back to some action already shown in a previous chapter, but this time from another character’s point of view, which felts redundant.

I also thought that while there -were- zombies, I’d have liked seeing a little more of them. There was tension, but I never felt the story was really scary (for me and for the characters both), and the moments when a character got hurt was usually due to their being too stupid to live and doing something that no one in their sane mind should’ve done anyway.

Finally, I’m not satisfied with the ending: I don’t know it there’ll be a sequel or not, but if it’s meant to be a standalone, then it leaves way too many things open.

Conclusion: 2.5 /3 stars. I’m curious about how the situation at Porthampton Abbey will unfold, and if there were a sequel, that’d be good, because it’d mean the characters could finish growing, too.

Yzabel / April 18, 2018

Review: The School for Psychics

School for Psychics by K.C. Archer

My rating: [rating=2]

Blurb:

Teddy Cannon isn’t your typical twenty-something woman. She’s resourceful. She’s bright. She’s scrappy. She can also read people with uncanny precision. What she doesn’t realize: she’s actually psychic.

When a series of bad decisions leads Teddy to a run-in with the police, a mysterious stranger intervenes. He invites her to apply to the School for Psychics, a facility hidden off the coast of San Francisco where students are trained like Delta Force operatives: it’s competitive, cutthroat, and highly secretive. They’ll learn telepathy, telekinesis, investigative skills, and SWAT tactics. And if students survive their training, they go on to serve at the highest levels of government, using their skills to protect America, and the world.

In class, Teddy befriends Lucas, a rebel without a cause who can start and manipulate fire; Jillian, a hipster who can mediate communication between animals and humans; and Molly, a hacker who can apprehend the emotional state of another individual. But just as Teddy feels like she’s found where she might belong, strange things begin to happen: break-ins, missing students, and more. It leads Teddy to accept a dangerous mission that will ultimately cause her to question everything—her teachers, her friends, her family, and even herself.

Review:

[I received a copy of this book through Netgalley.]

An enjoyable fast-read when it came to the ‘psychic powers’ theme. I really liked the premise: a young woman who’s been making questionable decisions, and gets a second chance in a school for people with psychic abilities, where they’re trained to protect and server… but a few people on the inside have different agendas, and it’s a constant game of trying to figure out what’s at stake, and if it’s going to be a bunch of revelations, or something much more lethal. The powers the students have are varied, ranging from precognition to telepathy and even pyrokinesis, and I liked how the novel tried to bring a scientific approach to it: after all, they’re training people who’re going to end up working for the FBI or NSA.

The first scene also engaged me from the beginning, what’s with Teddy being banned from Las Vegas casinos, but still sneaking into one, disguised as a different woman, to hopefully win the money she owes a Russian crime boss, because otherwise her own parents will be targeted. Well, OK, nevermind that she should never have let things go that far, all the more if she’s so good at reading people at the poker table, but ‘questionable decisions’ being a key here, alright, I can go with that.

On the other hand, I never really got a good feeling for Teddy, or for the other characters. Some of them had a sort of ‘larger than life’ vibe, with their quirks (the animal medium who likes doing yoga naked, the ex-cop who’s a charmer and can literally set things on fire, the hacker who’s also an empath…); but they remained fairly one-dimensional. Teddy barely thought of her family except in the beginning, we know nothing of the others except for a couple of things like ‘his family’s rich and he has a boat’, and so when the story took a more action/heist-oriented turn, it was hard to root for them.

The other thing I didn’t like—and which contributed to my not enjoying the sotry as much as I hoped—was the globally juvenile aspects. These people are 20-something (Teddy’s 24, and Pyro must be at least 25 considering he served in the police for some time, and I doubt you just start there at 15 or so), but the whole Whitfield academy had a strong high school feeling, and I constantly thought I was reading a YA novel when in fact it was marketed as geared towards adult, with adult characters. I don’t mind YA in general, even though I have my gripes about a lot of books; I don’t think that ‘because it’s YA, it’s necessarily stupid and uninteresting.’ This said, the aforementioned gripes involve a certain number of tropes that I find cringe-worthy, such as the mandatory romance and love triangle, the professor who immediately favours certain students and begrudges the heroine and her friends, or the whole ‘school stars vs. misfits’ aspect. And those tropes were clearly present here, to the point of making me forget that those characters were, uh, two years from going to work for the FBI? Suspension of disbelief was then shattered every time forensics or the shooting range was mentioned; it’s like the story couldn’t make up his mind about whether it was meant to be about teenagers or about adult people.

