vampires Archives - Page 2 of 3

Yzabel / June 12, 2014

Review: Seven Kinds of Hell

My rating: [rating=2]

Summary:

Archaeologist Zoe Miller has been running from a haunting secret her whole life. But when her cousin is abducted by a vicious Russian kidnapper, Zoe is left with only one option: to reveal herself.

Unknown to even her closest friends, Zoe is not entirely human. She’s a werewolf and a daughter of the “Fangborn,” a secretive race of werewolves, vampires, and oracles embroiled in an ancient war against evil.

To rescue her cousin, Zoe will be forced to renew family ties and pit her own supernatural abilities against the dark and nefarious foe. The hunt brings Zoe to the edge of her limits, and with the fate of humanity and the Fangborn in the balance, life will be decided by an artifact of world-ending power.

Zoe’s mission takes her and her friends across the globe on a frenetic quest for no less than Pandora’s Box.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Although this novel contained a few things I liked, I’m afraid it won’t leave me with a lasting impression, mostly because of the characters themselves.

I enjoyed the archaeological-related plot: ancient artifacts whose purpose isn’t known in the beginning, a “relic” (Pandora’s box) that I’ve seldom seen in urban fantasy and other contemporary books, travelling through Europe in search of clus, trying to find out sites to dig in (literally)… I’ve always had a soft sport for Indiana Jones-like stories, and for what it’s worth, I think the level of details in “Seven Kinds of Hell” was just the right amount for me: believable without turning into lessons. A real archaeologist might disagree, I don’t know; it’s not my area of expertise.

There’s a lot of action going on, too, and while I may not have wanted to read such a story in one of my most introspective periods, right now this kind of reading agrees with me. Someone looking for characters running away, fighting unknown enemies, finding unexpected allies in the middle of a fight, and so on, will likely appreciate this side of the novel.

On the other hand, the characters didn’t work for me. Zoe had her shortcomings and her good moments, like any proper character should, should I say, but I was extremely annoyed with her for a couple of decisions she made, that had catastrophic consequences. The guy who gets abducted? She led her enemies to him, instead of immediately leaving town, like her mother told her to do on her deathbed (and like she had done for most of her life). I could understand a “normal” person hesitating, trying to see her friends a last time. Someone used to doing that? Not so much. Then, later, a character dies, who wasn’t saved because Zoe missed a big time opportunity—somewhat understandable, considering the circumstances. Less understandable is how she basically ditched said character at some point, even though she knew something fishy was going on; if she hadn’t, I’m positive things would’ve turned out very differently. From the beginning, I had a hunch this poor person was here only to die, and unfortunately, I was right. Zoe’s decisions sometimes bordered on the Too Stupid To Live—or to allow other characters to live.

The secondary characters looked interesting, but I never got the feeling I “knew” them enough to really care, especially Ben and Ariana, who seemed to be dropped in there. (Gerry and Claudia “felt” like they had some kind of back story, at least.) As for the bad guys, they were the classic kind. No surprises here. I admit I rolled my eyes at the Russian villain.

The plot, mostly in the beginning, is slowed down by a few flashbacks. While not uninteresting per se, they distracted me, and enforced my “will you get out of town at last, Zoe?” reactions. I also found the ending a little too convenient to my liking, with Zoe getting help from someone she briefly met years ago. That person had reasons to act in such a way, but it still came out of the blue.

I have mixed opinions about the mythology. Fangborn society had a nice “we’ve been watching over you for ages” aspect, and I would’ve liked to know more about it, about its vampires that are more like shapeshifting snake-like creatures, about its oracles, too. On the downside, they seemed just a little too perfect and deluded sometimes, which mad them somewhat bland.

In the end, this novel held my attention mainly because of its “race for artifacts” side, but definitely not for its characters.

Yzabel / May 12, 2014

Review: Shadows & Dreams

Shadows & Dreams by Alexis Hall

My rating: [rating=3]

Summary:

My name’s Kate Kane. And right now, I don’t know which is more dangerous: my job, or my girlfriend. My job makes me the go-to girl for every supernatural mystery in London. My girlfriend’s an eight-hundred-year-old vampire prince. Honestly, I think it’s probably a tie.

