Yzabel / April 12, 2014

Review: Division Zero

Division Zero (Division Zero #1)Division Zero by Matthew S. Cox

My rating: [rating=3]

Summary:

Most cops get to deal with living criminals, but Agent Kirsten Wren is not most cops.

A gifted psionic with a troubled past, Kirsten possesses a rare combination of abilities that give her a powerful weapon against spirits. In 2418, rampant violence and corporate warfare have left no shortage of angry wraiths in West City. Most exist as little more than fleeting shadows and eerie whispers in the darkness.

Kirsten is shunned by a society that does not understand psionics, feared by those who know what she can do, and alone in a city of millions. Every so often, when a wraith gathers enough strength to become a threat to the living, these same people rely on her to stop it.

Unexplained killings by human-like androids known as dolls leave the Division One police baffled, causing them to punt the case to Division Zero. Kirsten, along with her partner Dorian, wind up in the crosshairs of corporate assassins as they attempt to find out who – or what – is behind the random murders before more people die.

She tries to hold on to the belief that no one is beyond redemption as she pursues a killer desperate to claim at least one more innocent soul – that might just be hers.

Review:

[I got a copy through NetGalley, in exchange for an honest review.]

3.5 stars. The idea of mixing cyberpunk, crime, psychic powers and ghosts was really interesting, and in general, I liked what the author created here. The world depicted here seemed true enough to what I expected of such a setting, seen through the eyes of a young police officer who’s had her share of difficult moments and knows how far from rosy and sheltered life is. It addressed the matter of consciousness in various ways, the main ones being ghosts, but also AIs (the most advanced ones are granted citizen status, and failing to repair them is legally considered as murder).

I really enjoyed the way the normal world existed alongside the “dead” world. Ghosts tend to linger due to various reasons, from revenge to being tied to items or places (we get to see a few of these throughout the course of the story). Apart from that, their options are to either “go to the light”, or to fall prey to the strange, shadowy Harbingers, who (which?) come for the darkest souls. The way the novel ends leaves room for more on that, I think, but since we already learn a lot in this first installment, I felt satisfied.

I found it a little hard at times to get into the story, especially in the first half, but after a while things flowed more seamlessly. I think what bothered me in the first part was that a couple of side characters popped up, without exactly being solved. (view spoiler) So I was left wondering, when do I see them again, and… nothing.

Kirsten also annoyed me in the first half, because she’s such a whiner about never finding a boyfriend (they all run away when they find out she’s psychic). She’s 22, there’s still plenty of time for that, and I don’t like it when a female character who has a lot of potential is shown as pining after men, as if everything else wasn’t important. Everytime it happened, I wondered why she kept putting herself in such situations, too (it was as if she set herself for failure?). I must admit that behaviour made me knock off one star here. Fortunately, the second half of the novel was better in that regard, and she was more focused on her job. She also got to battle her own demons, and with this came a new acceptance, too, and another perspective on life.

Dorian… Dorian had his annoying quirks, but I liked what the author did with him, and I hope he appears in the next story. (view spoiler)

In spite of my initial qualms with Kirsten, I do want to read the next installment. I’ve seldom seen ghosts used in such futuristic settings, so the whole premise was interesting, and remained so in my opinion. (Also, I still hope we’ll see some of the minor characters again, such as the ones I’ve already mentioned.)

Yzabel / March 21, 2014

Review: The Cleansing

The Cleansing (Earth Haven)The Cleansing by Sam Kates

My rating: [rating=3]

Summary:

Apocalypse unleashed, the Cleansing begins. Relentless. Survival, uncertain.

Seven billion people inhabit this world, unaware our destruction is at hand. Death arrives unheralded—swift and nearly certain—not from meteors or nuclear holocaust or global warming, but from a source no one even knows exists.

The architects of doom have moved among us, hidden in plain sight, waiting for the signal to trigger our extinction.

Blindsided, humanity falls. A handful of survivors, bewildered and grief-stricken, must face the new reality, and quickly. For while the Cleansing threatens our existence, it is only the beginning…

Review:

(I got an e-copy of this book through NetGalley, in exchange for an honest review.)

3.5 stars.

