Yzabel / August 20, 2017

Review: Godblind

GodblindGodblind by Anna Stephens

My rating: [rating=3]

Blurb:

There was a time when the Red Gods ruled the land. The Dark Lady and her horde dealt in death and blood and fire.

That time has long since passed and the neighbouring kingdoms of Mireces and Rilpor hold an uneasy truce. The only blood spilled is confined to the border where vigilantes known as Wolves protect their kin and territory at any cost.

But after the death of his wife, King Rastoth is plagued by grief, leaving the kingdom of Rilpor vulnerable.

Vulnerable to the blood-thirsty greed of the Warrior-King Liris and the Mireces army waiting in the mountains…

Review:

[I received a copy of this book through NetGalley.]

Attractive cover is attractive! Red and black? Count me in!

This is fantasy of the darker and grittier kind. People fight and die in puddles of gore; the Red Gods thrive on human pain and sacrifices (and their priests and believers are all too happy to oblige); and intrigue abounds in every corner of the world, making it difficult for the characters to know who are their allies, and who are their foes.

This is also the kind of novel about which I hold very divided opinions, because its selling points and its negative points are, for me, often sides of a same coin.

To be honest, I had some trouble to get into the story at first (not because of the sacrifice and rape in the first chapters—I guess it’s more related to the fact I don’t read a lot of fantasy these days, and while I am generally interested, I tend to have a harder time to get immersed in it). This may partly have been due to the short chapters, some as short as 2-3 pages, which creates a fast pace but makes it difficult to get invested in the characters, their predicaments and their stakes, all the more since the story follows several characters, and since the violence at times seemed a wee bit… here for the shock factor more than anything else? As a result, I didn’t feel very close to either the ‘heroes’ or ‘villains’, and that sense of ‘yeah, OK, that must’ve hurt, but I don’t really care’ unfortunately stayed with me.

(The short chapters were a positive thing in a way, though: I often read while walking or in public transportation, or during short breaks at work, and such chapters make it very easy for me too ‘break’ my reading and resume later.)

Another side of the book that is both positive and a hindrance is that it’s the first book in a series, and it looks like it’s going to be epic, with lots of battles and high stakes (a whole kingdom falling into war, people seeing their homes destroyed and families slaughtered, ambitious rulers, treachery and traitors in the heart of power, etc.). This said, it makes the story read more like an introduction, a prologue of sorts, before we get to the actual meat.

Yet another ‘same coin’ aspect: the intrigue. On the one hand, the plot twists were very easy to guess (who’s going to be a traitor, who’s going to double-cross who, etc.). On the other hand, for me, they were also of the ‘I know where this is going but I’m excited nonetheless’ kind.

I did like some characters enough (especially Crys, he’s the kind of easygoing trickster type I’m easily drawn to in novels) to feel invested at times. I’d wish for a little less sexism and homophobia, though (not on the author’s part, just in that specific world in general; it’s like it’s never accepted in most worlds, anyway *sighs*).

Conclusion: More an introduction to the actual plot, and with strengths that are weaknesses at the same time, but still interesting enough that I’d like to read book 2.

Yzabel / May 18, 2015

Review: Modern Rituals

Modern Rituals (The Wayward Three, #1)Modern Rituals by J.S. Leonard

My rating: [rating=2]

Blurb:

“A failed ritual annihilates modern life.”

Manhattan, NY: The E-Train slams into James Bixby, a strapping young artist on the rise, after a life-saving rescue attempt goes awry. Belfast, Ireland: A bullet severs Olivia Young’s spinal cord while she defends a doctor colleague–the second bullet pierces her heart.

Then they awaken–unharmed.

“Selected” and thrust into a deadly ritual, James’ and Olivia’s lives–along with the lives of five others–will decide humanity’s fate: surrender to the old Gods’ rule or live on in blissful ignorance. Follow their frantic struggle as Magnus–a secret organization of enormous reach and scientific prowess–directs the ritual to its gruesome end.

Dubbed as a Cabin in the Woods “remix,” Modern Rituals celebrates the movie’s ritual motif and compels readers with a rich universe propped upon science fiction and mythology. If you loved the fierce pace of Battle Royale and the fight to survive in Hunger Games, then Modern Rituals: The Wayward Three will quicken your heartbeat and leave your eyes red and bleary! Pick it up and strap in–once this story leaps off the page there’s no turning back.

Review:

I got a copy through NetGalley, in exchange for an honest review.

This book is so difficult to rate: because I enjoyed the story, I really did (I have a fondness for tropes when they’re openly exploited as such). However, it’s also so terribly close to The Cabin in the Woods in its concept and execution, and without any acknowledgment of the movie (or, even further, of the other book that the movie supposedly plagiarised) that everything is a muddled cluster here. I’m not talking “it’s about a boy who goes to a school of wizardry, so it’s like Harry Potter” inspiration. I’m talking something even more blatant than this.

I liked the use of technology, computers and science to fulfill the needs of elder gods, assuage them and put them back to sleep. I liked how the people behind the rituals had to resort to archetypes/tropes: the Knight, the Succubus, the Virgin, the Fool, and so on. It cast the characters into specific moulds, forced them to play roles they wouldn’t have played otherwise. Besides, the blend of magic and technology is something that’s always fascinated me—perhaps because both seem to be the antithesis of each other, yet, in the words of A. C. Clarke, isn’t any sufficiently advanced technology indistinguishable from magic?

On the other hand, the tropes didn’t go far enough to my liking, in that in the end, mostly the characters did stay in those roles, and didn’t subvert them, when it would have been the perfect opportunity to do so.

I liked the twists, how the characters who were supposed to die got given a second chance, how the one who wasn’t supposed to join them actually did more than one would have thought, how the one who was supposed to die didn’t. However, there were a few but glaring holes in that, including how exactly the seven were transported into the school grounds, and the survival of… let’s say characters that shouldn’t have been able to fake their injuries or death. I mean, Olivia’s a nurse: nothing should escape her in that regard. If she pronounces someone dead, then that person is definitely dead, or at least so close to it that no recovery should be possible in such a short time.

I also wondered about the parts the characters were supposed to play, not only within the ritual itself, but in a meta way. I thought Olivia would be on par with James, as the female main protagonist, yet she was quickly overshadowed. A shame.

And… I still can’t overlook the similarities I pointed to at the beginning of my review. There are too many of them. I don’t know if I’ve missed something; I looked in the first and last pages of the novel to see if this was addressed at some point, and it just wasn’t (although one of the character clearly mentions the rituals having different settings throughout the world, “even a cabin in the woods”). I honestly don’t know what came first. Basically, I’m not even sure I should touch that with a ten-foot pole. You just… don’t do that. Is all.