A few weeks ago, I was hired for a simple missing person case. Next thing I know, I’m being arrested for murder, a vampire army is tearing up London, and even my dreams are out to get me. Something ancient, evil, and scary as hell is on the loose and looking for payback. The vampires are in chaos, the werewolves are culling everything, and the Witch Queen can’t protect everyone.

Which means it’s down to me. And all I’ve got to hold back the shadows is a stiff drink, a quirky sidekick, my creepy ex-boyfriend, and the woman who left me for a tech startup. It’s going to be another interesting day.

This title is #2 of the Kate Kane, Paranormal Investigator series.

Review:

[I got an ARC of this novel through NetGalley, in exchange for an honest review.]

I liked this one better than the first one. Partly because I already know the characters, but also, I think, because I found it less heavy on some of the things that had bothered me in the previous volume.

Characters, first. The reader will meet known ones again: Julian, Nimue, Ashriel, and get to know more about others (such as a Eve). Kate remains a fun point of view character, with a good dose of humour even in dire situations. She has a tendency to do things that aren’t exactly good for her, but at least she acknowledges it… even though it doesn’t prevent her from getting into dangerous situations. Elise plays a more important part, being here from the beginning, this time, and I must say she’s also a character I’ve taken quite a liking to. She’s discovering life as a normal human being (well, as normal as possible in the circumstances, that is), has an interesting way of speaking and apprehending the world, and I found that her becoming Kate’s assistant actually helped with furthering the plot. In “Iron & Velvet”, I sometimes felt that Kate stumbled upon information; Elise being tasked with finding information streamlines things a bit, and makes the investigation more believable in my opinion. Last but not least, Eve: she may seem bigger than life to some, but I found her geeky, Batman-wannabe side quite funny. And she gets the job done; no comic-relief useless sidekick on her part here.

There was less romance/erotica this time, and for me, it was for the best. I guess I’m used to the Kate-Julian relatioship now, so I wasn’t bothered by insta-love or anything similar. Owing to the plot, the two women didn’t spend as much time together, which wasn’t pleasant for them, sure, but also allowed less room for the sex scenes. (I don’t have anything against sex scenes, only they didn’t work for me in book 1, in part because of the weird similes often associated with them. So, yes, less of those here meant less clunky scenes in my opinion.) Although I still think Kate should learn to keep her dick in her pants, metaphorically speaking, she wasn’t as unfocused as previously, and therefore felt more believable as a PI.

I must admit that the Patrick/Sofia routine, while funny at first (with all the drama queen antics and the woe-is-me-I-totally-shape-the-world-to-my-beliefs attitude that clearly hints at bad emo stories), became a little tiresome after a while. I must’ve rolled my eyes as often as Kate did. But then, Patrick is an infuriating character, and one that is meant to serve as a comic relief.

The bit about the Vampire: the Requiem game made me smile. No irony lost here. It reminded me a bit of the RPG bit in Jim Butcher’s Dresden Files, and I wonder if this was intentional or not? On the other hand, I’m certainly not holding that against the author here, because it’s the kind of scene I like (and would probably write as well at some point).

Not the best book of 2014 for me, but definitely an improvement on the first one. I think I’ve warmed up to this world and characters.

Yzabel / May 7, 2014

Review: Deadly Curiosities

Deadly Curiosities by Gail Z. Martin

My rating: [rating=2]

Summary:

Cassidy Kincaide owns Trifles & Folly, an antique/curio store and high-end pawn shop in Charleston, South Carolina that is more than what it seems. Dangerous magical and supernatural items sometimes find their way into mortal hands or onto the market, and Cassidy is part of a shadowy Alliance of mortals and mages whose job it is to take those deadly curiosities out of circulation.

Welcome to Trifles & Folly, an antique and curio shop with a dark secret. Proprietor Cassidy Kincaide continues a family tradition begun in 1670—acquiring and neutralizing dangerous supernatural items. It’s the perfect job for Cassidy, whose psychic gift lets her touch an object and know its history. Together with her business partner Sorren, a 500 year-old vampire and former jewel thief, Cassidy makes it her business to get infernal objects off the market. When mundane antiques suddenly become magically malicious, it’s time for Cassidy and Sorren to get rid of these Deadly Curiosities before the bodies start piling up.

Review:

[I got an ARC through NetGalley, in exchange for an honest review.]

Hard to tell whether I liked it, or found it simply “OK”, so let’s consider this a 2.5 stars.

