young adult Archives - Page 12 of 19

Yzabel / June 18, 2014

Review: Reckoning

My rating: [rating=2]

Summary:

In the village of Martindale, hundreds of miles north of the new English capital of Windsor, sixteen-year-old Silver Blackthorn takes the Reckoning. This coming-of- age test not only decides her place in society – Elite, Member, Inter or Trog – but also determines that Silver is to become an Offering for King Victor.

But these are uncertain times and no one really knows what happens to the teenagers who disappear into Windsor Castle. Is being an Offering the privilege everyone assumes it to be, or do the walls of the castle have something to hide?Trapped in a maze of ancient corridors, Silver finds herself in a warped world of suspicion where it is difficult to know who to trust and who to fear. The one thing Silver does know is that she must find a way out . . .

The heart-stopping first book in a new trilogy by UK author Kerry Wilkinson, Reckoning is the story of one girl’s determination to escape the whims of a cruel king, and what she must do to survive against all odds.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

2-2.5 stars. In itself, it was a decent enough read, only I couldn’t help but be reminded of many other dystopian YA stories… and after a while, those start to blend together. Among other things, it felt quite reminiscent of The Hunger Games and similar stories, except that the people involved weren’t actively trying to kill each other, but were doing so in underhanded ways, notably being cowards and telling on others.

I was drawn towards this story because of its setting (post-war UK, or rather England/Wales—Scotland, well, nobody talks about Scotland, there must be something fishy with Scotland) and the promised mix of technology and mediaeval buildings/structures. However, such a mix is usually kind of hard to achieve, and I’m not sure it always worked here. The idea of a King totally fits the United Kingdom (much more than it would a US setting, for sure), and I think oppression resting on the ashes of a lasting civil war might be believable for a time. I can see people being so wary that they just want to close their eyes and ignore their current predicament, because at least they don’t have to fight anymore.

On the other hand, I’m not sure that “oil ran out” could be used as the sole justification behind wars on the world level; I keep wondering what else should’ve been involved to make the situation as desperate. Also, the class society in the novel didn’t really convince me: it remained too vague. What do Elites do, except being “the upper class”, with the Members and Inter being, let’s say, “upper-middle” and “lower-middle”, and the Trogs being the “working class”? It seemed to me that no matter their status, those people kind of did the same jobs: an Elite guy and a Trog girl both end up working in the kitchens, for instance, and this system seemed to clash with how the Offerings were assigned to their jobs depending on skills (Silver ends up in a technology-related environment, because she was picked a tech-savvy during her Reckoning, but whether she was a Member or a Trog didn’t seem to matter at this point). So in the end, I didn’t really understand the point. I suppose it would’ve made more sense if I had seen society as a whole depicted here, with non-Offerings going about their work. Whenever I saw some, those were people who hadn’t gone through the Reckoning (like Silver’s mother, or the Head Kingsmen, who were already there before Reckonings first took place). They were outside the new class system, so to speak, and it didn’t help me understand the latter.

Another problem was that I found a lot of things predictable. It might be just me, it might be due to similar stories I’ve read before, I don’t know. It was obvious from the beginning that the King was completely mad, to the point of killing Offerings on a whim, which sure explained why nobody ever heard of them again, hah. The “let’s try to escape” part was obvious as well, just like the romance part, and what actually happened to the families of those who didn’t keep a low profile.

Silver Blackthorn: let’s not dwell on that name; I still can’t stand it. I had mixed feelings about her. In some ways, she came off as a coward, but at the same time, this attitude was also clever: don’t get noticed, so that you live longer, and if you live longer, you have a chance of actually doing something. She limited her interactions with, and therefore her understanding of, other characters, who mostly remained bland and stereotypical. On the other hand, she also kept other people in mind: her family, Opie’s, as well as the other Offerings. She’s not planning a selfish escape just for herself and The Boy (OK, she does at first, and then she considers the bigger picture). I think what bothered me was that I would’ve expected her to do more tech-related stuff. Well, she does, but… in such a way that it’s only seen afterwards.

