werewolves Archives - The Y Logs

Yzabel / October 10, 2015

Review: The Conquering Dark

The Conquering Dark by Clay Griffith

My rating: [rating=2]

Blurb:

The Crown and Key Society face their most terrifying villain yet: Gaios, a deranged demigod with the power to destroy Britain.

To avenge a centuries-old betrayal, Gaios is hell-bent on summoning the elemental forces of the earth to level London and bury Britain. The Crown and Key Society, a secret league consisting of a magician, an alchemist, and a monster-hunter, is the realm’s only hope—and to stop Gaios, they must gather their full strength and come together as a team, or the world will fall apart.

But Simon Archer, the Crown and Key’s leader and the last living magician-scribe, has lost his powers. As Gaios searches for the Stone of Scone, which will give him destructive dominion over the land, monster-hunter Malcolm MacFarlane, alchemist extraordinaire Kate Anstruther, gadget geek Penny Carter, and Charlotte the werewolf scramble to reconnect Simon to his magic before the world as they know it is left forever in ruins.

Review:

[I received a copy of this book through Edelweiss, in exchange for an honest review.]

I have to admit I read this third installment because I had received a copy to review, and I didn’t want to let it go to oblivion; however, I wouldn’t have picked it otherwise.

A lot of points I made in my reviews of the first two novels stand here again. The action scenes had a spectacular side, yet in the grand scheme of things didn’t bring that much to the plot nor to the characters. The magic system—”speaking a secret word” doesn’t do much for me (I want technobabble, to make the magic look “real”, like something the character truly masters and knows about). Again, the book read like a draft more than like an edited version (I’m not talking about proofing here), even considering it was an ARC; I could sense a lot of telling instead of showing scenes and thoughts, as well as sentence structures that could, and should, have been polished. I can only hope this was different in the final, printed version.

Also problematic was the characters’ growth. More time was devoted to Imogen and Charlotte, which was great, because their relationships with Kate for the one and Malcom for the other provide good opportunities for questioning. Who needs to accept whom? What if Imogen never goes back to being “human”? Can she accept that? And what of the monster hunter’s affection for the very creature he’s supposed to hunt? Unfortunately, they were more part of the story as new additions to the group, fighting alongside with the others—cf. the first action scene, making everybody look as if they’re some kind of badass society of supernatural-savvy people who’ve been fighting crime together for years. The gap between the events of book 2 and 3 (a few months) removes plenty of possibilities here, as we go for instance from one Imogen to a completely different one, without getting to see her evolve fully; this would’ve been very interesting to witness, at least in my opinion.

Penny was still full of fun and useful ideas (the battle fan: for when a lady cannot bring a gun). The others, though, I couldn’t really push myself to care about. The villain’s motives were somewhat shallow, which didn’t make them very interesting as characters either. More insight about Ash, Gaios and Byron’s relationships would’ve been necessary, to fully get why their group imploded for starters, and why everything turned sour to the point of a full-out war between Ash and Gaios. “Because I loved him and he didn’t love me back” is a bit… simplistic.

The story read like an average action movie, and was somewhat entertaining, but I already know I won’t remember much about it very soon.

Yzabel / May 27, 2015

Review: The Shadow Revolution

The Shadow Revolution by Clay Griffith

My rating: [rating=3]

Blurb:

They are the realm’s last, best defense against supernatural evil. But they’re going to need a lot more silver...

As fog descends, obscuring the gas lamps of Victorian London, werewolves prowl the shadows of back alleys. But they have infiltrated the inner circles of upper-crust society as well. Only a handful of specially gifted practitioners are equipped to battle the beasts. Among them are the roguish Simon Archer, who conceals his powers as a spell-casting scribe behind the smooth veneer of a dashing playboy; his layabout mentor, Nick Barker, who prefers a good pub to thrilling heroics; and the self-possessed alchemist Kate Anstruther, who is equally at home in a ballroom as she is on a battlefield.

After a lycanthrope targets Kate’s vulnerable younger sister, the three join forces with fierce Scottish monster-hunter Malcolm MacFarlane—but quickly discover they’re dealing with a threat far greater than anything they ever imagined.

Review:

(I was given a copy through NetGalley, in exchange for an honest review.)