There are a lot of good ideas in this novel. About the magical community (the Alliance isn’t so big, the Family is likely to become a pain in the neck at some point). About the various kinds of magic, that I haven’t seen used that often in urban fantasy yet (weaving magic and psychometry, that is). About items and how they can become beacon of positive or negative energies. It goes to show that even the most inconspicuous little things can be harbingers of danger. And a store full of antiques, acting as cover for the magic folk to gather those special items and prevent them from falling into the wrong hands? Quaint and delightful—much like the town of Charleston, for which I could get quite a good feeling through the many little stories. (One of the secondary characters works in the historical archives. I tell you, you always need to know someone who works in a museum or something. Always.)

Another thing I liked was that, for once, there was no romance here. I don’t dislike romance, but sometimes I find there’s too much of it in UF in general, and it can more easily detract from the darkness and magic. Here, I didn’t want to read about a love story: I wanted to read about the antique shop, the mysterious items, Cassidy’s power, and so on. And this is what I got. So I was glad.

Unfortunately, this novel just didn’t click with me. I’m not even sure why exactly. I liked the ideas, the characters seemed interesting, but I never connected with them. I don’t think we get to see Sorren before the 30% mark, if I remember well, which I found too bad. As for the demon hunter, it was kind of annoying that he was introduced so late into the story, then made to die; his death would’ve been more striking if I had got to know him better. Yes, I’m a masochist. I know.

Regularly enough, I also found myself a little bored. It may have been because of the writing style: usually good when it came to descriptions of places, or to the stories passed around regarding the town and its inhabitants, but somewhat clunky in other parts. Examples would include repeated uses of the same first name in three consecutive short sentences, or some dialogue lines basically stating the same thing twice in a row. At first, I didn’t really notice it, but after a while, it started weighing down the narrative. The pace was perhaps a little too slow as well, though I can’t tell if this was because of the aforementioned style, or if it was just sluggish.

I’d place this novel among the ones that aren’t uninteresting, and could blossom into a good series; however, so far, I’m not really convinced.

Yzabel / April 22, 2014

Review: Iron & Velvet

Iron & Velvet by Alexis Hall

My rating: [rating=2]

Summary:

First rule in this line of business: don’t sleep with the client….

My name’s Kate Kane, and when an eight-hundred-year-old vampire prince came to me with a case, I should have told her no. But I’ve always been a sucker for a femme fatale.

It always goes the same way. You move too fast, you get in too deep, and before you know it, someone winds up dead. Last time it was my partner. This time it could be me. Yesterday a werewolf was murdered outside the Velvet, the night-time playground of one of the most powerful vampires in England. Now half the monsters in London are at each other’s throats, and the other half are trying to get in my pants. The Witch Queen will protect her own, the wolves are out for vengeance, and the vampires are out for, y’know, blood.

I’ve got a killer on the loose, a war on the horizon, and a scotch on the rocks. It’s going to be an interesting day.

Review:

A fun read in several ways. I quite liked the tone in general, as well as some of the characters. I think Elise remains my favourite, even though she doesn’t appear that much, and I can only side with Julian when she says, basically, that “very few people manage to give life to something inanimate, it’s a great feat of ancient, difficult magic… and most of the time, they use their creation as a sex toy.” But then, I’m always partial towards golems. And London, because I love this city. Blood magic and creepy fairies and a hive mind of rats. And there’s a Geat vampire prince. Seriously, how fucking cool is that?

However, after a while, some of the recurrent sass became a little, well, too recurrent—notably Kate’s “Huh” and her tendency to underline the crappy situations in which she put herself in (“Here lies Kate Kane, blah blah. Beloved daughter. Sorely missed.”). She didn’t strike me as a good investigator, spending too much time running here and there grasping at straws, too easily distracted, and I felt that the lead she needed rested too much on happenstance, and was made for plot convenience, rather than something a talented investigator could deduce (or maybe she should have deduced it, considering her origins?). At times I wanted to bang my head and call a too stupid to live on her.

I really didn’t connect with the Kate/Julian relationship. I do get lust, physical attraction, spur-of-the-moment desire, but I tend to find it hard to believe when it turns into strong ties in barely a few days. Certainly not when 800-year-old immortals are concerned (I’d expect them to be more jaded about that). The “sweeting” bit got on my nerves pretty quickly—but I have a hard time with pet names in general. Also, every other female wanted to do Kate, or had been her girlfriend, it seems, and this is treading too much into Mary Sue territory to my liking. As for the sex scenes, they weren’t so exciting—too much purple prose and weird metaphors (“She lay underneath me like an unexploded grenade”… How to put it… Uhm, no?).