And here’s where I must touch upon something that really hindered the novel in my opinion: the first person point of view. There’s a moment when a big twist unfurls, and the reader is led to believe something, while something else altogether is brewing. However, I think that the first person narrative is problematic in such cases, because once the twist is revealed, the reader immediately thinks: “Hey, the character knew about it, so how come s/he withheld the information, both from me and from him/herself?” This is what happened here. Before that point, the narrative was all right. After it, I couldn’t get back into it anymore. For those who’ve already read the book: I’m talking, of course, about how we’re led to believe Imrin has betrayed Silver, but in fact this was all part of an act, and the other boys and girls were plotting in the background so that everybody could escape. Which Silver knew, yet deliberately “withheld” from herself, and therefore from me, reader. Tough there are a couple of hints here and there, they’re not enough. In any case, what followed was a recap of who did what, and then only Silver’s role was made more apparent… but by then, I felt cheated.

I would add to this a mild case of convenient chains of events, such as this or that character forgetting to lock a door on a regular basis. It didn’t sit so well with me when it came to a place where paranoia was a rule.

Bonus point, though, for the romance, in that:

1) It doesn’t dwell too much on a potential love triangle. This might come back in the next book, but for now, I’m going to ignore such a possibility, because I can and I want to.

2) The characters are attracted to each other while they do and think of other things. They mostly meet to find a way out, not merely to kiss and grope in the dark. The attraction comes later—and it doesn’t take too much space, contrary to what I’ve seen happen in too many other stories.

I somewhat enjoyed this novel; I’d probably have enjoyed it more if it didn’t feel and taste like many others in the same genre.

Yzabel / June 13, 2014

Review: Crushed (Soul Eaters 2)

Crushed by Eliza Crewe

My rating: [rating=5]

Summary:

Meda Melange has officially hung up her monstrous mantle and planted her feet firmly on the holy and righteous path of a Crusader-in-training. Or, at least, she’s willing to give it a shot. It helps that the Crusaders are the only thing standing between her and the demon hordes who want her dead.

The problem is, the only people less convinced than Meda of her new-found role as Good Girl are the very Crusaders she’s trying to join. So when a devilishly handsome half-demon boy offers escape, how’s a girl supposed to say “no?”

After all, everyone knows a good girl’s greatest weakness is a bad boy.

Review:

(I received an ARC of this novel through NetGalley, in exchange for an honest review.)

4.5 stars, rounded to 5 because this book did something other books seldom do: eliciting feelings in me.

You see, I’m a cold-hearted person. Not as in cruel and mean, but as in, someone who very seldom cries, who’s seldom moved by emotional scenes, and so on. The few things that make me reach such a state aren’t the usual kind of triggers; I don’t shed tears over characters dying, romantic scenes, happy-ever-after moments. In fact, it’s so random I couldn’t even explain what may or may not trigger a reaction, whatever reaction, in me.

Meda’s voice does. I don’t know how, I don’t know why. Perhaps it’s her acceptance that she’s bad, that something in her is utterly rotten (she’s half-demon, after all). Perhaps it’s the fact she doesn’t delude herself when it comes to being liked by others, or to the guy she may or may not fall in love with. Perhaps it’s how she feels she tries hard, but realises in the end that she should also have tried to understand others. She’s not perfect, she knows it, she’s not trying to be—just being “good enough” would already be a great step, but can someone who needs to ear souls ever be “good enough”? Her eating the souls of bad guys only could seem a rationalisation… or simply a fact: when the only other solution is starving yourself, how many of us would actually be “good enough” to do that? So she goes after bad guys—psychopathic killers, child molesters—and eat their souls, because it’s the least of two evils, yet while she jokes about being a super heroine, going about vigilante business, she still acknowledges that she’s part monster, and will always be.

She’s not perfect. She makes mistakes. She misunderstands people, people misunderstand her. But she learns. She accepts facts in the end, seeing them for what they were, for something she failed to notice. She owns up to her mistakes, tries to correct them, takes responsibility for her actions. And she’s also angry and frustrated, so much that I could feel her anger poring through the pages. I especially liked that contrary to a lot of teens in YA fiction, her reasons were both selfish (it was about “me, me, me” at first, in that she saw things from her side of the barrier only) and understandable: the bullying, people automatically disliking her at school because she’s a half-demon, the adults seemingly turning a blind eye on it, humiliating punishments that only furthered the bullying… She was under scrutiny because of her nature, but it felt as if she was expected to do better than any other “good” person in the world, while being set up for failure. (I don’t know, but if someone’s half-demon, expecting them to be Mother Teresa is kind of asking for them to fail, isn’t it?) Meda was self-centered and didn’t understand Jo’s attempts at warning her, at protecting her; however, I think a lot of people would’ve felt the same in her situation. And later, when she discovers the true reasons behind what happened, she accepts them, accepts that she has to understand.

