Yzabel / December 30, 2018

Review: Carnivore

CarnivoreCarnivore by Jonathan Lyon

My rating: [rating=5]

Blurb:

Meet Leander: lover, fighter, liar.

He learnt a long time ago that nothing is as intoxicating as blood. But whether it’s his or someone else’s doesn’t matter any more. There’s a mysterious pain in every muscle of his body – and it’s got so bad that he’ll do anything to escape it.

Up to now, it’s been his secret. But it’s hard to remain invisible when you leave a trail of destruction everywhere you go. So, when he comes to the attention of one of London’s most infamous criminals, Leander decides to put his appetite for violence to the ultimate test.

Let the villain win.

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

A dark thriller set in modern London, following Leander, a young man (20ish I’d say) who’s been living for years with a chronic illness that causes him constant pain, and isn’t properly recognised nor treatable. Tired of useless diagnostics and trips to the hospital, Leander has decided to give the finger to all this, and embarked on a life of drugs, sex, and mixing with more or less unsavoury characters who fuel his descent, and whose addiction he fuels in turn through constant games of sadistic/masochistic manipulation.

To be honest, I’m not sure where exactly this story sits on my spectrum. The first chapters felt rather disjointed and meandering (which in itself matched the narrator’s mental state, I’d say, since he’s pretty much doped on something or other almost all the time), and while there is a plot, it took some time to emerge and be recognisable as such. I guess it was somewhat lessened by the shock factor, and the many scenes of violence and rape (one may argue that Leander was somehow consenting, since at least some of them were the result of some of his manipulations, but that’s a very slippery slope here, so I prefer to call that rape). It felt like the characters as well as the underlying message had more potential than that, and perhaps weren’t given all the limelight and development they would’ve deserved, instead of being shadowed by the grit element.

On the other hand, said message—chronic illness, the way many of those ailments are still relatively unknown and not treated, not to mention considered with disdain by many people—was still a powerful one, carried by a poetic writing full of strange but curiously endearing metaphors. While I do not suffer from such an illness myself, I know a few people who do, and who keep struggling day after day not only to live with their symptoms, but also to make other people understand that, no, they’re not “faking it”, that it’s not merely a matter of “think positive, go out more and make more efforts”, and that because you can’t necessarily see their symptoms easily doesn’t mean they’re not there and causing constant pain.

As a result, in spite of Leander’s twisted games and of the way he treats most people, it was surprisingly easy to root for him nonetheless, because deep inside, he’s more broken than breaking, and all in all, most of his actions are the only way he’s found to bear his pain. In the end, it’s hard to know what is true and what is lies about him, whether’s he’s completely bound for a path of self-destruction or can still find a better life—his schemes sure don’t make the way easy for him.

I’m not giving the story more than 3 stars because I found it hard to really care about the characters: we get to be in Leander’s mind, but considering how much he also lies to himself, it’s difficult to really get to know him; and the rest of the cast is mostly seen as either prey or predator, as people he can use and harm or who can use and harm him. The few decent people he meets don’t necessarily last long in the movie of his life, and the ones who do have the potential of helping him destroy himself rather than bring him some healing.

Conclusion: An interesting theme, and if you want grit and rotten human beings, you’ll get that for sure, but I feel that the latter may have been just a little too much, and didn’t give the characters enough room to breathe.