An interesting twist on the more traditional post-apocalyptic “a deadly catastrophe wipes off humanity, only a few hundreds/thousands survive”… because this time, the survivors are mostly the ones who were responsible for said catastrophe (and this isn’t a spoiler: we learn about it in the first couple of chapters). We’re clearly given both sides here: that of the “poor” human survivors, and that of the group who engineered everything, and was thus organised enough beforehand to be able to breeze through the aftermath.

I liked how the story made me question a lot of things. What we take for granted. The reasons behind the decision of the “bad guys”. How some of them may not be so far away from humanity as they like ot think. I suspect the latter aspect will be explored more in the next installment, or at least I hope so, as it’s something I found quite intriguing. The characters of Troy, Diane and Milandra come to mind. Troy being too trigger-happy in his mission, for a supposedly non-violent being; Diane showing no emotion, no signs, and being exactly the kind of person who might or might not snap in the end; and Milandra, the one who gave the order, yet still tries to protect the one guy who didn’t obey. It seems to me that thousands of years spent among the “drones” have taken their toll, and it made me wonder: how many others are going to have second thoughts, in spite of having carried the order and followed the plan so far?

On the downside, the writing was sometimes a little too dry, and I found it hard to connect with the characters, which in turn made it harder to actually care for them. For quite a few chapters, we see them in their mundane lives, or going through the apocalypse, but mostly I wouldn’t feel very invested in them. I also thought part of the explanation, given throughout the second half of the novel, tended to veer into info-dump territory (just a couple of times, fortunately). The setting also makes up for bleak prospects for the human race—but then, it depends on whether one wants to read a story full of hope in the wake of adversity, or indeed read something about a dark future, in which case The Cleansing definitely delivers.

Yzabel / March 17, 2014

Review: TimeRiders

TimeRiders (TimeRiders, #1)TimeRiders by Alex Scarrow

My rating: [rating=2]

Summary:

Liam O’Connor should have died at sea in 1912.

Maddy Carter should have died on a plane in 2010.

Sal Vikram should have died in a fire in 2029.

Yet moments before death, someone mysteriously appeared and said, ‘Take my hand . . .’

But Liam, Maddy and Sal aren’t rescued. They are recruited by an agency that no one knows exists, with only one purpose – to fix broken history. Because time travel is here, and there are those who would go back in time and change the past.

That’s why the TimeRiders exist: to protect us. To stop time travel from destroying the world . . .

Review:

I was reading this one for a group read, but since I had time to finish it today instead of dumbly waiting for tomorrow to roll in, well…

I’m not sure if it should be a 1* or 2* for me. Let’s say 2, for the Terminator shout-outs, which made me smile (I watched T1 and T2 when I was in middle school, and I still have fond memories of those), for the couple of good things I liked, and because I didn’t actually want to throw the book through the window. In fact, I think it could be nice for a younger audience—maybe 7th graders—because if you don’t pay attention to the plot holes, well, the story has the potential to be a fast, entertaining read (though a bit frightening and gruesome in parts for the really young readers out there).

The characters weren’t particularly well-developed, but neither were they insufferable, and I appreciated the plot not being bogged down by the useless romance I see rearing its head in too many YA novels. However, the plot holes are what sunk this book for me. It’s dealing with time travel, a very, very tricky subject, and one that is really not so easy to master. As soon as it enters the game, it brings its lot of questions: what’s the science behind it, what about paradox, what happens if a character meets him/herself from the past, and so on. Unfortunately, TimeRiders didn’t deal well with that in my eyes.

Here’s an example: the characters live in a sort of “bubble”, from which they observe the same two days in time. Within the bubble, they age normally, but every couple of days, the world around them is reset, and reverts back to what it was at the beginning of their observation period. One of the characters’ role is to stay outside, keeping an eye for whatever may be different, a sure sign that a shift has occured somewhere in history, and report it to the others so that the team’s analyst can locate the problem, and the actual timr-travellers can go there to fix it. However, there’s no explanation as to why this character isn’t affected by huge time shifts. At some point, the whole world is destroyed, so her parents can’t have been born to give birth to her later, so why does she still exist? That kind of problem is never really addressed nor explained. I would’ve been content with something as simple as “once you’re plucked out of time, you can’t be affected by shifts anymore for [insert whatever reason]”, but I don’t even remember seeing that.