Meda’s friendship with Jo: another beautiful thing in this story. They both have their own very special personalities, they’ve been through fire together, they don’t entirely trust each other, and paradoxically, the latter grounds their relationship into something deeper, stronger, because it holds one important promise: the day real trust is born, is the day their friendship knows no bounds. In the meantime, they’re kidn of circling each other, watching each other. It’s not a girly kind of friendship. They don’t bond over boys, over one common interest that may or may not last. But it runs deep, to the point of self-sacrifice… not only on Jo’s part (knowing her character, that must’ve been one hard thing to do for Jo, by the way).

And when a half-demon is led to self-sacrifice, this also tells you something about her, about whether her nature binds her so much, whether Armand is right in telling her Hell is the only place for her… or not. Meda knowing she’s a monster, and not refuting it, Meda teetering on the brink of that one important decision (join the demons or remain faithful to the Crusaders, even though they want her dead), are, in my opinion, what could make her achieve her own “goodness”: not a saintly one, but one that defies her origins.

Love interest: there is one, but not too much. Here, we don’t go through the “redeem the bad boy” trope, or starry-eyed love. While Meda and Armand are clearly attracted to each other, they also know that sooner or later, they may stand on different sides. Meda is aware she may have to kill him someday; indeed, no delusions here, and no glorious promises of Love Eternal either. They both hang out together for their own selfish reasons, they both say it openly, they both accept it in each other. It’s a really nice break from the usual teen romance I see in YA books nowadays.

Also, they kill. They go through with their murders, they don’t bail out at the last moment. Another nice break from all the “assassins who fail to kill” stories.

The Crusaders: horrible in many ways, justified in others. What they did to Meda, refusing to give her a say when it was time to test one specific kind of magic on her, was shocking; however, when Meda had a choice, the person who seemed so bad, so cruel at first turned out to be pretty decent—and he wasn’t the only one. It’s never sp black and white with them as you think it is.

The one qualm I have with this book is that it felt slow in the beginning, especially compared to the first novel in the series. Meda’s voice and what I could sense between the lines prevented this from being too much of a problem, but I was still glad when the pace picked up.

Yzabel / May 27, 2014

Review: Hexed

Hexed by Michelle Krys

My rating: [rating=1]

Summary:

A stolen book. A deadly plan. A destiny discovered.

If high school is all about social status, Indigo Blackwood has it made. Sure, her quirky mom owns an occult shop, and a nerd just won’t stop trying to be her friend, but Indie is a popular cheerleader with a football-star boyfriend and a social circle powerful enough to ruin everyone at school. Who wouldn’t want to be her?

Then a guy dies right before her eyes. And the dusty old family Bible her mom is freakishly possessive of is stolen. But when a frustratingly sexy stranger named Bishop enters Indie’s world, she learns that her destiny involves a lot more than pom-poms and parties. If she doesn’t get the Bible back, every witch on the planet will die. And that’s seriously bad news for Indie, because according to Bishop, she’s a witch too.

Suddenly forced into a centuries-old war between witches and sorcerers, Indie is about to uncover the many dark truths about her life—and a future unlike any she ever imagined on top of the cheer pyramid.

Review:

(I got an ARC through NetGalley, in exchange for an honest review.)

I really can’t say I enjoyed this book. It reads easily, and there were a few good ideas, and a particular twist that was clever (though extremely cruel, too), but mostly I found the characters bland at best, and the plot weighed down by the romance.

The good things:

* Cheerleader-turned-witch. I found this specific idea amusing, because it could have led to a lot of interesting situations. You expect the goth girl to turn witch. But the popular cheerleader, under everyone’s scrutiny, the one for whom the slightest faux-pas looks like committing social suicide? There’s some potential, I say.

* Witchcraft. I like witches. And magic. Simple as that.

* Bishop’s take on life: “Might as well joke, rather than dwell on the bad things and mope.” I like that.

But.

Indigo:

I had absolutely no sympathy for that character. I’d like to say I warmed up to her after a while, but at best, I must’ve felt some vaguely lukewarm sensation, somewhere in that thing people call heart. I found her incredibly self-centred, insensitive, callous, and condescending. She fancied herself a “decent” person, compared to Bianca, the jealous so-called best friend turned frenemy; however, to me, this was just one big delusion on her part. So she wasn’t a Bianca, but she was just as bad in many other ways, especially in the way she treated Paige. Paige, her neighbour who for years tried to be her friend; alas, poor Paige, you’ve always been too nerdy to Indie’s taste, and so she kept giving you the slip. Until, of course, Indie realised her friends weren’t friends, her boyfriend was a douche, and so she turned to Paige—with all the condescension she could muster, that is:

Paige shakes her head. “Where’s Bianca? Why isn’t she helping you?”
Oh. It’s like that now? You’d think the girl would recognize a bone when one was being thrown.