Not sure if I’ll be interested in the sequel.

Yzabel / April 12, 2018

Review: Wendigo Rising

Wendigo Rising by James A. Hunter

My rating: [rating=2]

Blurb:

Bigfoot is real. Yancy Lazarus—mage, bluesman, and rambler—knows because there happens to be a nine-foot-tall, walking myth standing in the road, flagging him down.

Yancy just can’t escape his reputation as a supernatural Fix-it man even when cruising through the forgotten backwoods of Montana. Turns out Bigfoot has a serious problem on his hands: one of his own has gone rogue, developing a taste for the flesh of humans and Sasquatch alike. A greater Wendigo has risen for the first time in thousands of years and if Yancy can’t stop the creature it could be a slaughter for the residents of a rural Montana town.

But even with the monstrous threat looming on the horizon, Yancy has bigger fish to fry. He’s working as an agent of Fate, attempting to put the kibosh on a nefarious scheme, aimed at upsetting the tenuous balance between the supernatural nations. When your boss is Lady Luck, however, nothing is ever left to chance, and his two cases may have more in common than it appears. If he can’t figure out the missing link it could usher in a new world order: an age of inhuman creatures and walking nightmares … one where Yancy Lazarus doesn’t exist.

Review:

[I received a copy of this book through Netgalley.]

Still an original setting, one that makes use of less known supernatural/folklore creatures (such as Sasquatches—I don’t think I’ve seen a single vampire yet in this series, and this is refreshing). We also find again some of the previously involved characters, such as agent Ferraro, Yancy’s old Vietnam comrade Greg, and James from the Guild, along with unlikely allies in the person of, well, Bigfoot and his daughter (he’s not named Bigfoot, although Yancy keeps calling him Kong, for want of being able to remember his full name). To be fair, at times I preferred these two Sasquatches, once they got past their tendency to refuse to explain their real reasons.

Some of the action scenes were pretty interesting. There’s a curious ‘battle of the bands’ at some point, mixing music with combat, and that isn’t something I’ve often read. Other such scenes left me quirking an eyebrow, though, like the one with Cassius. I quite dig Cassius, but I’d like to know more about him, apart from the little Yancy tells us about him, and the fight scene I’m thinking about, the one at the end, was… OK, I’m not really sure what I’m supposed to make of it. It was fun in a WTF way, but it jarred with the rest of the UF/supernatural-oriented action. I think a little less action in parts would’ve been good here.

This book tended to annoy me more than the previous ones when it comes to Yancy’s personality, though. I’m all OK for the grumpy, no-strings-attached guy who prefers to live in his car, but the way he acts at times is much too childish for someone with so many years of experience, and especially so many battles and betrayals behind him. I guess this is why I particularly appreciated the moment when ‘monsters’ put him back in his place regarding ‘all the people they had killed’ vs. ‘did you ever wonder if the monsters you killed had friends and families?’

Conclusion: 2.5 stars, there are good things in this series, and the end paves the way for more, since part of the threat is gone, but not fully… and things could still go terribly wrong.

Yzabel / April 8, 2018

Review: Flip

Flip by David Estes

My rating: [rating=3]

Blurb:

In a scared and broken world where someone must die before another can be born, one family has been torn apart by fate and a ruthless government, only to find themselves suddenly thrust back together with one chance to save their struggling nation.

Benson and Harrison Kelly and their newfound allies within the rebel consortium are finally fighting back, but the Department of Population Control and its ultimate weapon, known as the Destroyer, won’t rest until they’re all dead. The task will take them into the belly of the beast and force them to face a secret about their past that will change everything.

