witches Archives - The Y Logs

Yzabel / August 14, 2016

Review: Malus Domestica

My rating: [rating=2]

Blurb:

Kids are going missing in the tiny hamlet of Blackfield, Georgia, and nobody knows why except for Robin, the homeless young woman that just rolled into town last night.

When she claims she knows who’s responsible, only 4th-grader Wayne Parkin and his schoolmates Pete, Amanda, and Juan believe her…but it takes a terrifying encounter with an interdimensional creature to spur them into action.

Robin proves to be a formidable monster-hunter with strange supernatural powers, but a tragic setback reveals a secret organization and a centuries-old conspiracy.

Can new friends and old enemies band together to save Blackfield from an unspeakable darkness?

Review:

[I received a copy of this book through NetGalley, in exchange for an honest review.]

1.5-2 stars. I liked the ideas at this novel’s core, but ultimately I had a hard time getting into it, and had to force myself to go on reading. I guess this was a matter of rhythm, and of some clichés that didn’t sit too well with me.

The premise: young witch hunter Robin Martine has been travelling through the USA, filming her tracking and fighting witches (women who sacrificed their heart to goddess Ereshkigal in exchange for powers and a longer existence). She puts her videos on her YouTube channel, followed by thousands of people who don’t realise this is no special effects, but reality. After years spent training and hunting, Robin comes back to her home town, to get rid of the witches who killed her mother; along the way, she gathers quite a little posse of various characters who’ll help in that quest.

As said, the ideas themselves were fine. The YouTube channel? Why not: surely being anonymous would be a better choice, but there’s a certain appeal to the “hide in plain sight” theory. The various secondary characters formed a pretty diverse cast— a veteran turned artist, a kid and his father, a gay childhood friend and his brother owner of a comics shop… There’s a creepy house, existing on two different levels (I love that kind of atmosphere, those “parallel nightmarish worlds” layered over the normal world). A ruthless killer. Cats who’re more than cats. The stifling surroundings of a small town where just about anyone can be a spy of the witches. And so on.

The problem with the characters, though, were that in spite of their diversity, they were also a bunch of clichés, and not very developed as individuals. Kenway had his own background story and issues, but Leon’s bereavement for instance was just touched upon, and he wasn’t more than “Wayne’s father” in the end. Same with Joel, who felt like a potential sidekick but also like a gay butt-monkey of sorts. These side-stories both took too much room, in a way, while at the same time just being here, instead of being fully exploited (“while we’re here, we might as well…”).

I was hoping to see more of the witches and the killer working for them. While they did create a predicament for the “heroes”, I kept thinking they could and should have done more, been more frightening, brought even more weirdness into the story.

The writing itself was alright (although I found it weird when onomatopoeias were inserted—don’t ask me why I’m sensitive to that). Even though I mentioned having trouble getting back to the book every time I stopped, it wasn’t because of the style.

Really, it’s too bad I didn’t like it more. This book could’ve been right up my alley, but didn’t work for me in the end.

Enregistrer

Yzabel / June 2, 2015

Review: Uprooted

Uprooted by Naomi Novik

My rating: [rating=4]

Blurb:

“Our Dragon doesn’t eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travelers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that’s not true: he may be a wizard and immortal, but he’s still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years. He protects us against the Wood, and we’re grateful, but not that grateful.”

Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life.

Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood.

The next choosing is fast approaching, and Agnieszka is afraid. She knows—everyone knows—that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn’t, and her dearest friend in the world. And there is no way to save her.

But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.

Review:

(I was given a copy through NetGalley, in exchange for an honest review.)

This book had the edges of dark fairy tales, the ones in which the Happy Ever After only comes with sacrifices, tears and deaths. Agnieszka and her family have been living for as far as they can remember in the shadow of the Wood, a malevolent forest-entity with a will of its own, and in that of the Dragon, a powerful Wizard (not a real dragon) who comes to the village of Dvernik every ten years to take a young woman. While he always releases them in good health, covered in riches, and seemingly with no harm done, those girls are forever changed, to the point of never staying the village again. Of course, it’s not mystery here that the one who ends up being chosen isn’t the brave and beautiful Kasia, but the other girl, the one that nobody would have considered. (This was to be expected anyway, but having it given away in the blurb was still a bit annoying.)

There’s some romance in there, a kiss and a sex scene, and I admit I still don’t know what to make of those. Granted, the romance didn’t permeate everything, but there seems to be a consensus in too many stories that the guy has to be rude and challenging, and that if something happens, it’s because the girl was there in the first place. Sometimes it’s discreet enough not to leave a mark, and/or explained by the context; here, it was a tad bit too much on the “if you almost got raped, it’s because you stayed in your room instead of leaving” side. (Another book I read recently had a similar scene; however, at least there it was somewhat “justified” in that the characters would be under the influence of magic, and knew beforehand that they would be liable to lose control hence the warning. Though not so much better, it made at least sense.)

