Yzabel / February 2, 2019

Review: The Monsters We Deserve

The Monsters We DeserveThe Monsters We Deserve by Marcus Sedgwick

My rating: [rating=2]

Blurb:

‘Do monsters always stay in the book where they were born? Are they content to live out their lives on paper, and never step foot into the real world?’

The Villa Diodati, on the shore of Lake Geneva, 1816: the Year without Summer. As Byron, Polidori, and Mr and Mrs Shelley shelter from the unexpected weather, old ghost stories are read and new ghost stories imagined. Born by the twin brains of the Shelleys is Frankenstein, one of the most influential tales of horror of all time.

In a remote mountain house, high in the French Alps, an author broods on Shelley’s creation. Reality and perception merge, fuelled by poisoned thoughts. Humankind makes monsters; but who really creates who? This is a book about reason, the imagination, and the creative act of reading and writing. Marcus Sedgwick’s ghostly, menacing novel celebrates the legacy of Mary Shelley’s literary debut in its bicentenary year.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

This book is somewhat of an oddball: part essay, part horror story, part reflection about the writer’s craft and what bringing a story into the world involves.

The book the author-protagonist talks about is Mary Shelley’s “Frankenstein”, but it’s also his own, his best-seller book, and the one about which he harbours the most doubts. It’s about disliking a story so much that you can’t help think about it; about the meaning of one’s writing, and how it completely escapes us from the moment it’s out in the world; about searching one’s soul and having to come to terms with our truths. Not an easy read, though it’s fairly short, and I admit I wasn’t entirely sold on it at first, but then it grew on me.

It’s also about monsters, of course, but not necessarily the kind we think at first.

Not my favourite book by Marcus Sedgwick, though, as parts of it are rather confusing and left me with a somewhat “off” feeling that I couldn’t place. Not to mention that if you’ve studied “Frankenstein” at least a little, most of the reflections outlined in it, as well as the “big reveal”, are kind of… super obvious?

2.5 stars. Interesting as a curiosity, I’d say.

Yzabel / July 9, 2012

101: A Word From Trigg

A couple of weeks ago, I read 101 by Margaret Chatwin, and at some point in my review, mentioned that one person I would have wanted to read more about was Trigg’s father (mostly, why he was that way, or what he expected from his kids).

Guess what? Trigg himself decided to make a few things clearer, and invited himself over Margaret’ Chatwin’s blog page on Goodreads:

Yes, my adventure started long before that night in the living room when Ren sealed our fate by pulling the trigger. I actually think it started the day I was born, but who wants to be dragged that far back? Not me. Bad enough I had to live it once.

So – my dad. You probably figured we’d start with him, huh? Everything always starts with him. Not sure how that’s even possible, but it seems to be true.

His name is Kent Hale and I don’t know what he was like as a kid or teen. Never had one of those father/son get-to-know-you talks. You know the kind where, for a second, you can close your eyes and pretend your parent is really your friend? Where the two of you can find yourselves in each other? Where something they did as a kid is so similar to what you did just five minutes ago that you feel a connecting bond? Yeah – just never happened with him. When he wasn’t screaming, he was silent. That weird, vacant kind of silent. A stupor that, I’m sure was induced by the liquor.
His parents were no help in getting to know him. His dad died before my sixth birthday in some work related accident. Or so they say. Rumor has it the guy had an enemy on every corner.

Shocking how my dad turned out to be the stalwart individual that he is…

I’m not going to copy the whole story here, since it’s not mine. The rest of the post is available here.

Yzabel / March 5, 2007

Separating the Siamese twins

I’m not talking about cats or a piece of news, but about a process initiated some time ago, grown in my little mind by what’s left of my brains, fed with the Pirates of the Caribbean soundtrack, and finally blossomed in full. This is to say that I separated in two distinct entities (in brief, two novels) the first volume of my trilogy set in the world of Eien.

Complicated? Yes and no. I had been hesitating for a long time, fearing that by doing so, I would only pursue new chimeras, but the facts dawned on me rather than I imposed them as a law. Either I’d get rid of a secondary plot that deserved something better than background importance (and I’d then find myself with characters without any reason of travelling any more, and with the need of modifying a general plot that otherwise suited my tastes well), or I’d develop that secondary plot, with the risk of overshadowing the main one. In the end, none of these seemed good in my book.Read More