Meanwhile, the leader of the Lifers, Jarrod, has a new weapon, in the form of an angry, desperate twelve-year-old boy, and he won’t hesitate to use him to destroy an entire city as part of a hidden agenda only just starting to be revealed.

The fate of humanity hinges on a series of impossible choices made by those with nothing to lose. One family. One chance to flip everything they know on its head. One action-packed finale that will leave you breathless.

Review:

[I received a copy of this book through Netgalley.]

The conclusion to this trilogy, and a satisfying one, although I found the ending a little too quick and predictable.

One of the things I liked here is that we got more information about the world around the RUSA. Not a lot, of course, the trilogy’s aim wasn’t to paint a full geopolitical portrait; nevertheless, I always appreciate it when sci-fi/dystopian settings take into account not only to focus country, but also the others. This shakes off the ‘pocket universe’ feeling that is very often prevalent in this genre. In fact, it’d almost deserve a spin-off so that the author can have fun with what’s happening around and outside the RUSA.

Like in the previous books, I also enjoyed the family relationships. Benson and Harrison could’ve been awful to each other, even when thrown in the same predicament, with constant jealousy and resentment. While there were some tensions (it was unavoidable), though, they embraced each other’s respective existences, as a discovery of the brother they didn’t know they had, instead of embracing negative feelings. Which was great. And which leads me to another aspect I enjoyed: the toned-down romance. Yes, there is a romantic subplot, however:
– It’s not the main focus;
– It doesn’t cause the characters involved do stupid things and make stupid decisions because LUUUUURVE (I’m so tired of those silly romance plots where the world is ending but the main character is still too busy pondering which of the guys/girls s/he’s in love with);
– I mentioned this in my review about volume 2 already: when Benson is concerned, I liked seeing such a predictable romance -not- happen. Having everyone find their Twue Wuv or whatever would’ve been too saccharine for me. The focus here is FAMILY, not romantic love, and especially not romantic love as the be-all and end-all and the Highest Form of Love Ever.

Bonus point for Jarrod’s arc. That character was a POS and I hated his guts, but you know what, that’s GOOD, because it means I cared. He helped emphasize one end of the spectrum (the other end being the corrupt government), with his ‘a means to an end’ attitude and terrorist ways, including what he roped Geoffrey into doing. Who does that to a kid, spewing BS such as ‘your sister would be so proud of you’? Yeah. Exactly.

Now, to expand a little on my comments about the ending:

– ‘Too quick’: that is, compared to all the reversal of fortunes previously encountered.
– Predictable: there were quite a few more twists in this instalment, with the last secrets being revealed. However, as a result, the ending felt somewhat… uneventful? As if it was indeed the last sprint, but one that led to no more surprises. Don’t mistake me, it’s a good conclusion, only just a little too well packaged and ‘clean’ and neatly tied, for a series that was grittier than a lot of YA series out there… so I guess I expected something more bittersweet, with some last twist, maye?
– Some parts were anti-climactic, like what happened with the president.
– I gather that the Destroyer is gone, buuuuut… Like THAT? Now that was disappointing, all the more since we didn’t get to see him do much in the first half of the novel. Alright, as a villain, he was ‘too much’ anyway. Yet that end felt almost… comical? And it jars with the darker tones of the trilogy, because deep down, Domino is a broken human being—he was already deranged before, but he was also treated like an object, stuffed with mechanical parts, brought back from the brink of death instead of being let go with dignity, and generally it was as if everybody discarded his humanity from the beginning, never giving him any chance at all. (I’m not saying a redemption arc would’ve been good here—he was too far gone. Just… not -that- kind of ending.)

Conclusion: 3.5 stars. In spite of my criticisms, I did enjoy this last volume.

Yzabel / April 5, 2018

Review: Invictus

Invictus by Ryan Graudin

My rating: [rating=3]

Blurb:

Farway Gaius McCarthy was born outside of time. The son of a time traveler from 2354 AD and a gladiator living in ancient Rome, Far’s very existence defies the laws of nature. All he’s ever wanted was to explore history for himself, but after failing his entrance exam into the government program, Far will have to settle for a position on the black market-captaining a time-traveling crew to steal valuables from the past.