Magic, werewolves, Victorian London, crazy inventions, and alchemy: what could go wrong, right?

Well, I did like this novel, but not as much as I had hoped and wished. Perhaps because I remembered liking these authors’ Greyfriar book a lot, and was expecting something similar? I’m not sure. It has a nice mix of adventure, banter, fights and magic, but somehow I found it a bit lacking. Not bad per se, just lacking.

I really liked the descriptions and the London depicted in this first installment. I could easily imagine its streets, its rookeries, the characters as they were introduced, Penny’s inventions, and the various supernaturals (I’ll add the homunculi to this category, not only the werewolves). The Bedlam part was creepy and terrific. The atmosphere reflected what I’d imagine as an early gaslight/steampunk urban fantasy backdrop, and while some of the contraptions were maybe a tad bit too modern, I didn’t really care, because they integrated well enough within the overall picture.

The characters had a nice dynamics going, too. They were somewhat cliché (the dashing gentleman magician, his friend who seems to spend his time in less commendable places, the Scottish werewolves hunter, the inventor, the feisty alchemist), but again, for some reason, I thought they worked well together. I will easily forgive tropes if I manage to find them exciting, and in this case, they fit the theme and what I expected of it.

I found the writing style a bit too rough in general, though, in that the action scenes especially seemed like they could’ve benefitted from more editing, in order to be less confusing. Same with the first chapters: the reader’s quickly thrown into it, which is usually good, yet something felt abrupt and slightly jarring. It got better in some parts, and not in others. There were a lot of such scenes, perhaps too many, and they got repetitive after a while. The werewolves were also a bit too squishy depending on the moments: the first one looked so impressive and hard to kill, while others could be shredded like paper. At some point, the weres got described as not being all the same, with a lot of them being ‘runts’ of sorts, that couldn’t very well control their powers; in this case, it would make sense… only the way it was explained wasn’t too clear.

Second, I wondered why the authors hadn’t made up more concepts and words. Sure, too much techno- (or mystico-) babble can get old pretty fast; however, whenever I read something like “he muttered strange words (to create a spell)”, I couldn’t help but ask myself: “What words are those, andwhy would they be strange to him, since he’s a magician?” In such instances, I’d definitely have appreciated some made-up “babble”.

Third, a lot of threads were left dangling. This is both a good and a bad thing. The book is clearly presented as volume 1 in a trilogy, no secrets here, so everything can’t be solved at once, and these threads are obviously openings into books 2 and 3. On the other hand, they’d better not be forgotten then, otherwise they’ll look like sloppy work.

I’d rate this book 2.5 stars: lots of fun, with the clear aim of being entertaining, and definitely good potential in terms of character dynamics and family stories, but only if it gets realised and not bogged down in confusing scenes. Reading the next volume, which I also have, will likely tell if what I’m hoping for will become true.

Yzabel / March 3, 2015

Review: The Originals: The Rise

The Originals: The Rise by Julie Plec

My rating: [rating=1]

Blurb:

Family is power. The Original vampire family swore it to each other a thousand years ago. They pledged to remain together always and forever. But even when you’re immortal, promises are hard to keep.

Arriving in New Orleans in 1722, Original vampire siblings Klaus, Elijah and Rebekah Mikaelson believe they’ve escaped their dangerous past. But the city is lawless, a haven for witches and werewolves unwilling to share territory. The siblings are at their mercy…especially after Klaus meets the beautiful and mysterious Vivianne. Her impending marriage is key to ending the war between the supernatural factions and Klaus’s attraction to her could destroy the uneasy alliance. As Elijah works toward securing a piece of the city for his family, and Rebekah fights her unexpected feelings for a French captain, will Klaus’s volatile desires bring their world crashing down and tear them apart for good?

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I have only watched a few episodes from the TV show, so I’m far from being an expert on the Mikaelson siblings and the kind of plots they get into in episodes. However, I’m not sure at all I found them here, nor that they were really interesting at all, in a more generic way. I kept thinking that they were, well, out of character—which was baffling, since I was under the impression that the people who worked on this novel were also those who worked on the series?