Another instance had a character say he’d announce his betrothal to Agnieszka, to which she was all “wait, what?”. Fortunately, it didn’t devolve in what I thought it would: good thing.

The world itself and the magic made up for those problems as far as I’m concerned. The plot was slow-building, and while I wished it’d go a little faster at times, it also allowed me to really discover the country where the girls lived, and to “feel” the Wood at my doorstep, so to speak. I also liked the spells: repetitive for some, I’m sure; interesting for me, because it was nice to try and pronounce them. (The world has a definite fairytale Poland/Russia feeling, reminiscent of some of the lesser known tales I used to read when I was a child.) Imagining their effects, imagining the clothes people wore, was easy. The inclusion of court politics later added a layer of complexity, with Agnieszka not being sure of who to trust, and with other, dark examples of what the enemy could do.

Kasia ended up playing more of a part than I expected, and I loved her for that. I would have liked to see more of her, get to know her more. She probably would’ve been as interesting as Agnieszka (I’m positive that she wouldn’t have spent so much time whining about her place in the Dragon’s tower). The friendship between those two young women was beautiful, too: they were both exposed to each other’s inner truth, to feelings each of them had secretly harbored, yet their bond and love for each other managed to survive and grow stronger, in spite of (or because?) that.

Agnieszka was somewhat annoying in the beginning, and a bit of the tomboy/as far as feminine as possible cliché. However, she “grew up” once she discovered what she could do, and decided to play her part while remaining herself, not giving in to peer pressure. She developed an inner strength and a courage of her own, instead of always admiring Kasia’s the way she did before the time came for the Dragon to choose, and she never relented in her decisions, even when the latter would involve getting in dangerous (but necessary) situations.

3.5 stars. I wasn’t awed by the romance, the “trigger” at some point made me really cringe, and the beginning and ending dragged a little. On the other hand, the world was really nice to read about, with an eastern fairytale approach that brought back a lot of memories; I liked how the main character progressed; and the Wood as an entity was fascinating, in all its twisted ways and convoluted schemes.

Yzabel / March 3, 2015

Review: The Originals: The Rise

The Originals: The Rise by Julie Plec

My rating: [rating=1]

Blurb:

Family is power. The Original vampire family swore it to each other a thousand years ago. They pledged to remain together always and forever. But even when you’re immortal, promises are hard to keep.

Arriving in New Orleans in 1722, Original vampire siblings Klaus, Elijah and Rebekah Mikaelson believe they’ve escaped their dangerous past. But the city is lawless, a haven for witches and werewolves unwilling to share territory. The siblings are at their mercy…especially after Klaus meets the beautiful and mysterious Vivianne. Her impending marriage is key to ending the war between the supernatural factions and Klaus’s attraction to her could destroy the uneasy alliance. As Elijah works toward securing a piece of the city for his family, and Rebekah fights her unexpected feelings for a French captain, will Klaus’s volatile desires bring their world crashing down and tear them apart for good?

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

I have only watched a few episodes from the TV show, so I’m far from being an expert on the Mikaelson siblings and the kind of plots they get into in episodes. However, I’m not sure at all I found them here, nor that they were really interesting at all, in a more generic way. I kept thinking that they were, well, out of character—which was baffling, since I was under the impression that the people who worked on this novel were also those who worked on the series?

There was a lot of love in there, and of the insta-love, not very impressive kind. Rebekah, why not, as the series very early on showed that she was quick to develop interest for human guys. But in many other ways, she was so far from the badass girl I saw on screen. Neither could I find ruthless Klaus in the love-smitten dullard that ambled through the novel most of the time—and his reaction regarding Rebekah’s love interest was way too removed from what I would have expected (TV!Niklaus would never have had such a mellow reaction, let her do as she pleased so easily). Elijah was closest to his character, I think, with his desire and efforts to build a home for his family, and thus keep the latter together. I must not be the right audience for so much romance, especially when involving immortals, who I wouldn’t expect to develop feelings so quickly.

Mostly Elijah’s plot seemed to be the main one, with his siblings’ antics supposed to help (Rebekah recruiting an army) yet not helping much in the end, or just consisting in wooing a girl—at least the not-caring-about-what-others-do was somewhat Klaus-like, but that was all. (Also, why they absolutely had to remain in New Orleans, where they weren’t welcome, was a bit puzzling. But I guess finding another city would’ve demanded long days or weeks of travel, uncertainty as to what they’d find there, and having to delay finding a home at last… So, well, I could live with that.)

Speaking of plots and ways of moving it forward, I would also have expected vampires to be more cunning, more prepared. As mentioned at the beginning of my review, I haven’t watched many episodes; yet I remember Klaus’s plan regarding how to undermine Marcel’s influence, and… there wasn’t much of that here. These vampires seemed too naive, too easily surprised by other characters or events, too vulnerable, compared to the “Originals” I had been led to expect. This doesn’t fit with my idea of immortals.