Another thing I wondered about was the whole time agency business. The teenagers are never introduced to it, except through what Foster tells them about it; no other team is ever seen or even mentioned; and I had the feeling that it didn’t really exist, that those three kids and their old mentor were the only ones in the world. Maybe this will be explained in book 2 or 3, I don’t know; still, considering this is the book in which the characters are trained for their missions in time, it would’ve made sense to give us more information about that, to make us actually hear about other teams. (Again, I could’ve gone with a short explanation, maybe a rule such as “each time is assigned to a given time period and forbidden to talk to the others, for fear of time paradox.” Whatever.)

Not the worst story I’ve read so far, but consider it a 1.5 on my scale, not more.

Yzabel / February 25, 2014

Review: Hollow World

Hollow WorldHollow World by Michael J. Sullivan

My rating: [rating=4]

Summary:

The future is coming…for some, sooner than others.

Ellis Rogers is an ordinary man who is about to embark on an extraordinary journey. All his life he has played it safe and done the right thing, but when faced with a terminal illness, he’s willing to take an insane gamble. He’s built a time machine in his garage, and if it works, he’ll face a world that challenges his understanding of what it means to be human, what it takes to love, and the cost of paradise. He could find more than a cure for his illness; he might find what everyone has been searching for since time began…but only if he can survive Hollow World.

Review:

(I got a copy of this book from NetGalley, in exchange for an honest review.)

I couldn’t help but think “Crapsaccharine World” as I was reading this book. Hollow World and its inhabitants seem to be the pinnacle of perfection for the human race (no diseases, instant transportation through portals, you can get whatever you want manufactured on the spot, no need to work…)—a sweet, sweet world, right? And yet, as soon as you scratch at the surface, you start wondering where’s the catch. It gets you questioning a lot of values, a lot of things we’d deem as “perfect”, and in turn, it also sheds another light on the villain’s beliefs (yes, there is a villain, but I’m not about to spoil it further).

I really liked “Hollow World”. I admit had a hard time wrapping my mind about the “suspension of disbelief is needed” part, but this might be, paradoxically, because of the foreword put in by the author. (I’m contrary like that, I suppose; I didn’t have any problems when it came to do it with H.G. Wells, but tell me to do it and I start noticing it too much.) But mostly, this story left me with a satisfied feeling. I appreciated how it was about time travel, yet in terms of changes inner and external, not in terms of theories, going back and forth, etc. (Those are hard feats to master, and a lot of TT-related books fail in that regard, in my opinion.) From the beginning, it was made clear that it was a one-way trip for Ellis, our “hero”, and that he’d have to make the best out of what he’d get once in the future.

Ellis: this character was a challenge, in a way, because he was everything I’m not (male, older, married, lived through the death of his child, very likely American conservative middle-class, and various other elements that make it a little harder to identify with). However, the author managed to make him a likeable person. He was flawed, he didn’t always see what was in front of him as clearly as he could have, but he evolved throughout the story; challenged with a completely different world, he had to come to terms with the fact that his former beliefs, his life, were more comfort-choices than something he really believed in. In that, I can only commend this character and his evolution.

Pax: he (let’s say “he”, because “it” would be demeaning to me, if closer) was such a beautiful person. Adorable and human to the core, in that everything about “him” seemed to be based on sheer human features, devoid of anything “polluted” by gender. Of course, everyone in Hollow World was supposed to be like that, but for me, Pax really epitomised those values. “He” seemed to be one of these people who manage to make beauty bloom in everyone, no matter how flawed.

Antagonists: Let’s call them “villain and followers”. Their plot wasn’t so complex in itself, yet it stemmed from thought patterns that, all in all, were logical, considering what had prompted them. Ellis and this antagonist were like inverted mirrors of each other, walking on similar paths that revealed who they truly were on the inside.

More than time travel, “Hollow World” is about differences, acceptance, humanity, and discovering one’s true self. And this made it beautiful.

Yzabel / February 14, 2014

Review: Les Enfants de l’Ô

(Review in French, since it concerns a French book.)