Except that Paige had started making other friends. The gall! The nerve! How dare you, Paige?

Tears prick my eyes. Of course she has a friend now. Of course she has plans. What did I think, that I could push and push her away and she’d always be there, waiting for me in case I ever got bored of Bianca?

At least she somewhat acknowledges it, but it’s going to take much more to make you a good girl, Indie.

Douches and doormats:

Bianca’s a douche. Stupid Boyfriend Is Stupid, I mean Devon, is a douche. When Indie finds him cheating on her with Bianca—that was so predictable, by the way—and finally stops looking at him as if he was the best thing in the world since cheesewire, Devon is devastated, because, you see:

“You still up for homecoming?”
[…]
Don’t mean to be pushy. I asked around, but everyone good already has a date now.”

Yeah, ditch the guy. At least that was one good decision.

I wish Paige had given her the finger, too. Looks like Paige’s the most decent one in the bunch, and with an ability to forgive. Only to be treated, I wouldn’t say like crap, but as expendable.

Jezebel, too. Way to let people die because you can’t be bothered saving just one more person when you have the upper hand, and are holding your enemy by the balls. If all witches are like her, I’m almost tempted to cheer on the bad guys instead.

Bishop… Not so much a douche, he was actually fairly decent, after a while. Nevertheless, the constant creepy-joker act slowed things down.

Decisions that make absolutely no sense:

Mum’s uber important Witch Bible has been stolen, and Indie promises she’s going to get it back. OK. She has no idea where to start looking. OK again. There was that shady guy, earlier, who helped her with her Mum after a bookshelf fell on her, and who seemed to know about the Bible… Hmmm, shady, all right, but at least it’s a lead: let’s drive around trying to find the guy, who anyway seems to have a knack to stalk Indigo. Might as well use the stalker’s skills against himself, right? So Indie drives around, with Paige in tow. They find the guy. And…
… Banter. Banter, semi-flirting, banter. Pointless dialogue. LOL-I-ain’t-telling-you-much. Followed by “well, let’s go to Jarrod’s party.” I thought retrieving the Bible from the bad guys’ hands was important. I must’ve been mistaken.
I might have forgiven it, if only it hadn’t been one blatant plot device, just for Indie to walk on Devon sleeping with Bianca and make her realise what an idiot Mr. Boyfriend was. Couldn’t this happen in a different way?

They drag Paige along when it comes to attacking the Bad Guys. Because bringing the human girl, the one without any powers, to a fight between witches and sorcerers is the best way to ensure her safety. It’s not like collateral damage could happen. It’s not like someone could notice her and, I don’t know, take her hostage later.

There’s also lot of wandering around, because they need a “quiet place” to talk. The Hollywood sign at night is sure a quiet place, but, again, wasn’t time of the essence?

And it may just be me, but I thought the Priory wasn’t so… active. It was quite nice of them to give Indigo one whole week to mourn her mother, but frankly, since they were the ones who took said mother hostage and then killed her, why waste time? Go hit Indie while she’s down.

Powers and training:

Well, yes, I’d have wanted to see more “witch in training”, more moments when Indigo would grow into her powers, do something with them. I wasn’t asking for anything spectacular, but she really doesn’t do much at all, and so she ends up as the whiny Damsel In Distress throughout the second part of the book.

Romance:

Not played well here in my opinion. I’ll appreciate a romance that develops… when characters have time for that. Here, the situation was kind of urgent, Indie could’ve been attacked at any moment, yet so much time was wasted on flirting and such. In turn, I felt that the plot was being held back in order for the romance to take place. The contrary would’ve been more interesting, and more believable.

So, well… I wish I had liked this one. I was really eager to read it. In the end, unfortunately, it just didn’t work at all for me.

Yzabel / May 18, 2014

Review: Dollhouse

Dollhouse by Anya Allyn

My rating: [rating=3]

Summary:

Dress-up turns deadly. . .