In the end, my feelings about this book were mostly annoyance and boredom, and I couldn’t care less about what would happen to its characters (including the secondary ones, whose fates were so easy to guess anyway). I’ll stick to the TV series.

Yzabel / August 15, 2014

Review: Accession

Accession by Terah Edun

My rating: [rating=1]

Summary:

Sixteen-year-old Katherine Thompson wasn’t trained to rule a coven. That was her sister – perfect, beautiful Rose. But when a mysterious plane crash kills off the heir presumptive of the Sandersville coven she has no choice.

After stepping in to fill her sister’s shoes, Katherine realizes she didn’t have a clue – faery wars, depressed trolls and angry unicorns are just the beginning.

For centuries, her family has served the high Queens on both sides of the Atlantic but it is a well-known rule that mid-level witches stay away from high-level Queens.

But when Katherine’s youngest cousin vanishes without a trace in the Atlanta court and no one wants to investigate, Katherine decides to step into the darkness on her own. She will soon discover that nothing, in a queen’s court, is as it seems.

Review:

(I was given a copy through NetGalley, in exchange for an honest review.)

This was a fast read, but I’m afraid to admit that’s because I ended up skimming after a while: I couldn’t stand the telling-not-showing style. Actually, I was this close to DNFing, and only finished because I felt I had to write a review.

There was definite groundwork here for an interesting world (the witch queens of the original thirteen colonies, having to maintain political balance between various factions of supernatural creatures…). It is a rich world, with a lot of tensions, differences between the Queens and how they rule their respective territories, alliances that may be toppled at the slightest change, diplomatic conundrums to keep in mind, and a potential political assassination (Rose’s death was pitched as an accident; I so can’t believe that).

However, I think this setting wasn’t exploited in a way that would have made the reading pleasant, mostly because of the pacing and the writing style—two aspects that tie into each other, in my opinion. I started sensing this problem in the first two chapters, and it got confirmed later, as more and more information was dumped onto the reader in the middle of scenes. For instance, there’s this one scene where the Queen is sentencing a secondary character, and while it should have been filled with tension, it got slowed down by Katherine remembering information about other courts and other events: it wasn’t uninteresting, but it definitely dragged the plot down. Other similar scenes suffered the same fate.

Also, Katherine’s character just didn’t appeal to me, both in personality and in how almost everything was introduced. She had a tendency to just voice out loud whatever went through her head, especially when she was alone, which looked really weird (this coming from someone who tends to think out loud, so if I find it bizarre, then it sure means something). She acted in immature ways, wasted time in useless bouts of dialogue. Worst, most of the time, I was told she was this and that, felt like this or that, supposed this or that character thought this or that… A lot of telling, and too little showing. It coincided with a few plot points coming out of the blue: we’re told she’s not popular at school, is picked on by teachers and at best ignored by a lot of pupils… but then, around the 25% mark, we suddenly learn she had a boyfriend six months ago. I think he should have been introduced sooner, since it was kind of important (all the more because of some big reveal later on).

As mentioned above, the writing consisted in much more telling than actual actions showing the characters as they really were, and I caught quite a few similes that looked pretty strange and useless:

“Their massive trunks were so wide at the base that the trees looked like the round teepees of the Native American shamans who came to Georgia once a year to renew the sacred 1850 concord of Coven-Shaman Relations.”

Some sentences/paragraphs I had to read three times in order to get their meaning:

“I guess I can’t ever call life in Sandersville boring again, Katherine thought wryly as she ignored an itch in her eye that she firmly told herself she’d deal with later. She didn’t want to draw attention to her presence in the room now. Besides, it was more than an itch. As long as she ignored the sensation it would wait and simmer, like an itch at the corner of her eye. That itch that represented more than a space of skin in need of being scratched, it was the patch on her mind and heart that was holding closed a dark well ready to burst open with the rush of emotions boarded up behind its cap.”

And the one mistake I really, really can’t deal with:

“The gator’s mouth might as well of been a flimsy stick…”

This book would have needed a couple more rounds of editing.

Conclusion: I skimmed, I unfortunately got bored, I didn’t really get a sense of a plot, and the writing style irked me in no time.

Yzabel / May 27, 2014

Review: Hexed

Hexed by Michelle Krys

My rating: [rating=1]

Summary:

A stolen book. A deadly plan. A destiny discovered.

If high school is all about social status, Indigo Blackwood has it made. Sure, her quirky mom owns an occult shop, and a nerd just won’t stop trying to be her friend, but Indie is a popular cheerleader with a football-star boyfriend and a social circle powerful enough to ruin everyone at school. Who wouldn’t want to be her?

Then a guy dies right before her eyes. And the dusty old family Bible her mom is freakishly possessive of is stolen. But when a frustratingly sexy stranger named Bishop enters Indie’s world, she learns that her destiny involves a lot more than pom-poms and parties. If she doesn’t get the Bible back, every witch on the planet will die. And that’s seriously bad news for Indie, because according to Bishop, she’s a witch too.