Les Enfants de l'ÔLes Enfants de l’Ô by Vanessa du Frat

My rating: [rating=5]

Résumé:

Alia, 2340

Un étrange signal apparaît sur les écrans de surveillance ECO. Ludméa, jeune stagiaire envoyée sur le terrain pour chercher son origine, se retrouve en pleine tempête, au cœur de la forêt de Gonara. L’affaire semble intéresser de près Ruan Paso, directeur adjoint des départements militaires pour la recherche scientifique, un homme plein de secrets.

Terre, 2066

Les jumeaux Line et Lúka tentent de survivre sous le joug d’un père violent, obsédé par ses manipulations génétiques. Leur existence triste et routinière est chamboulée le jour où Lúka désobéit aux ordres en laissant s’évader un sujet d’une importance capitale… ce qui ne restera pas sans conséquences pour le futur.

Les Enfants de l’Ô nous fait voyager entre deux mondes, deux époques et nous fait découvrir les destins croisés de personnages énigmatiques. Mêlant saga familiale, drame psychologique et science-fiction, ce premier tome pose les jalons d’une série qui s’annonce captivante.

Critique:

Cette critique est un peu délicate à écrire, car j’admets avoir une relation toute spéciale avec ce roman, que j’ai connu pour la première fois fin 2006, alors qu’il était encore publié sur internet. Cette version-là était différente de celle que j’ai à présent entre les mains, mais le gros des éléments qui la constituaient, et que j’appréciais à l’époque, est toujours là… et je l’aime toujours autant.

LEO (j’abrégerai le titre de cette manière) est avant tout une histoire de psychologie, sur fond de science-fiction. Si la SF n’est pas votre fort, vous pourrez tout de même apprécier le roman — tout comme les éléments SF qui y sont présents pourront vous plaire si vous êtes un(e) lecteur (lectrice) plus chevronné dans ce domaine. Il est également assez spécial, dans ce sens où il fait véritablement partie d’une saga: vous ne trouverez pas dans ce premier tome une histoire à peu près complète, et dans les suivants d’autres histoires complètes, avec des personnages récurrents d’un volume à l’autre. Au contraire, l’ouvrage soulève peut-être bien plus de questions à la fin qu’il n’apporte de réponses, chose qui peut soit agacer, soit faire trépigner d’impatience – tout dépend de quel type de lecteur vous êtes.

Ce début de saga se déroule principalement en deux lieux et deux époques différentes: Alia en 2340, une planète qui semble être une colonie, et dont les habitants sortent tout juste d’une guerre avec une planète rivale; et la Terre en 2066. Cinq personnages principaux se partagent la vedette: d’un côté Ludméa et Ruan sur Alia, de l’autre les jumeaux Line et Lúka sur Terre; au milieu, Lyen, arrachée à sa famille alors qu’elle n’était qu’une enfant, destinée à ne mettre au monde des bébés que pour mieux se les voir arracher, dans le cadre d’expériences génétiques menées par le père des jumeaux. Tout ce petit monde est lié par bien des secrets, dont certains se dévoilent de façon très subtile, et d’autres sont tout juste esquissés, voués à n’être pleinement révélés que plus tard.

Par ailleurs, tous semblent également partager, que ce soit en tant qu’acteurs ou victimes, un curieux Don, jamais exactement nommé, mais dont les effets se précisent peu à peu – et rarement à de bonnes fins. Ce Don leur permet d’échapper aux conséquences d’actions qui autrement auraient dû leur coûter cher… mais pour combien de temps? Un conseil: faites bien attention aux tout petits détails à ce niveau…