When Cassie’s best friend, Aisha, disappears during a school hike, Cassie sets off with Aisha’s boyfriend Ethan and their best friend Lacey, determined to find her. But the mist-enshrouded mountains hold many secrets, and what the three teens discover is far more disturbing than any of them imagined: beneath a rundown mansion in the woods lies an underground cavern full of life-size toys and kidnapped girls forced to dress as dolls.

Even as Cassie desperately tries to escape the Dollhouse, she finds herself torn between her forbidden feelings for Ethan, and her intense, instinctive attraction to The Provider, a man Cassie swears she has known before…

Because Cassie’s capture wasn’t accidental, and the Dollhouse is more than just a prison where her deepest fears come true—it’s a portal for the powers of darkness. And Cassie may be the only one who can stop it.

Review:

(I got a copy of this book through NetGalley, in exchange for an honest review.)

A likeable story—on the creepy side, that is, but if I didn’t want creepy, I wouldn’t have applied for this book, right? I liked the atmosphere conveyed through the book, at least when it came to the house itself and its inhabitants (this isn’t a spoiler; the title gives it away, after all). It was oppressive, left little doubt as to the stifling nature of the place, and the toys as well as Jessamine’s behaviour were definitely elements of unease. I was never scared, to be honest, but this doesn’t necessarily means “Dollhouse” won’t be scary to other other people. In any case, in terms of imagery, those were themes I could relate to.

The plot is kind of strange. It’s both a good and a bad thing in my opinion. On the one hand, it fits the overall atmosphere; on the other, sometimes things were a little confusing. At first I thought it may be a purely horror/mystery story, then different supernatural elements creepeed in. I was all right with that, though: it may be part of what the book was meant to achieve, depending on how one considers it, and it also contributed to the characters’ confusion. So, for me, it worked.

I found the pacing somewhat uneven. The first chapter pulled me in, then the next ones were slower, and I think some of the scenes in the dollhouse itself dragged a little. Again, this is one of those double-edged aspects in my opinion: slowing down the story, yet also reflecting the bleak existence of the “dolls”, the day-to-day routine under Jessamine’s guidance (if one can call that guidance…), the world being narrowed down to a few rooms only, with few activities available. So, slow in pacing, but fitting in theme.

I didn’t find the characters really memorable, and was mostly interested in the atmosphere and in looking for hints about the bigger picture, I admit. Cassie was kind of bland, Ethan and Aisha as well, and Lacey was easily forgotten. This is probably one of the weakest points in this book: I kept feeling that those friends didn’t really care about each other. That they went looking for Aisha not in the hopes of finding her alive, but of removing suspicion from Ethan. That they didn’t have much in common, and didn’t look like a strong enough group to go through the hassle of camping in the mountains at night to search for the missing girl. Cassie leaves Lacey[Lacey (hide spoiler)] alone in a creepy place, then oh, surprise, she’s missing as well. Rule number one: you never, ever leave someone alone. Not in such a setting.

The romance… Meh. I wasn’t convinced. But then, I seldom am.

The book ends on a cliffhanger that may very well be quite annoying. You can somewhat imagine what will happen, but if it’s still rather abrupt, and felt more like a chapter was missing, rather than a real ending.

I’m giving it 3 stars because I really enjoyed the theme, the atmosphere, the imagery it all evoked. I found it easy to picture the rooms, the clothing, to imagine what the dolls’ life was like. If one is looking for strong characters, though, perhaps this isn’t the right book.

Yzabel / May 13, 2014

Review: The Diamond Thief

The Diamond Thief by Sharon Gosling

My rating: [rating=1]

Summary:

By day Rémy Brunel is a daring circus acrobat, by night she is an equally talented jewel thief currently assigned to steal a famous diamond in Victorian London–but when the theft goes wrong she finds herself allied with a young policeman as they try to find the elusive gem.

Review:

(I got a copy through NetGalley, in exchange for an honest review.)

A fast read, and one of those books I wish I had liked more (Victorian London + circus + thief + mechanical inventions: what’s not to like in there, really?), but also one that didn’t convince me in the end, unfortunately.

Things I liked: the steampunk side, light enough to be understandable by basically everyone, younger readers included. It has a touch of Fushigi no Umi no Nadia (in that stones/jewels play an important part), though it doesn’t go further than that, and makes use of machinery whose concepts are easy to grasp, such as experimental night-vision goggles. Not the most creative I’ve ever seen, but a nice introduction nonetheless.