Suddenly forced into a centuries-old war between witches and sorcerers, Indie is about to uncover the many dark truths about her life—and a future unlike any she ever imagined on top of the cheer pyramid.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

I really can’t say I enjoyed this book. It reads easily, and there were a few good ideas, and a particular twist that was clever (though extremely cruel, too), but mostly I found the characters bland at best, and the plot weighed down by the romance.

The good things:

* Cheerleader-turned-witch. I found this specific idea amusing, because it could have led to a lot of interesting situations. You expect the goth girl to turn witch. But the popular cheerleader, under everyone’s scrutiny, the one for whom the slightest faux-pas looks like committing social suicide? There’s some potential, I say.

* Witchcraft. I like witches. And magic. Simple as that.

* Bishop’s take on life: “Might as well joke, rather than dwell on the bad things and mope.” I like that.

But.

Indigo:

I had absolutely no sympathy for that character. I’d like to say I warmed up to her after a while, but at best, I must’ve felt some vaguely lukewarm sensation, somewhere in that thing people call heart. I found her incredibly self-centred, insensitive, callous, and condescending. She fancied herself a “decent” person, compared to Bianca, the jealous so-called best friend turned frenemy; however, to me, this was just one big delusion on her part. So she wasn’t a Bianca, but she was just as bad in many other ways, especially in the way she treated Paige. Paige, her neighbour who for years tried to be her friend; alas, poor Paige, you’ve always been too nerdy to Indie’s taste, and so she kept giving you the slip. Until, of course, Indie realised her friends weren’t friends, her boyfriend was a douche, and so she turned to Paige—with all the condescension she could muster, that is:

Paige shakes her head. “Where’s Bianca? Why isn’t she helping you?”
Oh. It’s like that now? You’d think the girl would recognize a bone when one was being thrown.

Except that Paige had started making other friends. The gall! The nerve! How dare you, Paige?

Tears prick my eyes. Of course she has a friend now. Of course she has plans. What did I think, that I could push and push her away and she’d always be there, waiting for me in case I ever got bored of Bianca?

At least she somewhat acknowledges it, but it’s going to take much more to make you a good girl, Indie.

Douches and doormats:

Bianca’s a douche. Stupid Boyfriend Is Stupid, I mean Devon, is a douche. When Indie finds him cheating on her with Bianca—that was so predictable, by the way—and finally stops looking at him as if he was the best thing in the world since cheesewire, Devon is devastated, because, you see:

“You still up for homecoming?”
[…]
Don’t mean to be pushy. I asked around, but everyone good already has a date now.”

Yeah, ditch the guy. At least that was one good decision.

I wish Paige had given her the finger, too. Looks like Paige’s the most decent one in the bunch, and with an ability to forgive. Only to be treated, I wouldn’t say like crap, but as expendable.

Jezebel, too. Way to let people die because you can’t be bothered saving just one more person when you have the upper hand, and are holding your enemy by the balls. If all witches are like her, I’m almost tempted to cheer on the bad guys instead.

Bishop… Not so much a douche, he was actually fairly decent, after a while. Nevertheless, the constant creepy-joker act slowed things down.

Decisions that make absolutely no sense:

Mum’s uber important Witch Bible has been stolen, and Indie promises she’s going to get it back. OK. She has no idea where to start looking. OK again. There was that shady guy, earlier, who helped her with her Mum after a bookshelf fell on her, and who seemed to know about the Bible… Hmmm, shady, all right, but at least it’s a lead: let’s drive around trying to find the guy, who anyway seems to have a knack to stalk Indigo. Might as well use the stalker’s skills against himself, right? So Indie drives around, with Paige in tow. They find the guy. And…
… Banter. Banter, semi-flirting, banter. Pointless dialogue. LOL-I-ain’t-telling-you-much. Followed by “well, let’s go to Jarrod’s party.” I thought retrieving the Bible from the bad guys’ hands was important. I must’ve been mistaken.
I might have forgiven it, if only it hadn’t been one blatant plot device, just for Indie to walk on Devon sleeping with Bianca and make her realise what an idiot Mr. Boyfriend was. Couldn’t this happen in a different way?

They drag Paige along when it comes to attacking the Bad Guys. Because bringing the human girl, the one without any powers, to a fight between witches and sorcerers is the best way to ensure her safety. It’s not like collateral damage could happen. It’s not like someone could notice her and, I don’t know, take her hostage later.

There’s also lot of wandering around, because they need a “quiet place” to talk. The Hollywood sign at night is sure a quiet place, but, again, wasn’t time of the essence?

And it may just be me, but I thought the Priory wasn’t so… active. It was quite nice of them to give Indigo one whole week to mourn her mother, but frankly, since they were the ones who took said mother hostage and then killed her, why waste time? Go hit Indie while she’s down.