I still don’t know if the hints at other stories (Patrick, for instance) are intentional, winks, or lack of inspiration. They’re fun, in a way, but… I don’t know.

2 or 2.5 stars, not sure. I can’t say I disliked this novel, because it does contain elements that make me go squee; however, I can’t say I loved it either.

Yzabel / July 17, 2013

Review: Real Vampires Don’t Sparkle

Real Vampires Don’t Sparkle by Amy Fecteau

My rating: [rating=1]

Summary:

Matheus Taylor didn’t ask to be murdered.

To be fair, the percentage of people actually asking to be murdered is probably small enough to be safely ignored, but he felt it was worth stating regardless.

His life might have been ordinary, but it was his life and he wasn’t done with it yet. Quin didn’t care. A seventeen-hundred old Roman, Quintus Livius Saturnius had a different view of morality than most people. Killing Matheus and hijacking his undead existence seemed perfectly acceptable to him.

Now, Matheus spends his nights running for his life, questioning his sexual orientation, and defying a mysterious new threat to the vampires within his city. Not that he set out to do any defying; he just wanted to be left alone.

Unfortunately, that was never going to happen.

Review:

(I got this book from NetGalley, in exchange for a honest review.)

There are good ideas in this novel, but I think it’s in need of serious editing and cutting for the story to become more interesting. While there was some humour in it, and a few dialogue lines that made me smile, things tended to go on for too long in between plot points, without necessarily providing information and/or character growth. It made me feel like the story was dragging on, and in turn, I had a hard time pushing myself to read it.

The characters have their interesting sides, and some dialogues had a nice dynamics—what can I say, I like a dose of healthy snark. On the other hand, too often they behaved like drama queens, with a lot of pouting, glaring and other behaviours I’d associate to teenage girls rather than to grown-up men, especially when those are supposed to have lived for centuries and be all badass otherwise. Matheus struck me as childish most of the time, and only in the very last part did he seem to partly grow out of this. I expected Quin to be less patient with his antics, and show him things the hard way, instead of letting him pout and whine, with the occasional outburst. (Same with Alistair, who in my opinion should have been old enough to get over it.) Not to mention that Quin kept too much to himself, which led to Matheus not understanding, demanding answers, being denied them, throwing a tantrum, then dropping the matter—only to run after Quin when the latter went out to do something dangerous.

As for the plot itself, it’s quite hard to define. It was partly too full (the hunters, Zeb’s book, Milo’s role, Bianca, the ‘real bad guys’…), and yet at the same time went too slowly, being glazed over in favour of what I might called “filling up”. Also, in the end, several things remained to be solved. Was there a traitor? Why did Quin claim Matheus, what prompted him to turn him instead of just murdering him? Perhaps this story would have fared better if divided between two books, and with less bantering in between turning points. For instance, Matheus discovering the world of vampires, going on his first hunts, being confronted to Grigori and the others, and to the hunters, would’ve made a complete story in itself. The way things were, I found those aspects weren’t explored enough, and left too much room instead to those behaviours I mentioned above—which sure didn’t fit well with what the title had led me to expect.

It looks like this is the first volume, and another one will follow, hopefully bringing answers. However, I’m still convinced it would’ve fared better with more editing, even if this meant going with two books instead of the one. The war mentioned in the last third would really deserve its own story, set apart from the rest—or be made the main plot from the beginning, without all the interruptions in between.

Yzabel / January 29, 2013

Review: The Greyfriar

The Greyfriar by Clay Griffith

My rating: [rating=4]

Summary:

Vampire predators run wild in this exciting steampunk adventure, the first in an alternate history trilogy that is already attracting attention. In 1870, monsters rise up and conquer the northern lands, As great cities are swallowed up by carnage and disease, landowners and other elite flee south to escape their blood-thirsty wrath.

One hundred fifty years later, the great divide still exists; fangs on one side of the border, worried defenders on the other. This fragile equilibrium is threatened, then crumbles after a single young princess becomes almost hopelessly lost in the hostile territory. At first, she has only one defender—a mysterious Greyfriar who roams freely in dangerous vampire regions.