There was a lot of love in there, and of the insta-love, not very impressive kind. Rebekah, why not, as the series very early on showed that she was quick to develop interest for human guys. But in many other ways, she was so far from the badass girl I saw on screen. Neither could I find ruthless Klaus in the love-smitten dullard that ambled through the novel most of the time—and his reaction regarding Rebekah’s love interest was way too removed from what I would have expected (TV!Niklaus would never have had such a mellow reaction, let her do as she pleased so easily). Elijah was closest to his character, I think, with his desire and efforts to build a home for his family, and thus keep the latter together. I must not be the right audience for so much romance, especially when involving immortals, who I wouldn’t expect to develop feelings so quickly.

Mostly Elijah’s plot seemed to be the main one, with his siblings’ antics supposed to help (Rebekah recruiting an army) yet not helping much in the end, or just consisting in wooing a girl—at least the not-caring-about-what-others-do was somewhat Klaus-like, but that was all. (Also, why they absolutely had to remain in New Orleans, where they weren’t welcome, was a bit puzzling. But I guess finding another city would’ve demanded long days or weeks of travel, uncertainty as to what they’d find there, and having to delay finding a home at last… So, well, I could live with that.)

Speaking of plots and ways of moving it forward, I would also have expected vampires to be more cunning, more prepared. As mentioned at the beginning of my review, I haven’t watched many episodes; yet I remember Klaus’s plan regarding how to undermine Marcel’s influence, and… there wasn’t much of that here. These vampires seemed too naive, too easily surprised by other characters or events, too vulnerable, compared to the “Originals” I had been led to expect. This doesn’t fit with my idea of immortals.

In the end, my feelings about this book were mostly annoyance and boredom, and I couldn’t care less about what would happen to its characters (including the secondary ones, whose fates were so easy to guess anyway). I’ll stick to the TV series.

Yzabel / June 12, 2014

Review: Seven Kinds of Hell

Seven Kinds of Hell by Dana Cameron

My rating: [rating=2]

Summary:

Archaeologist Zoe Miller has been running from a haunting secret her whole life. But when her cousin is abducted by a vicious Russian kidnapper, Zoe is left with only one option: to reveal herself.

Unknown to even her closest friends, Zoe is not entirely human. She’s a werewolf and a daughter of the “Fangborn,” a secretive race of werewolves, vampires, and oracles embroiled in an ancient war against evil.

To rescue her cousin, Zoe will be forced to renew family ties and pit her own supernatural abilities against the dark and nefarious foe. The hunt brings Zoe to the edge of her limits, and with the fate of humanity and the Fangborn in the balance, life will be decided by an artifact of world-ending power.

Zoe’s mission takes her and her friends across the globe on a frenetic quest for no less than Pandora’s Box.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

Although this novel contained a few things I liked, I’m afraid it won’t leave me with a lasting impression, mostly because of the characters themselves.

I enjoyed the archaeological-related plot: ancient artifacts whose purpose isn’t known in the beginning, a “relic” (Pandora’s box) that I’ve seldom seen in urban fantasy and other contemporary books, travelling through Europe in search of clus, trying to find out sites to dig in (literally)… I’ve always had a soft sport for Indiana Jones-like stories, and for what it’s worth, I think the level of details in “Seven Kinds of Hell” was just the right amount for me: believable without turning into lessons. A real archaeologist might disagree, I don’t know; it’s not my area of expertise.

There’s a lot of action going on, too, and while I may not have wanted to read such a story in one of my most introspective periods, right now this kind of reading agrees with me. Someone looking for characters running away, fighting unknown enemies, finding unexpected allies in the middle of a fight, and so on, will likely appreciate this side of the novel.

On the other hand, the characters didn’t work for me. Zoe had her shortcomings and her good moments, like any proper character should, should I say, but I was extremely annoyed with her for a couple of decisions she made, that had catastrophic consequences. The guy who gets abducted? She led her enemies to him, instead of immediately leaving town, like her mother told her to do on her deathbed (and like she had done for most of her life). I could understand a “normal” person hesitating, trying to see her friends a last time. Someone used to doing that? Not so much. Then, later, a character dies, who wasn’t saved because Zoe missed a big time opportunity—somewhat understandable, considering the circumstances. Less understandable is how she basically ditched said character at some point, even though she knew something fishy was going on; if she hadn’t, I’m positive things would’ve turned out very differently. From the beginning, I had a hunch this poor person was here only to die, and unfortunately, I was right. Zoe’s decisions sometimes bordered on the Too Stupid To Live—or to allow other characters to live.