Powers and training:

Well, yes, I’d have wanted to see more “witch in training”, more moments when Indigo would grow into her powers, do something with them. I wasn’t asking for anything spectacular, but she really doesn’t do much at all, and so she ends up as the whiny Damsel In Distress throughout the second part of the book.

Romance:

Not played well here in my opinion. I’ll appreciate a romance that develops… when characters have time for that. Here, the situation was kind of urgent, Indie could’ve been attacked at any moment, yet so much time was wasted on flirting and such. In turn, I felt that the plot was being held back in order for the romance to take place. The contrary would’ve been more interesting, and more believable.

So, well… I wish I had liked this one. I was really eager to read it. In the end, unfortunately, it just didn’t work at all for me.

Yzabel / March 23, 2014

Review: The Wizard’s Promise

The Wizard’s Promise by Cassandra Rose Clarke

My rating: [rating=2]

Summary:

All Hanna Euli wants is to become a proper witch – but unfortunately, she’s stuck as an apprentice to a grumpy fisherman. When their boat gets caught up in a mysterious storm and blown wildly off course, Hanna finds herself further away from home than she’s ever been before.

As she tries to get back, she learns there may be more to her apprentice master than she realized, especially when a mysterious, beautiful, and very non-human boy begins following her through the ocean, claiming that he needs Hanna’s help.

Review:

[I got an ARC through NetGalley, in exchange for an honest review. A few things are liable to change in this book by the time it is officially published.]

I can’t say I didn’t like this novel, but I also know it won’t leave me with a lasting impression either. I reckon this is partly because a lot of time in it is spent on sea, travelling on fishing boats, and nothing really happens. There were a few events now and then, but they felt somewhat distanciated, as if they had been put here for something to break the monotony of the journey(s).

The one thing that definitely annoyed me in The Wizard’s Promise was its approach of “mystery for the sake of mystery”, which in one case even led to what I couldn’t help but see as a plot hole. Hanna finds herself on a journey to the north, not knowing why her captain, Kolur, is going there, and merely wanting to go home (understandably: as much as going on an adventure can be exciting, just sailing north without any inkling as to why she’s here, not even having been able to warn her parents about it, isn’t that appealing). This was the first problem: Hanna didn’t know, so she kept asking Kolur, Kolur kept not answering and/or changing topics, so hanna got angsty about it, which in turn make her appear as childish. Rinse and repeat. When at last she gets some answers, of course it’s too late to just turn back and head home.

The second problem was why Kolur brought her with him, and here’s the plot hole for me. There was basically no reason, except “if I had gone back to port to leave you at your parents’ first, I would’ve missed my window of opportunity.” If there was any other reason, then I definitely missed it. Not once did I get the feeling that Kolur needed Hanna’s presence and/or her magic (Frida filled the roles of both sailor and wind witch, putting hanna out of a job, and she went on board early in the story). When Hanna decided to seek work on another fishing vessel, weeks went by, and Kolur never once tried to convince her to come back. So, for me, he didn’t need her at all. Which leads me to ask, why keep her with him? Their first stop, Skalir, was only a few days from Kjora, where Hanna lives with her parents; since Kolur “recruited” Frida in Skalir, why not simply tell Hanna “listen, girl, I shouldn’t have brought you with me, I’m sorry; there’s something I need to do in the north, if you don’t want to come with me, I understand, I’ll put you on the first ship bound for Kjora and you can go back to your parents’.” Then, there’s Isolfr. He needs her, all right, and considering who he turns out to be, it makes sense. Still, it only works because Kolur kept Hanna on board for no reason. Thus, plot hole.

On the other hand, I liked the world developed in the novel. I haven’t read The Assassin’s Curse (by the same author, and set in the same world, from what I understood from the narrative), so maybe a reader who already knows it won’t perceive it the same way I did. In my case, I liked the way magic seemed to work, the way the names sounded (Kjora, Skalir, Isolfr…). Also, the people of Tulja looked overall like decent people, who didn’t make a distinction between men and women as long as one was able to pull his/her share of the work. They would’ve had every reason for throwing Hanna out, yet showed understanding, especially Finnur and Asbera; these two were definitely sweet and welcoming, and provided a good, kind counterpart to the apparent coldness of Kolur and Frida.

Overall, more a 1.5*, but since I did like some of the characters, and found reading about them pleasant, I’m making it a 2.

Yzabel / March 22, 2014

Review: The Midnight Witch

The Midnight Witch by Paula Brackston

My rating: [rating=2]

Summary:

“The dead are seldom silent. All that is required for them to be heard is that someone be willing to listen. I have been listening to the dead all my life.”

Lilith is the daughter of the sixth Duke of Radnor. She is one of the most beautiful young women in London and engaged to the city’s most eligible bachelor. She is also a witch.