On the other hand, I found the backdrop fairly light, too—not a good thing. I never really got the feeling of a real circus, nor of Victorian mores. I think this could apply to several other aspects of the novel, in fact: it brushed against them, without ever diving deep enough for me to feel immersed. I could sense this most specifically with the characters. At first, I found them interesting, but they were never developed enough to hold my attention until the end, nor make me care about them. (And there definitely were interesting ideas in here, such as the unlikely trapeze artist/thief + young cop duo, the Professor with his inventions, the mysterious Lord…) Also, I didn’t like the romance at all. I couldn’t feel any chemistry within this couple, it seemed like a plot device to add some drama, and there were a few very melodramatic scenes that made me roll my eyes and want to slap those characters. Somehow, it moved too quickly, too superficially.

The plot itself seemed to rest on a lof of deus ex machina, predictable twists, and events inserted for convenience. I would’ve been more enthralled if Rémy and Thaddeus had had to really investigate, which in turn would have given them time to talk, get to know each other better; I guess this would have made the romance more palatable for me, as well as enhanced the strong points of their pairing, in terms of skills. Another thing I had a hard time with were a couple of plot points. First, the opal’s role. One of the characters says that it would allow Rémy to hear other people’s thoughts, yet I never got the purpose of that specific thread. Is there a second book in the writing? If there isn’t, then I don’t see the point. Same with the curse[the curse (hide spoiler)]: couldn’t Gustave tell Rémy about it way earlier than that, considering how involved she was, and how she was the one tasked with stealing the stone?

I suppose it could work as a very light read, or for really young readers (things never go further than a brief kiss in the romance department), but for me it didn’t.

Yzabel / May 4, 2014

Review: Arms of Anu

Arms of Anu by Christina Mercer

My rating: [rating=2]

Summary:

Blood of body, blood of soul,
Entwined for life, then unfolds;
If blood still runs when magic binds,
Soul is never too far to find.

In ARMS OF ANU, Lia and Kelven battle through a land of tyrants, war and magic.

Can Lia escape the foes who ensnare her?
Will Kelven’s love withstand the darkness taking root inside Lia?
Is freedom too high a crown to reach, or will they forever remain in the hollows?

Review:

[I received a copy through NetGalley, in exchange for an honest review.]

I read Arrow of the Mist in 2013, and I was interested in knowing how Lia’s story went on. Like its predecessor, Arms of Anu is a fast read that makes you want to get to the next chapter to see what happens, and how the characters will solve the problems at hand. In this one, Lia also remains a strong person, true to her beliefs, as well as willing to act and use her powers to protect her people and country; however, she also has to contend with another threat, one she hadn’t sensed coming, and this time, the battle is as much with herself as with external forces.

The writing was flowing and consistent—not too complex, since fit for a younger audience, but still able to carry good descriptions. I only found a couple of misprints, nothing more, and no sentence struck me as particularly odd. As with the first book, I had no problems picturing my surroundings in this story; it had just the right amount of descriptive language to make me feel immersed, without drowning me under too much.

I enjoyed the first part of the novel more than the second one, though, probably because the later chapters involve travelling, and I tend to be more at ease with fantasy that happens in more constricted settings, such as cities. (I have to mention this; another reader may not have the same qualms in that regard.) I absolutely loved the part in Anu, where Lia and Wynn had to face the king’s wrath, and find a way to escape a certain death. Lia’s magic was involved in useful ways, she managed to find an unexpected ally, and I was glad that she wasn’t cast in the Damsel In Distress role.

The second half, on the other hand, left me wanting for more (partly because Kelven was rather too passive in it in my opinion). While interesting—it deals more deeply with Lia’s predicament regarding Brume—it seemed both too slow (travelling) and too rushed, especially when the ending came in sight. There was potential for a lot more in this story, for a more complex type of narrative, but once the threads came together at the end, I still wanted more. This is mainly about the plot with the Hawks and what happens in Anu while Lia and Kelven are away. We see those two a lot, whereas the rest of the cast is totally forgotten for a while… yet is definitely doing something, since the Hawks have seized power, and are now wielding it in less than wise ways. This plot and those characters deserved more spotlight. As a result, I thought Wynn, Holly, and a certain ally were left on the side. Subsequently, Wynn’s and Murdina’s relationship came just out of nowhere. It would have been so interesting to see it develop, and to see how they fared in the castle while the Hawks seized power. Why did they abided by Lia’s wish to treat Murdina so kindle, when they were so ruthless otherwise, and could have spared her without giving her much comfort? So Wynn was thre, sure, but if he was captured a first time, what ensured he couldn’t be taken by surprise again, in spite of his weapons? There could’ve been such a strong parallel plot here, but to me, it appeared as brushed over at the end, as a kind of afterthought to explain what happened in the meanwhile. I regretted not getting to know those characters more, and I would’ve wished for more development when it came to the Hawks’ motivations. (And I doubt that a MG/YA audience would be too young to follow such a plot, anyway.)