The secondary characters looked interesting, but I never got the feeling I “knew” them enough to really care, especially Ben and Ariana, who seemed to be dropped in there. (Gerry and Claudia “felt” like they had some kind of back story, at least.) As for the bad guys, they were the classic kind. No surprises here. I admit I rolled my eyes at the Russian villain.

The plot, mostly in the beginning, is slowed down by a few flashbacks. While not uninteresting per se, they distracted me, and enforced my “will you get out of town at last, Zoe?” reactions. I also found the ending a little too convenient to my liking, with Zoe getting help from someone she briefly met years ago. That person had reasons to act in such a way, but it still came out of the blue.

I have mixed opinions about the mythology. Fangborn society had a nice “we’ve been watching over you for ages” aspect, and I would’ve liked to know more about it, about its vampires that are more like shapeshifting snake-like creatures, about its oracles, too. On the downside, they seemed just a little too perfect and deluded sometimes, which mad them somewhat bland.

In the end, this novel held my attention mainly because of its “race for artifacts” side, but definitely not for its characters.

Yzabel / October 31, 2012

Review: Blood Warrior

Blood Warrior by H.D. Gordon

My rating: [rating=2]

Summary:

When her home is attacked by murderous vampires, 17-year-old Alexa is forced to leave her mother for dead in order to save her sister. She soon learns that she is the last known member of an elite race of supernatural Warriors, and is thrust into a world full of vampires and werewolves who all seem to regard her as some sort of savior. Meanwhile, Alexa battles a monster within herself that seeks to gain control; a monster that seeks blood.

The hidden city she finds herself in appears perfect, but Alexa’s instincts tell her that all is not right within its walls. When she is asked to attend a school of fighters, whose exams consist of gladiator-style competitions, she must decide who she can trust among the smiling faces. And, when she meets Kayden, a vampire she feels undeniably drawn to, she must decide if she can trust herself.

Review:

I picked this book because I had read another novel from the same author (“Joe”) and had absolutely loved it. This time, though, I unfortunately didn’t enjoy my read as much. (However, I’m also aware that this is the author’s debut novel, and you can really feel the difference between this one and her latest work, which is definitely a good point.)

The world developed in “Blood Warrior” is an interesting one, especially on the political level, where something’s definitely amiss and has a nice smell of utopian society on the outside, while being probably rotten to the core on the inside. But I’d have liked this world to be more developed–or rather, to know more about the supernatural creatures that people it, for while we’re told that there are werewolves and three species of vampires, I found it somewhat hard to distinguish some things from others. Sometimes I’d lose the ‘feeling’ of what exactly differenciate those species from each other.

The characters in general, while likeable enough, with their strong points and weaknesses, seemed a little bland to me. Alexa’s emotions were strong, too strong at times, yet I couldn’t feel close to her, and the way she went through them left me quite detached along the story. Also, I didn’t enjoy the love triangle between Alexa and the boys, because I felt as if it was kind of mandatory to have. I doubt the story would have been less interesting if those guys had been/remained friends, without all the banter and allusions about “she’s mine”, “no she’s my girlfriend”, and so on (maybe those lines were delivered as jokes, but it still was a little weird). As if a triangle wasn’t enough, we actually get a square with Tommy’s arrival, which made me wonder what was the point here. Or perhaps I’ve read too many YA novels in too little time, and am getting bored with love triangles, girls surrounded with handsome males, and special, unique heroines who gets everyone’s attention? I don’t know. It just seemed somewhat forced to me, and none of the love interests appeal to me nor make me care about who gets the girl in the end.

In terms of writing, I regularly found spelling and grammar mistakes in the text (their/they’re…), enough to annoy my eyes much too trained to spot typos and the likes. It wouldn’t prevent me from going on reading, but it was still annoying.