When her father dies, her hapless brother Freddie takes the title. But it is Lilith, instructed in the art of necromancy, who inherits their father’s role as Head Witch of the Lazarus Coven. And it is Lilith who must face the threat of the Sentinels, a powerful group of sorcerers intent on reclaiming the Elixir from the coven’s guardianship for their own dark purposes. Lilith knows the Lazarus creed: secrecy and silence. To abandon either would put both the coven and all she holds dear in grave danger. She has spent her life honoring it, right down to her charming fiancé and fellow witch, Viscount Louis Harcourt.

Until the day she meets Bram, a talented artist who is neither a witch nor a member of her class. With him, she must not be secret and silent. Despite her loyalty to the coven and duty to her family, Lilith cannot keep her life as a witch hidden from the man she loves.

To tell him will risk everything.

Spanning the opulence of Edwardian London and the dark days of World War I, The Midnight Witch is the third novel from New York Times bestselling author Paula Brackston.

Review:

[I received an ARC through NetGalley, in exchange for an honest review. This not being a published copy, a few things may change in the final version of the novel.]

I had a bit of a hard time getting into the story at first, as the style felt a little too convoluted at times, and the whole present tense + 1st/3rd person POV shifts weren’t needed in my opinion.

Contrary to what usually happens with such stories, I ended up liking the romance part better than the witches one. It wasn’t particularly original—a young woman from a very conservative background, betrothed to a young man from an equally conventional background, falls in love with a a starving artist, and finds herself torn between what society dictates and what her heart truly wants. Though there’s chemistry between Lilith and Bram from the beginning, I thought their relationship progressed in a believable way, and that their fears and questioning about said relationship were understandable, considering the place and time period. Again, it wasn’t very original in itself, no surprises here, but it still worked, unlike too many romance plots I’ve seen in the past couple of years. Also, bubbly Charlotte wasn’t an important character, but I liked her way of being. Same with Gudrun; blunt, haughty, yet to-the-point Gudrun.

The witches-related plot, on the other hand, made me roll my eyes several times, because I couldn’t believe how the ninnies had managed to actually survive for so long. Here we have an ancient coven full of necromancers (nice ones, who only speak to the dead and don’t try to raise them every Saturday evening), but they didn’t do much, and didn’t seem very organised. That part (i.e. half the novel) seemed to rest on inconsistencies and deus ex machina, and it didn’t work for me at all. A few examples:
* When it’s time for Lilith to officially become Head Witch, someone in the coven challenges her to prove her worth. The challenge, as per the coven’s rules, is to summon then send back a demon, something that is considered as very hard and dangerous, and ended in the death of more than one witch in the past when the demon went on a rampage. For starters, why was this even a trial? Shouldn’t a coven leader realise that stooping down to this isn’t a very wise solution? Why was this rule still in effect, and not replaced by something difficult, but that may not end up with people dying?
* The challenger was a spy from the Sentinels, a group of enemy sorcerers. Everyone was wearing masks, and he had disguised his voice, so they didn’t know who it was. The senior witches decide to investigate and see who joined their coven in the past years, to try and find the spy. Then… Nothing.
* At some point, Lilith learns the name of her enemy. At least another member of the coven knows, too, because said enemy tries blackmail on that person. Were the other witches ever informed? If no, why? If yes, why didn’t they do anything?
* Very early in the story, Lilith finds herself haunted by a spirit. Why didn’t the coven band to destroy it? Lilith only enlisted the help of ONE witch. As if that would work.
* A first hard strike against Lilith. Someone dies. Then the war happens, and the enemy… does nothing to press his luck and gain some more ground.
* The Elixir, the one that can resurrect people and that the Sentinels so badly want, is on the verge of being stolen. It’s World War I: suddenly a bomb falls on the house. The thief and his acolytes die. Convenient.
* Lilith must keep the coven a secret from non-witches. But she reveals things easily enough to her lover. No wonder some deemed her unsuitable to be Head Witch.
There were other inconsistencies, and making a very detailed list would be tedious, so I’m going to stop here.

In general, I found the “nice witches” way too bland and passive. They had that whole coven, that power, they knew who their enemy was, they could’ve struck him, could’ve done, well, anything but they didn’t. They just seemed to wait in the background, wait for something to happen, not making moves of their own. I couldn’t understand why. (The matter of fragile balance or whatever else might have justified non-interference wasn’t raised, so I assumed it wasn’t an issue.)

I wish I had liked this novel more, but alas, it didn’t happen.

Yzabel / October 30, 2012

Review: Duplicity

Duplicity by Nikki Jefford

My rating: [rating=4]

Summary:

If Graylee Perez thought sharing a body with her twin sister was bad, dealing with a duplicate of herself is two times worse. Gray the second doesn’t seem to get that Lee’s boyfriend, Raj McKenna, is off limits. Then there’s the problem of Adrian Montez. He expects one of the Grays to be his.

Nearly a year later, the council is onto them for past misdeeds; Lee, along with the rest of the coven, has lost control of her powers; and Gray is being stalked by what looks like the Grim Reaper.