Review:

I found it hard at first to get into the story, because I couldn’t properly wrap my mind about the geography and politics of the world described in this book—it’s nothing complicated, though, so I guess it was just me, probably reading too late at night as usual, in a language that remains not my own. The problem didn’t last for long anyway, and then I got sucked in.

I want to mention that for once, too, the label ‘steampunk’ is better applied than it usually is to a lot of novels lumped in this genre. I love the steampunk aesthetics, I love in in art and clothing, but I find that too often, an author will slap a few cogs and a dirigible and call it ‘steampunk’. The keyword being ‘steam’. Here, though, we are given a world where such technology is the norm; while it’s not the core of the story, it’s still present enough to be felt throughout the novel.

The vampires are ruthless and inhuman, yet cunning in their own ways. Having the point of view of both humans and vampires throughout the narrative allows the reader to see how each species perceive each other like nothing more than animals, especially since the vampires don’t seem to care about fine clothing, architecture, arts, poetry, and so on, thus making them ‘inferior’ in the eyes of humans. I liked that take, because if we reverse it, it’s also logical: why would immortal creatures bother with the very means through which the short-lived humans strive to make themselves ‘immortal’?

The real identity of the mysterious Greyfriar was easy enough to guess, but that was alright, because the author didn’t try to actually hide it from the reader (if he had tried to do so, on the other hand, it would have fallen flat, for sure). For me, it actually tied quite well with the use of certain clichés that, in retrospect, also make a lot of sense. Greyfriar: a mysterious man who never shows his face and hides his eyes behind smoked glasses; fights like a hero of legend; fights ‘the good fight’, alone, in dangerous territories, isolated from all other humans. Greyfriar was from the beginning an image, a symbol, and I found the reason behind that image somewhat touching, even.

One thing I regularly had problems with, though, was the shift in points of view. It switches between characters several times in a same chapter, sometimes even from one paragraph to the other, yet it’s not an exact omniscient third person POV either. This tends to make me lose focus, and wonder “Wait, what? It was about Flay, and now we’re in Cesare’s thoughts? Huh?”

This put aside, I enjoyed the story, and the gritty side there was to it.

Yzabel / January 13, 2013

Review: Who is Audrey Wickersham?

Who is Audrey Wickersham? by Sara Shrieves

My rating: [rating=4]

Summary:

I know everything that’s happened is my fault. I try to tell myself that it’s okay, I never wanted a normal life to begin with. But then I think about who’s been hurt, and I wish that I could go back to the beginning. Back to when I was just a nobody wandering the halls of my high school, alone and unnoticed. Back to when I was completely oblivious to what killing somebody felt like.

You have to understand though, I had no choice.

Review:

(Book provided by the author through ARR #63 in the We ♥ YA Books! group, in exchange for an honest review.)

This novel was a fast and funny read as far as I’m concerned; I wouldn’t put it in my all-time favourites, but it definitely made me smile more than once, for its main character and her quirks first. Audrey’s misfortune is absolutely appaling, yet she has somewhat of a humorous way of telling about it, when her attitude could’ve been much more angst-ridden (and thus probably more difficult to stand in the long run—that may be because I’m myself the kinf of person who’s cry for five minutes, then throw in bad jokes all the time just to deflect the fear and pain). She’s also determined to take things into her own hands (even though this leads her to other mishaps), and not to let other people only try to figure out a solution.

Another thing I appreciated is the role played by her father: in a lot of novels, the protagonist’s parents often get shoved out of the way very quickly, and the teenagers left to their own devices. Here, her father is clearly part of the plot, with a fierce desire to help and protect, proving his love for his daughter by the simple fact that, for starters, he’s not rejecting her. And let’s not forget Bruce, who I absolutely loved for his own quirks.

What may or may not undo this book for a lot of readers, I think, is its ‘over the top/cheesy slash movie’ feeling—in that either you like such tropes, or you don’t. I’m usually at ease with those, especially when they’re used on purpose, which seems to be the case here; but I suppose this would deter other people from enjoying this story. There was also Kirk’s matter: the characters suffers, in my opinion, from being introduced too fast for who he is, and he would be more enjoyable if the reader could get to know him better before that.