During a routine heist on the sinking Titanic, Far meets a mysterious girl named Eliot who always seems to be one step ahead of him. Eliot has secrets-big ones-that will affect Far’s life from beginning to end. Armed with the knowledge that history is not as steady as it seems, she will lead Far and his team on a race through time to set things right before the clock runs out.

Review:

[I received a copy of this book through Netgalley.]

What I liked:

– The beginning. Of course, you can tell immediately where this is going, and that there’s going to be another proposal to offset the bad news, and you can guess what that proposal will be, but it’s OK because it’s why you’re reading the book. Well, why I was reading it, at any rate.

– Some aspects of the world building, with the idea of trained people going back in time to record events, and having to follow specific rules to avoid creating paradoxes. It makes a lot of sense, since the ‘grandfather paradox’ is definitely not the only risk in such a setting: it’s obvious that you wouldn’t want to kill your own grandfather if you hope to be born someday… but it’s much less obvious that even ‘small’ actions like gambling in a casino can have consequences, for instance by preventing the ‘normal’ winner from winning, in turn preventing them from doing things that should normally have happened, and so on. The most noticeable actions aren’t the only ones that can change the world.

– The crew’s dynamics. I have a soft spot for heist stories carried by a crew (ship, spaceship, band of misfits, whatever), and when the latter works well together, it’s even better. In itself¸ this part wasn’t the most exceptional ever, but I could feel the ties uniting them, and that was good.

– Diversity. Priya is obviously of Indian origin, Gram is dark-skinned, and Far also has inherited a darker complexion from his father. It’s not mentioned more than once or twice, but it’s good to see.

– The book was entertaining, I wanted to know how the story would go (good thing I’ve been on sick leave and with time on my hands to rush through it, huh), and in general the action and tension scenes were gripping.

What I didn’t like so much:

– The romance. I’m not particularly keen on romance in general, for starters— in my experience 90% of such subplots, when they happen in stories whose main genre is not romance, are there because it’s what people (or the market, or publishing houses, I’m never really sure) expect. As a result, the romance feels forced, and that’s the feeling I got here. I didn’t particularly care about Imogen having a crush, all the more since it led to some screen time being used up for conversations about boys and should-I-oh-no-I-don’t-dare. As for the romance between Far and Priya, it was announced very suddenly, its beginnings happened off-scene, and I never felt any real chemistry between these two. In a story revolving around an all-for-one type of crew, friendship all the way would’ve worked better for me.

– The lull mid-book, the part where they go to Las Vegas. Partly because of the romance-related conversations, partly because I wanted to shout ‘Seriously, characters, is partying and getting drunk the best you can do right now?’

– Some other aspects of the world building. Yes, I know I partially liked it. However, some elements were there for… no reason? Example: How can Priya be 17-18 and already a full-fledged medic, with mechanic skills to boot? When did she got time to learn all that? Or why do they eat synthetic food, why is ice cream so expensive? I felt the latter points were here to give a ‘science-fictiony’ sheen, but without explanations about why the world came to be like that, I can never fully buy it. (I’m not asking for a treaty about 24th century economics, but at least a couple of lines about the whys would be nice.)

– Part of the plot when it comes to Eliot’s involvement. First, it’d have been good to see a couple of successful heists before she appeared, so that the disruption she created would be even stronger. Second, the true reason for her presence is somewhat complicated, and may have worked better with a little more development. An example of what I felt rushed with that is how easily an antagonist character convinces other antagonist characters to work with him, towards the end, in order to stop her; it happened very quickly, wasn’t very convincing, and anyway, why didn’t he enlist his own after that, to add a strike force he could fully control?
(Side note: I found the names they used very confusing. I could deal with the endings, like FLT6, but the whole strings of numbers in the middle… I kept trying to imagine the conversation with Eliot speaking these numbers, and I’m surprised she didn’t make a mistake every two sentences when using those.)