If they work together, they may stand a chance of setting things right and making it out alive.

Review:

I found this second installment as good as the first one, although in different ways, and due to different reasons. As is normal in second books in a series, there was no need to introduce the reader to the world and characters, so the whole story started fast. What was at stake felt more important this time, more serious, and better justified (I must admit that the reason to Gray’s death in the first book was kind of… cheesy in my opinion). And there was no Charlene. I’m not fond of Charlene, that is.

Seeing Lee and Gray interact and progress through the plot was interesting, because of both being basically the same person, yet with diverging personalities and conflicting interests; Gray’s situation was the more problematic from the start, arriving as she was in a world that had gone on spinning without her, and I could quite understand her feelings of being the extra wheel. Also, I really enjoyed seeing more of Adrian in this novel; I had already taken a liking to him in “Entangled”, and here I found his character fascinating. He’s got the markings of someone with a serious potential to do evil, yet it seems to me that there’s much more to him, and that he didn’t start being ‘the Avenger’ just for show; I seriously hope we get to learn about his past in the third book.

On the other hand, I found Gray’s behaviour somewhat odd at times; she was supposed to be the one who hadn’t changed, who came back just as she was one year ago, without having evolved in the meantime, but she all of a sudden seemed muchmore manipulative. Perhaps because she didn’t have much left to lose? I don’t know. The other character that somewhat annoyed me (or whom I felt sorry for) was Raj. He had such a diminished presence compared to what was his in “Entangled”–not in terms of ‘screen time’, but of charisma–and I couldn’t find back the Raj I had learnt to enjoy.

Despite those flaws, I’m still givine 4 stars to this book. It was a light, entertaining read, it made me spend a fairly good time, and this was precisely what I wanted out of it.

Yzabel / August 23, 2012

Review: Cold Kiss

Cold Kiss by Amy Garvey

My rating: [rating=4]

Summary:

Be careful what you wish for. . .

When Wren’s boyfriend, Danny, died, Wren decided that what she wanted—what she had to do—was to bring Danny back. And so, in a heartbroken fury, armed with dark incantations and a secret power, she did.

But the Danny who returns isn’t the boy Wren fell in love with, and she must hide him away while her life unravels around her. Then Gabriel transfers to her school and somehow he knows what she has done—and he wants to help make things right.

But Wren alone must undo what she has wrought—even if it means breaking her heart all over again.

Review:

To be honest, this book surprised me, because it wasn’t what I expected when I picked it. I’m not actually sure what I expected; the usual ingredients in a YA paranormal romance novel, I suppose, some of which are present (witchcraft, zombies, a kind of ‘love triangle’…). Then I found out that what matters here isn’t the plot itself, which is quite pared down in itself. Reading and also writing stories that tend to be heavy plot-wise, sometimes I tend to forget that there are other, powerful elements that can carry a story to its end. Feelings are one of those. And “Cold Kiss” is definitely ripe with feelings.

The novel revolves around Wren, a young witch (although she’s only called that once, I think) who had to deal with finding her first real love, Danny, only to lose him barely a few months later. Heart-broken, grief-stricken, she didn’t think it through so much when she took the fateful decision of bringing Danny back from the dead; only what she brought back was only ‘mostly’ Danny. As a living boy, he used to be sweet; he used to love her with all his soul and give his all for her. As a dead one… no matter how Wren wants to convince herself that he’s still ‘her’ Danny, something’s wrong, definitely wrong. And the time is soon to come when she must face the consequences of what she’s done.

In any other story, I think Wren would have been a whiny, childish, self-centered protagonist, that I probably would have found annoying at best; however, Amy Garvey managed to made her all this, with the added bonus that we actually understand why she acts the way she does, and are driven to wonder, “wouldn’t I react just the same way?” I wanted to be angry at her for brushing Gabriel’s help away—but in truth, were I still 17, wouldn’t I also try to fix my mistakes by myself, and snap off in the process? Wouldn’t I be angry at my mother for never explaining me anything, thus unexpectedly leading me to commit a mistake I might have not considered if I had been warned about it before? If given the opportunity to bring back my beloved from the dead, wouldn’t I desperately want to do it, so broken that I just wouldn’t be able to think about the unwanted consequences? This is the kind of questions I want to ask myself when reading such a story, and the latter indeed hit home with those.