I originally gave 3 stars to this novel, but truly, it was more like 3.5, and now that I’m writing this review, I’ve decided to up it to 4. It *was* a very entertaining story, and I like the author’s take on zombies and on how they come to be created.

Yzabel / December 27, 2012

Review: Let The Right One In

Let the Right One in by John Ajvide Lindqvist

My rating: [rating=3]

Summary:

Twelve-year-old Oskar is an outsider; bullied at school, dreaming about his absentee father, bored with life on a dreary housing estate. One evening he meets the mysterious Eli. As a romance blossoms between them, Oskar discovers Eli’s dark secret – she is a 200-year-old vampire, forever frozen in childhood, and condemned to live on a diet of fresh blood.

Review:

I’ve thought some more about how to review this book, and I somehow feel that I should give it more stars, but I’m still unsure. Because it falls in that category of novels that leaves me “I liked it a lot, but…” (and though the ‘buts’ aren’t so easy to explain, they still remain).

In terms of how I like my vampires, “Let the Right One In” stands on the right side of the fence: there’s blood, there’s horror, and creatures who’re not sappy and not part of humanity anymore. Definitely a horror story, yes. I think that what lessened my appreciation of it was the pace (I’d have liked it a little faster); some of the secondary characters (I couldn’t connect with Lacke, Virginia and a few others); and how bleak everything was (but the latter part probably has more to do with my mood these days, so don’t take it as close to objective at all). I’d have been content enough if the story had revolved around Oskar, Eli and Håkan only. Also, there were a few moments that made me wonder how they hadn’t been found out yet, given their blunders in terms of feeding; I’d have assumed that any vampire as old as Eli would have learnt to plan better. (Well, I guess you can tell I did play “Vampire: the Masquerade”, and consider practical aspects first, huh?)

Special mention to Håkan, by the way, because creepy guy is so creepy. Kind of like a train wreck: it’s so horrible, but there’s some dark part inside you that keep you watching all the same. And somewhat liking it, too. Yes, it’s deeply disturbing, I know.

Yzabel / October 31, 2012

Review: Blood Warrior

Blood Warrior by H.D. Gordon

My rating: [rating=2]

Summary:

When her home is attacked by murderous vampires, 17-year-old Alexa is forced to leave her mother for dead in order to save her sister. She soon learns that she is the last known member of an elite race of supernatural Warriors, and is thrust into a world full of vampires and werewolves who all seem to regard her as some sort of savior. Meanwhile, Alexa battles a monster within herself that seeks to gain control; a monster that seeks blood.

The hidden city she finds herself in appears perfect, but Alexa’s instincts tell her that all is not right within its walls. When she is asked to attend a school of fighters, whose exams consist of gladiator-style competitions, she must decide who she can trust among the smiling faces. And, when she meets Kayden, a vampire she feels undeniably drawn to, she must decide if she can trust herself.

Review:

I picked this book because I had read another novel from the same author (“Joe”) and had absolutely loved it. This time, though, I unfortunately didn’t enjoy my read as much. (However, I’m also aware that this is the author’s debut novel, and you can really feel the difference between this one and her latest work, which is definitely a good point.)

The world developed in “Blood Warrior” is an interesting one, especially on the political level, where something’s definitely amiss and has a nice smell of utopian society on the outside, while being probably rotten to the core on the inside. But I’d have liked this world to be more developed–or rather, to know more about the supernatural creatures that people it, for while we’re told that there are werewolves and three species of vampires, I found it somewhat hard to distinguish some things from others. Sometimes I’d lose the ‘feeling’ of what exactly differenciate those species from each other.

The characters in general, while likeable enough, with their strong points and weaknesses, seemed a little bland to me. Alexa’s emotions were strong, too strong at times, yet I couldn’t feel close to her, and the way she went through them left me quite detached along the story. Also, I didn’t enjoy the love triangle between Alexa and the boys, because I felt as if it was kind of mandatory to have. I doubt the story would have been less interesting if those guys had been/remained friends, without all the banter and allusions about “she’s mine”, “no she’s my girlfriend”, and so on (maybe those lines were delivered as jokes, but it still was a little weird). As if a triangle wasn’t enough, we actually get a square with Tommy’s arrival, which made me wonder what was the point here. Or perhaps I’ve read too many YA novels in too little time, and am getting bored with love triangles, girls surrounded with handsome males, and special, unique heroines who gets everyone’s attention? I don’t know. It just seemed somewhat forced to me, and none of the love interests appeal to me nor make me care about who gets the girl in the end.