LEO se déroule surtout en huis-clos étouffants (la zone de quarantaine sur Alia, le Laboratoire sur Terre), qui permettent par là même de mettre d’autant mieux en lumière les différentes psychés en présence. Les personnages sont constamment confrontés les uns aux autres en des lieux dont ils ne peuvent s’échapper; ne peuvent échapper ni à eux-mêmes, ni au regard des autres; et si de beaux sentiments parviennent à s’y développer, d’autres, plus noirs, prennent également le pas. Les thèmes abordés traitent en effet de certains aspects assez sombres de la psyché humaine: domination, dissimulation, hypocrisie, couples brisés, lâcheté, voire inceste et meurtres (dans de tels lieux, quoi de surprenant à ce qu’un drame survienne?). Bien qu’ils essayent souvent de se voiler la face, ces mêmes personnages n’y parviennent pas toujours, et les excuses qu’ils se trouvent n’en sonnent que plus faux, ne font que montrer encore plus à quel point ils sont complexes, pleins de défauts autant que de potentiel. C’est pour moi une facette fort appréciable de cet ouvrage qui, en filigrane, les dévoile tels qu’ils sont. Il frappe de plus par moments avec une précision clinique: pas de scènes sanguinolentes gratuites, mais des actions chirurgicales, nettes, précises, à l’impact plus fort de par l’économie de descriptions.

Un autre aspect intéressant que je pense devoir noter: le rôle des femmes dans ce roman. Contrairement à un certain nombre d’ouvrages où les personnages féminins nous sont présentés comme “forts” alors qu’ils sont en fait “bridés”, ici, c’est l’inverse qui semble se passer. Lyen: prisonnière, violentée, violée dans son corps comme dans son esprit. Line: enfermée dans le laboratoire, son frère étant son seul contact avec le monde extérieur. Ludméa: l’intruse, dans un centre de recherches empli de militaires aussi bien que dans une relation qui autrement aurait été censée bien se passer. Ylana: belle, intelligente, génie de la microbiologie, mais exhibée comme une sorte de trophée. Et pourtant, on se rend compte au fil de l’histoire que ces femmes à première vue “simplistes” sont peut-être bien vouées à être les plus fortes, celles qui contrôlent tout en arrière-plan, celles par qui les véritables changements et révélations surviendront… avec tous les chamboulements que cela implique.

Si ces thèmes quelque peu crus vous rebutent, si vous préférez des histoires riches en scènes d’actions, ou encore de la science-fiction de type hard science, LEO ne vous conviendra sans doute pas. Par contre, si les paradoxes temporels, les histoires d’amour tordues, les manipulations génétiques et/ou virales, ou encore les pouvoirs étranges vous intéressent, dans ce cas, il n’y a pas à hésiter.

Yzabel / December 3, 2013

Review: Solomon the Peacemaker

Solomon the PeacemakerSolomon the Peacemaker by Hunter Welles

My rating: [rating=4]

Summary:

Vincent Alan Chell is coy about answering the questions of his captor. He’d much rather talk about his dead wife, Yael, whose suicide somehow led him into captivity. Or Preacher, the bearded leader of a cult-like group that meets in the bowels of a church basement. Or the Peacemaker, the computer intelligence that has guaranteed peace between nations for half a century.

Chell describes a world where cultural norms have changed the way people interact with technology. Humanoid robots, though ubiquitous, are confined inside private homes, giving the impression that all is well with the world. Which may be the case. Yet Preacher and his group are convinced that humankind is already in the thrall of the Peacemaker. And they might be right.

Solomon the Peacemaker, Hunter Welles’s debut novel, explores the limits of technology, nonviolence, love, and memory in the twenty-second century as it races to its incredible conclusion.

Review:

(I got an e-copy of this book through NetGalley, in exchange for an honest review.)

I was first attracted by the cover, which matches both my love of red/white/black colour schemes and made me wonder what about the character on it (is she connected to something, or does she have a rope around her neck?). The novel also deals with a few themes that usually interest me: how technology can affect human life, people voluntarily putting on blindfolds, and a character who, being captive, may or may have not committed some kind of crime.

It’s worth saying that Solomon the Peacemaker is particular, and is probably of the make-it-or-break-it kind. First because it unfolds in a somewhat unusual manner, in that the captor’s questions are never printed, and you have to fill in the blanks yourself, resulting in either liking it or feeling that this “breaks” your reading. After the first few pages, time for me to get used to this method, Chell’s “dialogue” parts made it easy to imagine what the questions might have been, how the interrogator may have been trying to lead him to answer specifically, and so on. However, while it worked quite well for me, it may not work for someone else. Things may also be a little confusing, since a lot of background information isn’t known, and you have to piece everything together. Due to the question/answer format, too, the narrator relies on a bit of exposition bordering on information-dumping, and this tends to force the story into more telling than showing.