I’d give this book a higher rating, if not for the characters and subplots that were put on a bus at some point, because overall, the story and atmosphere were definitely enjoyable.

Yzabel / May 3, 2014

Review: Prep School Confidential

Prep School Confidential by Kara Taylor

My rating: [rating=4]

Summary:

In this breathtaking debut that reads like Gossip Girl crossed with Twin Peaks, a Queen Bee at a blue-blooded New England prep school stumbles into a murder mystery.

Anne Dowling practically runs her exclusive academy on New York’s Upper East Side—that is, until she accidentally burns part of it down and gets sent to a prestigious boarding school outside of Boston. Determined to make it back to New York, Anne could care less about making friends at the preppy Wheatley School. That is, until her roommate Isabella’s body is found in the woods behind the school.

When everyone else is oddly silent, Anne becomes determined to uncover the truth no matter how many rules she has to break to do it. With the help of Isabella’s twin brother Anthony, and a cute classmate named Brent, Anne discovers that Isabella wasn’t quite the innocent nerdy girl she pretended to be. But someone will do anything to stop Anne’s snooping in this fast-paced, unputdownable read—even if it means framing her for Isabella’s murder.

Review:

A fast and fun read, and also one that kept me on the edge of my seat—the mystery part was well-done in my opinion, enough that I had my suspicions about a potential culprit, but without seeing it coming too easily.

I have a soft spot for boarding schools. I don’t know why. Perhaps because I’ve always wondered in hindsight if I wouldn’t have felt better in such a school as a teen? (Not necessarily a posh prep school. Just a school where I could be away from my family and experience things in a different way. As a university student, anyway, I was the kind of person who loved eating breakfast with others, spending time in each other’s rooms, and various dorm activities.) So, boarding schools often tend to grab my interest for their closed community aspect, and for the closed setting they provide, too. You can’t just walk away and ignore whatever problem happens there: you have to face it, whether the problem is gossip or a murder.

I didn’t really like Anne in the very first chapters. She came off as a snotty brat, the kind of girl who knew she’d get away with everything just by batting her eyelashes, twirling a lock of hair between her fingers, and by basically “being her”. Then she grew on me (and not like mildew). All in all, she was likeable. She had that ability to make people gravitate around her, but not in a condescending, Mean Girl way, which I something I can appreciate. No slut-shaming here, no attempts to make others look bad; when she refused to take crap, she did it in a direct, not a passive-aggressive way (often involving snark and sarcasm, but not underhanded). She wasn’t perfect, and just like so many people, she tended to judge others on first impressions—yet she also did it on actions, and was able to revise her judgment when it appeared she was wrong. The potential for snotty, woe-is-me attitude went away quickly enough to my liking. Although Anne didn’t want to stay at Wheatley, she acknowledged she hadn’t much choice in the matter, so might as well do with it in the meantime.

Other characters were handled in believable ways. I wondered sometimes why the arson story wasn’t thrown in her face more often, because it definitely could’ve been, especially by the characters who didn’t like Anne; on the other hand, I also didn’t find it too surprising that, considering her way of handling things, such a “rumour” wouldn’t have looked like what would hurt her the most, and made her appear like the mysterious, dangerous, yet oddly attractive kid. The main Mean Girl character wasn’t as cliché as I thought at first; even though I couldn’t bring myself to like her, at least she had circumstances of her own. As for other high school clichés, they were nicely toyed with, and I didn’t feel them as heavy as they did in other similar works I read in the past.

The romance part didn’t really work for me. Fortunately, it never detracted from the story, never took precedence over the actual plot (investigation/murder), and I was very grateful for that. Only I just didn’t care much for it.

I also questioned some choices on Anne’s part at times. Mostly she came off as sensible, knowing she could end up in dangerous situations and preparing herself in case of. However, there were a few moments when I wondered if she wasn’t too trusting of some people, in a setting where “trust no one” should’ve been a definite rule. I found this a little jarring, especially considering how she used people in general. (I don’t mind the “use others” attitude in a place where everyone could potentially be a murderer, or at least someone with dirty secrets and a tendency to use their parents’ money to become a problem to you; that was sort of logical. But if you do that, don’t tell all your plans to some of those people either. Even though Anne investigating completely on her own wouldn’t have been too interesting, I suppose.)