In terms of writing, I regularly found spelling and grammar mistakes in the text (their/they’re…), enough to annoy my eyes much too trained to spot typos and the likes. It wouldn’t prevent me from going on reading, but it was still annoying.

I think the biggest problem I had with this novel was that once I was done reading, I was under the impression that it was mostly a backdrop for the real plot to come, instead of a story in itself–the ‘cliffhanger’ at the end would have been good to close the first part of a book, but not a whole book, so to say. Now, as I mentioned before, the world developed here seems to be interesting, and probably will be much more once more is known about it. So maybe I’ll still check the next volume at some point to see where it leads me.

Yzabel / September 25, 2012

Review: Revamp

Revamp by Beck Sherman

My rating: [rating=4]

Summary:

FOR THREE DAYS, IT WAS DARK.

News reporters scrambled. This was the biggest story to come along in weeks.

They called it a blackout.

The last one was in New York City in 2003, but this one was different, special, because the grids in six major cities across the country had been fried, kaput, see-you-next-Sunday. Everyone with some jurisdiction blamed each other, and when there was no one left to blame, terrorism rode in on its gallant steed.

It was the media’s fault. They were so busy stuffing fanatical Muslims with a penchant for Allah and decapitations down the American citizen’s throat, that they never saw it coming. I guess I shouldn’t be too hard on them.

They were partially right.

It was terror after all, but a whole new kind. And when the lights came back on, things had changed.

The dark had brought us visitors.

Review:

(Book provided through Read It & Reap in the Shut Up & Read group, in exchange for an honest review.)

I found this book fairly enjoyable; I dont have a lot of time to read non-academic books these weeks, but if I had, I’d probably have read it in two or three sittings only (it’s a long novel).

The pace was fast enough, the events unfolding in a way that made me want what would happen next. Emma’s reactions regarding the existence of vampires seemed logical enough to me: she didn’t accept it too easily, trying to find more realistic explanations, but she also wasn’t too retentive about it, confronting the ‘revelation’ to her own experiences in order to check if this could be true or not.

There were highly tense scenes, made easy to picture oneself thanks to vivid descriptions. That’s usually the kind of thing I expect from my vampire novels—to show the gruesome nature of the beasts underneath, even though they still seem human on the surface. And yet, the book also tackles an interesting aspect of the duality of such creatures, for throughout the story and at the end, they were, all in all, still close enough to humanity to reproduce exactly the same old schemas (shortages, class divisions, the ‘rich’ hoarding all the good blood while the ‘poor’ had to stick to the vampiric equivalent of junk food…). I liked that the author decided to explore such aspects, because from the start, I thought that such a takeover by vampires couldn’t go smoothly, and that the mighty bloodsuckers were sooner or later run into the conundrum of “now that we’ve gotten rid of the humans… what do we eat?” In fact, I’d have been disappointed if it hadn’t happened.

I liked the flashbacks used to explain what had happened to some of the characters. I usually have no problems following those, and they were probably a better method to involve us readers than simply have said characters tell them in a dialogue or long-winded first-person explanation. And I liked that Emma’s ‘romance’ with Cooper was only a budding one, a few potential hooks here and there: it leaves room for more, while still being believable.

I have a couple of gripes with the story, though. First, I’d have liked to read more about the blackouts themselves: they seemed mysterious enough in the cover blurb, but reading about them after the events was a bit anticlimatic (considering the blurb, that is). Also, I’ve wondered a lot about Emma’s reaction regarding her family: she’d sometimes think about the boyfriend she had left on campus… but what about her mother who probably lived a few miles only from where her daughter now had to live? Why didn’t Emma try to discover what had happened to her mother—or, at least, why not show her thinking about it a little more often (even if only to conclude “she’s a vampire or dead, and I shouldn’t think about it anymore”). And I’m really not sure either about the last vampire the hunters off at the end: sure, it tied with something mentioned at the beginning of the novel, but… I don’t know, it just came as kind of “what the hell?…” to me.

But no matter those, I liked the story. I don’t know if there’s a second installment in the making. I think this one works well as a standalone, as the main issues are solved at the end; at the same time, there are still enough elements left to development for a second book to be welcome too. If there’s going to be one, I’ll definitely be interested in reading it.