But this is in the beginning, and after a short while, diving into the story became actually quite easy, as it focuses on characters, their relationships, and concepts that already exist in our time: Preacher’s cult-like church, for instance, or the hardships that can befall a marriage. Vincent tells about his life with Yael, of how their common aspirations started to differ after a while, and all the while, the Peacemaker remains looming in the background, unaware of how involved it is, how many unspoken dissensions it creates. The idea of peace being maintained across the whole world by an artificial intelligence is both fascinating and repelling, in that it raises many questions: are human beings so unable to do that by themselves that they have to resort to a machine? Is there even any hope? Also, the matter of the Host is freaky, and makes one wonder about individual sacrifice for the greater good.

I found a few things to be missing, although I suppose that including them might have cluttered the narrative. I would’ve liked to know more about the Outside, and whether is was as dangerous as the people “inside” believed it to be. I managed to make my own idea about it, but somehow, it would have been nice to get just a little more information about it. On the other hand, the whole context—the interrogation room, Chell’s knowledge that he’ll never get out of there without his brain picked apart, and his calm acceptance of this, fits the dystopian side of a world that appears perfect, yet is built on a lot of hypocrisy and damage kept hidden from public view (again, the Host comes to mind).

In the end, in spite of the couple of faults I found with it (usually, telling vs. showing is a breaker for me, but here I didn’t mind so much), Solomon the Peacemaker kept me fascinated until its conclusion. An expected conclusion, perhaps, yet one that still held quite some impact.

Yzabel / October 23, 2013

Review: Paradigm

ParadigmParadigm by Helen Stringer

My rating: [rating=3]

(I got this book from NetGalley, in exchange for an honest review.)

Summary:

“If I ask you to do something, will you do it?”
“Maybe.”
“Maybe?”

“Well, I don’t know what it is yet. But I’m guessing that death is the alternative, so I’m prepared to be reasonable.”

Sam Cooper is seventeen. He drives a cherry red 1968 GTO that he won on a bet, and spends his days exploring the open roads of the great American West. He should be living the teenage dream, but post-collapse America is a hard place to survive.

The United States is long dead, basic resources are getting scarcer, and no one on Earth has seen the stars since before he was born. Vast tracts of the country are now empty as people huddle together for safety. In all this chaos, Sam has survived on his wits and occasional luck. But a visit to the walled and prosperous Century City results in a split-second decision that changes everything. Soon Sam is on the run from the ruthless Carolyn Bast, and by something much more dangerous: MUTHA-a powerful artificial entity that has been watching and waiting for Sam’s return from the barren outlands. Sam unknowingly carries the key to something MUTHA can’t live without, something so dangerous that others are willing to kill him, or worse, to ensure that the great plex never possesses it.

Sam can’t stay one step ahead of them forever. His only hope is to unravel the secrets of his peculiar past and awaken the incredible power that sleeps within-because even in his beloved GTO, without the truth, Sam will never succeed in outracing the nightmare to come.

Review:

This novel range from “okay” to “I like it”. It is interspersed with good ideas and easily recognisable characters, and although some of the latter are a little bit on the cliché side, they still manage to stand on their own. (And let’s be honest: at some point, I do want clichés. I do want to picture the badass poncho-wearing girl slashing at enemies with knives in her hands and razor-blades woven in her braids. In fact, the illustrator in me wants to draw that.)

The villains were a little over the top at times, but I liked that they were also chessmasters, laying plans within plans within plans. Too often in books, I find the antagonists too simple-minded, so when I find one that actually remembers to anticipate, I’m glad.

What I liked less in “Paradigm” was how it could easily become confusing. It relies a lot on the reader’s intrisic understanding of vocabulary and concepts that is, indeed, part of regular readers’ of sci-fi… but not so much of others. Even though I managed to follow most of the technological ideas conveyed throughout the story, there were still moments when I had to flip back a few pages, or wonder if this or that explanation held water scientifically, or was just resting on wibbly-wobbly scientific notions. (My own knowledge in that regard isn’t fail-safe, so I can never be sure.)