The story in itself was fairly simple: no convoluted plot, nothing that can’t be predicted easily enough from the start. This said, I wouldn’t have it any other way, for what makes the strength of this book is the way the author deals with her characters. Throughout the novel, they were all caught in their own web of conflicted feelings, often stemming from their sadness and frustration—and love. Wren’s love for Danny, and her sadness at knowing that everything was different. Wren’s friends, feeling betrayed, made either fretful or angered by their worry. Growing estrangement between Wren and her mother. Above all, the constant despair; the ticking clock; the certainty that the outcome cannot be a nice happily-ever-after ending; and Wren’s dread at knowing what she has to do, being determined to repair her mistake, trying to make amends, yet also fearing having her heart broken again…

Danny, the undead boyfriend, was frightening in his own way. So pale, so cold, so silent—so disturbing. No need for a gory, brain-eating zombie description to make him creepy. Yet at the same time, he was also a tragic figure (in that he was made tragic by someone else’s hubris and fault), a boy lost in a world he couldn’t understand anymore, because he couldn’t exist in it the way he used to. I tried to imagine what it must have been for such a character: locked in a room all day long, with no one to talk to, only his broken thoughts to keep him company, not even knowing that he was actually dead… And this was just dreadful.

The only think I was somewhat hesitant about was Gabriel’s presence. He seemed a little too intent to help with such a mess, when he indeed barely knew Wren—I was two inches of sighing “insta-love” (not something that I like a lot in books in general, I must say). The story may have worked just as well without him, although in that case, it would probably have been shorter, too. He’s not an unlikeable character, far from it; but he also didn’t feel indispensable to me.

Yzabel / August 22, 2012

Review: Hold Me Closer, Necromancer

Hold Me Closer, Necromancer by Lish McBride

My rating: [rating=4]

Summary:

Sam leads a pretty normal life. He may not have the most exciting job in the world, but he’s doing all right—until a fast food prank brings him to the attention of Douglas, a creepy guy with an intense violent streak.

Turns out Douglas is a necromancer who raises the dead for cash and sees potential in Sam. Then Sam discovers he’s a necromancer too, but with strangely latent powers. And his worst nightmare wants to join forces… or else.

With only a week to figure things out, Sam needs all the help he can get. Luckily he lives in Seattle, which has nearly as many paranormal types as it does coffee places. But even with newfound friends, will Sam be able to save his skin?

Review:

This book was exactly the kind of humorous light urban fantasy read I tend to enjoy. Probably because it’s funny, full of snark and retorts, and deals with the supernatural world in a way that feels both adequate and over-the-top, if only because there are, indeed, just as many supernaturals in Seattle than there are coffee places. (At this point, I have to mention that I like over-the-top stories. I know some people dislike those, so if it’s the case for you, well, you’ve been warned.)

So, this book. What’s in it?

* Necromancers. It’s a form of magic I’ve always been fascinated with, especially these past two or three years. The way it was put to use here was freaky in some ways, yet actually hilarious *and* logical in others: I know few stories where a big bad Necromancer gets paid to reanimate a dead panda in a zoo in order to avoid a diplomatic incident with China. However, it does make sense.

* Sam. Inconspicuous, gentle, nice-boy Sam, who tries to do his best considering the crap he’s in, lost with his friends amidst so many paranormal types. I found him very human, balancing between his negative feelings and the awareness that he can’t just pile up reproaches on other people, because it would hurt them and not solve anything anyway. He’s just so adorable.

* Nice and funny group dynamics, especially when it comes to the four fast-food workers. I liked their way of dealing with all the crap that befall them, often by being snarky and taking things in an (apparently) not so serious way. It’s part of the humour permeating the story, and it works for me, perhaps because I have a similar take in my own, real life (not that I happen to meet Necromancers or get thrown in a cage every other day, but you get my drift). I suppose it might come as off-key, in that maybe the characters shouldn’t react in such a ‘light-hearted’ way. On the other hand, I also suppose that their reactions are understandable, if you consider that past a certain hefty dose of problems, either you throw a pity-party and collapse, or you just shut the brain off and go on snark mode in order to preserve the little sanity you’ve got left. And having a talking head land in your living-room is definitely part of the hefty dose of problems.

* Also, creepy Douglas is creepy. I could feel his real intentions coming from the start, and the way he acted, smiling but cold, hitting people without warning, befitted his persona. It makes it all the more funny when he has serious dialogue and attitude going on, but the situation and co-speakers are somewhat wacky, sidekicks included.

* Twisted song titles in lieu of chapter titles. This is a really biased opinion, and I’m not even going to be ashamed of saying it: I love such puns. Period.

* A mostly fast-paced plot, except for a few flashbacks, but those didn’t disrupt my reading, so they were alright. It was easy enough for me to follow, while not being too simplistic; things fell together nicely in the end; the final fight was definitely impressive; and the story was complete (thanks goodness, no cliffhanger), yet still with openings for a next book. It could just as well be a stand-alone novel… or be given a follow-up. Both would be alright in my opinion.

For what it’s worth, though, I would’ve liked to see more of Sam’s powers a little earlier in the story—and more of Brid actually, well, acting, because she’s got potential (granted, the situation she was in really didn’t help). And I’m not too satisfied about the shift in points-of-view. I can easily follow 5 or 6, that’s not a problem, but (and I’ve noticed this in several books already), why have one first-person narrator, while the others are all in third-person? Third-person all the way would’ve worked better here.

Those minor gripes set aside, I really enjoyed this book.