I think the biggest problem I had with this novel was that once I was done reading, I was under the impression that it was mostly a backdrop for the real plot to come, instead of a story in itself–the ‘cliffhanger’ at the end would have been good to close the first part of a book, but not a whole book, so to say. Now, as I mentioned before, the world developed here seems to be interesting, and probably will be much more once more is known about it. So maybe I’ll still check the next volume at some point to see where it leads me.

Yzabel / August 22, 2012

Review: Hold Me Closer, Necromancer

Hold Me Closer, Necromancer by Lish McBride

My rating: [rating=4]

Summary:

Sam leads a pretty normal life. He may not have the most exciting job in the world, but he’s doing all right—until a fast food prank brings him to the attention of Douglas, a creepy guy with an intense violent streak.

Turns out Douglas is a necromancer who raises the dead for cash and sees potential in Sam. Then Sam discovers he’s a necromancer too, but with strangely latent powers. And his worst nightmare wants to join forces… or else.

With only a week to figure things out, Sam needs all the help he can get. Luckily he lives in Seattle, which has nearly as many paranormal types as it does coffee places. But even with newfound friends, will Sam be able to save his skin?

Review:

This book was exactly the kind of humorous light urban fantasy read I tend to enjoy. Probably because it’s funny, full of snark and retorts, and deals with the supernatural world in a way that feels both adequate and over-the-top, if only because there are, indeed, just as many supernaturals in Seattle than there are coffee places. (At this point, I have to mention that I like over-the-top stories. I know some people dislike those, so if it’s the case for you, well, you’ve been warned.)

So, this book. What’s in it?

* Necromancers. It’s a form of magic I’ve always been fascinated with, especially these past two or three years. The way it was put to use here was freaky in some ways, yet actually hilarious *and* logical in others: I know few stories where a big bad Necromancer gets paid to reanimate a dead panda in a zoo in order to avoid a diplomatic incident with China. However, it does make sense.

* Sam. Inconspicuous, gentle, nice-boy Sam, who tries to do his best considering the crap he’s in, lost with his friends amidst so many paranormal types. I found him very human, balancing between his negative feelings and the awareness that he can’t just pile up reproaches on other people, because it would hurt them and not solve anything anyway. He’s just so adorable.

* Nice and funny group dynamics, especially when it comes to the four fast-food workers. I liked their way of dealing with all the crap that befall them, often by being snarky and taking things in an (apparently) not so serious way. It’s part of the humour permeating the story, and it works for me, perhaps because I have a similar take in my own, real life (not that I happen to meet Necromancers or get thrown in a cage every other day, but you get my drift). I suppose it might come as off-key, in that maybe the characters shouldn’t react in such a ‘light-hearted’ way. On the other hand, I also suppose that their reactions are understandable, if you consider that past a certain hefty dose of problems, either you throw a pity-party and collapse, or you just shut the brain off and go on snark mode in order to preserve the little sanity you’ve got left. And having a talking head land in your living-room is definitely part of the hefty dose of problems.

* Also, creepy Douglas is creepy. I could feel his real intentions coming from the start, and the way he acted, smiling but cold, hitting people without warning, befitted his persona. It makes it all the more funny when he has serious dialogue and attitude going on, but the situation and co-speakers are somewhat wacky, sidekicks included.

* Twisted song titles in lieu of chapter titles. This is a really biased opinion, and I’m not even going to be ashamed of saying it: I love such puns. Period.

* A mostly fast-paced plot, except for a few flashbacks, but those didn’t disrupt my reading, so they were alright. It was easy enough for me to follow, while not being too simplistic; things fell together nicely in the end; the final fight was definitely impressive; and the story was complete (thanks goodness, no cliffhanger), yet still with openings for a next book. It could just as well be a stand-alone novel… or be given a follow-up. Both would be alright in my opinion.

For what it’s worth, though, I would’ve liked to see more of Sam’s powers a little earlier in the story—and more of Brid actually, well, acting, because she’s got potential (granted, the situation she was in really didn’t help). And I’m not too satisfied about the shift in points-of-view. I can easily follow 5 or 6, that’s not a problem, but (and I’ve noticed this in several books already), why have one first-person narrator, while the others are all in third-person? Third-person all the way would’ve worked better here.

Those minor gripes set aside, I really enjoyed this book.