The plot, too, is a bit all over the place. On the one hand, it gives off nice vibes of a mad chase; on the other, it also made me feel like the characters were always running around right and left, conveniently finding each other again, too. Things go fast, and you may not notice such details on the moment, but for me, they had a nagging tendency to come back to mind later. (I guess the main character, Sam, was confusing as well: he’s supposed to be smart, yet some of his reactions seemed to run contrary to the Sam I had learned to know until now.)

Last but not least, the romance part was simply useless. I enjoyed Alma’s badass streak and no-nonsense attitude, but friendship would’ve done the job just as well.

I’d give it a 2.5 stars, but decided to round it up to 3 all the same, because all in all, “Paradigm” kept me entertained. Still, I feel it necessary to point out that younger readers might be confused now and then by how the world is presented.

Yzabel / October 7, 2013

Review: Dream of Time

Dream of TimeDream of Time by Nancy J. Price

My rating: [rating=3]

Summary:

Each night, when Robin drifts off to sleep, she finds herself dreaming about the life of a woman in the Victorian age. She soon realizes it’s not a dream at all, but she is truly slipping into San Francisco’s past.

While living two lives — one as a mom in the modern day, the other as a proper young lady at the turn of the century — she discovers *how* she’s being sent back to a bygone era is only the first mystery. A much more important question is *why* she’s there.

With the help of a rookie police officer, Robin takes off on a spellbinding adventure, sifting through a century’s worth of clues to untangle the past — and to put love to the test. History, though, proves itself a worthy opponent, and she comes to experience firsthand how destiny can be kind and cruel in the same stroke.

Review:

(I got a copy of this book through NetGalley, in exchange for an honest review.)

A pleasant enough book, though it might be considered as lacking in certain aspects of time travel, and perhaps character development, too, depending on what you expect.

I really liked the details of 1900 San Franciso, how Robin had to get used to her “life in the Then”, without all the commodities we take for granted nowadays. Some things she gets used to it fairly quickly, yet she definitely needs help with others, and this made the story more believable: had she been able to adapt too easily, it wouldn’t have been interesting.

I also enjoyed the links to articles, pictures of items of clothing, and various other visual tidbits throughout the text. Since this was an ebook, and I was reading either on my computer or tablet, it was very easy to navigate to the aforementioned links (although I admit I only did it once I was done with a chapter, in order not to disrupt my reading). It may not seem like much, but it was a nice add-on, and one you can tell the author enjoyed putting in.

Last but not least, the manner in which some threads tied together at the end was interesting. Some may say it was the easy way out, but I think it fit well enough; I’m not sure there could’ve been a truly happily-ever-after ending, and the one we got here, though bittersweet, still felt appropriate to me.

What I’m less sure about is how Robin took in what was happening. In some ways, she reacted very sensibly, but in others, it felt as if she was too oblivious to what seemed to me like sheer evidence, especially since she had access to much information in the Now. I had the feeling that she should’ve been looking for specific clues more quickly, and instead “wasted” her time on others. Of course, keeping in mind that I was a reader comfortably installed in her chair, and not living through such events as described in the book, it’s easy to say! This is why I’m not totally sure if the heroine’s reactions were logical or not: with everything going on, her basically living two lives (and she did a good job not breaking out after the first few days), maybe it wasn’t so surprising at all.

Another element that may have been a little confusing was the matter of paradox, which is something very, very tricky to toy with in stories revolving around time travel. There were a couple of instances where Robin discovered some clues sent to her through Jennie, acted accordingly, yet didn’t ensure that said clues would be sent to her future self, which should thus have ended as a paradox loop.

I found a few typos/missing words here and there, but nothing too jarring nor distracting in the long run. Those few qualms notwithstanding, I can say I enjoyed this novel.

Yzabel / October 6, 2013

Review: Engines of the Broken World

Engines of the Broken WorldEngines of the Broken World by Jason Vanhee

My rating: [rating=4]

(I got an ARC ebook copy through NetGalley, in exchange for an honest review.)

Summary:

Merciful Truth and her brother, Gospel, have just pulled their dead mother into the kitchen and stowed her under the table. It was a long illness, and they wanted to bury her—they did—but it’s far too cold outside, and they know they won’t be able to dig into the frozen ground. The Minister who lives with them, who preaches through his animal form, doesn’t make them feel any better about what they’ve done. Merciful calms her guilty feelings but only until, from the other room, she hears a voice she thought she’d never hear again. It’s her mother’s voice, and it’s singing a lullaby. . . .