– The characters, outside of their role as a group. As a crew, I thought they functioned together well; but as individuals, they felt flatter. They have their quirks, sure (Imogen dying her hair, Gram and his games), but quirks don’t make a full-fledged character. I didn’t really like Far, he had too much of the ‘strong ego/insufferable’ vibe without enough of the ‘dashing captain/charisma’ vibe, so to speak. Also, I would’ve liked to see more of Gram, for some reason I liked him best.

Conclusion: Cool concepts, with good action scenes. The book was an entertaining read, although it failed in other parts.

Yzabel / April 4, 2018

Review: The Sacrifice Box

The Sacrifice Box by Martin Stewart

My rating: [rating=2]

Blurb:

An atmospheric, chilling page turner from rising star Martin Stewart, reminiscent of Stand by Me and Stranger Things.

Sep, Arkle, Mack, Lamb and Hadley: five friends thrown together one hot, sultry summer. When they discover an ancient stone box hidden in the forest, they decide to each make a sacrifice: something special to them, committed to the box for ever. And they make a pact: they will never return to the box at night; they’ll never visit it alone; and they’ll never take back their offerings.

Four years later, a series of strange and terrifying events take place. Someone broke the rules, and now everyone has to pay.

But how much are they willing to sacrifice?

Review:

[I received a copy of this book through Netgalley.]

The blurb for this book immediately reminded me of some of the horror books I’d read in the early 90s—mostly Stephen King paperbacks my mother gave me, so this ‘80s + horror + kids’ combination is one I’ve known in quite a while, even though I haven’t read such books in at least a decade or more. I suppose watching Stranger Things also put me back in the mood for those, and so here I was, getting into ‘The Sacrifice Box’.

As far as horror stories go, a lot of the usual ingredients are here. Strange happenings. Kids who find they have to gather to stop something evil from happening (and they can’t tell their parents, because they’d just sound crazy). School life with its teachers, sports kids, and bullies and picking on a couple of the main characters, but all things considered, those pale compared to the real threat. A mysterious item with mysterious rules to follow, rules that get, of course, broken—madness ensues. Dead animals coming back to life to attack people. Noises at night. A tiny town on an isolated island. The Halley comet looming over it all, like a bad omen.

All in all, I liked the setting itself, although at times it ‘tried a little too hard’, so to speak. However, where the book lacked a lot was the characters. The main point of view is Sep’s, interspersed with chapters viewed through the eyes of a couple of minor characters, like Mario, the vet doubling as chippy owner, in whose restaurant Sep works; or Thom and Aileen, two older people who also opened the box and made sacrifices back in 1941 when the war was raging (the story’s set in the UK, by the way—it’s not always very clear, as the atmosphere feels very ‘US-like’). The problem is that, as far as the other four kids are concerned, I didn’t get more than superficial impressions about them. For instance, Lamb is the hockey player, lives on a farm with her father, and lost her mother when she was a kid, yet apart from that and from her anger at whoever broke the rules of the box, I never really ‘saw’ her, who she was, how she really felt, her fears, and so on; and in such a horror-driven story, with such a concept of a box into which a band of children placed items loaded with both good and bad emotions, childhood fears, hopes and feelings would’ve been a necessary element to play on for all the characters, not just one.

I also didn’t see the point to the bully. At first, I expected him to play more of a part—perhaps the kind of character who ends up completely crazy, starts muttering about having to ‘kill the evil’, grabs a rifle, becomes an impediment to the kids’ efforts to restore the order (it’s a bit cliché, but it’d have its place in such a plot). And then… It just petered out. In the same way, I would’ve appreciated more of a conclusion regarding the events and the box itself: the epilogue doesn’t shed light on all the things that should’ve followed (how did the parents react, what about all the dead people, how were events explained officially, etc.). Here, too, some plot ends were left dangling.

Conclusion: A fast read, and rather entertaining in a superficial way; but the novel kept feeling like an attempt to surf on the “Stranger Things” wave, and didn’t live up to the kind of books/stories it tried to be an homage to.