Review:

This book left me with an odd feeling, but in a good way: the kind of feeling you cannot define, that puts you at unease, yet that at the same time keeps you enthralled and fascinated. The story is wrapped in a definite atmosphere of raw despair and claustrophobia, and its characters, although bleak-looking at first, become easier to understand chapter after chapter. Merciful is a  simple girl who’s led a simple life in a simple place, under the guidance of her mother and the Minister; Gospel, her elder brother, tries to be The Man in the family, although he is only three years older and is still a scared child in some ways. Their only comfort, after their mother’s death and even before that, is the Minister itself, and that is to say a lot, since it’s not even a human being they’re dealing with, but an animal.

While you hope until the end that everything will be fully resolved, there’s that nagging little voice in you that keeps saying “it cannot end well”; part of you wants to ignore it, and part of you wants it to be right, because every element—that lost, backward village, its few remaining inhabitants, the mysterious fog, the setting itself—almost screams for it. In a way, it is terrifying. In another, it is alright. You might never know what really happened, how it really ended, if it really ended… but somehow, it’s alright. And I wouldn’t have wanted it to be otherwise.

I also liked how the author managed to toy with the minds of his characters, by also toying with the reader’s mind. More than once I wondered if I had read too fast, if I hadn’t paid attention enough to this or that detail, or if maybe I had put a finger on a plot hole; then, a few chapters later, it all made sense again, and I realised I had been fooled—again, in a good way.

My biggest qualm, I think, would be that the characters weren’t fast enough when it came to understanding a specific turning point in the plot, and might have been able to understand sooner the whole deal about the machine. But at the same time… could they? Considering the life they had been leading until now, and their present circumstances, wasn’t it normal for them to be a little slow on the taking? I can’t make a proper decision about that. All things considered, I enjoyed this book no matter what.

Yzabel / September 7, 2013

Review: Once Upon A Time Machine

Once Upon a Time MachineOnce Upon a Time Machine by Andrew Carl

My rating: [rating=4]

Summary:

Fairy tales have fueled our dreams and fired our imaginations for centuries. Step inside a time machine built by a collection of today’s finest storytellers, and enter a range of futures where familiar tales are reimagined in an astonishing variety of styles. This collection of twenty-five retold tales delivers a reading experience that will delight generations young, old, and yet to come, featuring the next wave of leading writers and illustrators.

Review:

(A long-due review, considering I got an ebook copy through NetGalley over one year ago, but got sidetracked and forgot about reading it before it was archived there. Well, I can still give my opinion, though.)

This comic-book/graphic novel is about retellings with a sci-fi/futuristic twist—fairy tales and heroic deeds, but not only European ones: it also contains it shares of stories inspired by Asian folklore. As with every anthology-type book, quality varies, some stories being really good, and others leaving me cold; overall, though, I thoroughly enjoyed it. Every story is by a different author, too, and so you’ll get very different styles, both in drawing and storytelling (here, too, you might like or dislike a given style, depending on what your tastes are like).

Among my favourite ones, I would list:

– 1001: An interesting beginning, playing, of course, on the “1001 Nights”.
– John Henry: I admit I didn’t know about him before reading this book, and then researching him… No matter what, it was a strong story, even without previous knowledge of the original one, and proved to be a good way of illustrating the man/machine conflict.
– The Stars are not Wanted Now: Pinocchio as an AI who doesn’t know how “it” should behave. I liked how the part about lying was revisited.
– The Three Musketeers, in an unexpected setting where it’s indeed “all for one”, and where they either work together or don’t work at all.
– The Three Little Pigs: Highly unusual, especially regarding the role played by the wolf, who doesn’t go around destroying houses, but reputations. I loved the ending.
– Rikki-Tikki-Tavi: My favourite, even though it deals with a theme I’m not at ease with. The original one had always been one of my favourites, and it remains so here.
– The Five Chinese brothers also left a strong impression on me.
– Bombus and Vespula: Really creepy in its ending, and not where I thought it would take me… yet it made its point pretty well.