This set aside, I really liked this story, and will likely pick the next book… because we’re clearly not done yet with the many skeletons in Wheatley’s many closets.

Yzabel / May 1, 2014

Review: A Creature of Moonlight

A Creature of Moonlight by Rebecca Hahn

My rating: [rating=3]

Summary:

A stunning debut novel about a girl who is half dragon, half human, and wholly herself.

As the only heir to the throne, Marni should have been surrounded by wealth and privilege, not living in exile-but now the time has come when she must choose between claiming her birthright as princess of a realm whose king wants her dead, and life with the father she has never known: a wild dragon who is sending his magical woods to capture her.

Review:

[ARC courtesy of NetGalley, in exchange for an honest review.]

This novel was a delightful read, with enchanting prose that kept me enthralled—not too little description, not too much, and lyrical enough without diving head-first into purple prose. It was permeated with an eerie atmosphere, and there was something definitely haunting to that world encroached upon by nature and strange creatures from the woods. The latter were appealing, intriguing, making me thinkg that I, too, would want to see what was hidden in them. And I enjoyed the depiction of “sorcery”, the concept of knitting spells and/or creatures sent to do one’s bidding. I don’t think I’ve seen that in a story yet, so it was quite new for me, and I found the idea interesting, even though it didn’t turn out as it was meant at first.

I appreciated how women in general were shown here as people with the power to choose. Even though at first, some may seem powerless, drawn into an unwanted existence, or used as pawns, in the end, they want to exert their own power of choosing, and don’t hesitate to state it. Marni doesn’t necessarily know where she’s going, but at least she knows she doesn’t want someone else to decide for her. She could’ve given in easily to pressure. She could’ve married the lord and placed herself under his protection, thus making her life easier; but I think this would also have been the easy way out, the expected romantic outcome; I dreaded it, and that it didn’t happen felt refreshing for a change.

Marni’s also a character who grows up and learns. She’d have had many opportunities and reasons to enact revenge on those who failed and/or hurt her, but she didn’t act with too much haste, she pondered her decisions, and she seemed to me like a level-headed enough person.

The one thing that prevented me from liking this book more was how it kept meandering after a while, as if Marni’s thoughts were somewhat running in circles. It left me feeling that there was little sense of urgency to the story, that things “happened” in a slow way, and not to the extent they should’ve been happening. Considering Marni’s circumstances, for instance, I found it strange that events at court weren’t more intense. She speaks of several attempts on her life, yet those didn’t look as threatening as they were likely meant to be. So the story was beautiful, but there were a few moments when I wished it would go a tad bit faster.

3.5 stars. In spite of my qualms, this is a book I’d recommend.

Yzabel / April 17, 2014

Review: Cipher

Cipher by S.E. Bennett

My rating: [rating=3]

Summary:

Cipher Omega is a failed experiment, an identical clone of the brilliant, damaged woman whose genome the scientists of the Basement were trying to copy and improve. All her life she has dreamt of life outside the laboratory, on the surface world, but when her home is destroyed and she’s left the only survivor of a hundred-year human cloning project, she is forced to face the reality of the military-ruled nation that created her. Aided by the only other surviving child of the Basement, an enigmatic solider named Tor, and two rebel freedom fighters named Bowen and Oona Rivers, Cipher finds herself searching for answers, at any cost.

Review:

[I got a copy from the publisher through NetGalley, in exchange for an honest review.]

I quite liked this novel, though I must admit I didn’t enjoy it as much as I had expected.

The Basement setting and situation were intriguing, and I found the story as a whole pervaded with a feeling of oppression. It was more an impression than definite proof, but I had the nagging feeling that everyone was always being watched by someone else. Maybe because of the Feeds, maybe because Cipher remained aware that she had to watch her back at all times, and acknowledged that as soon as she’d let her guard down, it’d be the end. (And I agree she was right in thinking so!)

Cipher was a likeable character, one who was aware of the problems she was in, yet tried to keep fighting, even if it meant lying low for a while. She wasn’t a whiner, she kept focused on what she wanted and hoped for, and she knew how to put her coding and engineering skills to use in order to build a few backdoors. She only allowed herself to trust a handful of people, and wasn’t fooled by the shiny varnish and empty promises of the Municipality. While there were hints of a potential romance too (perhaps even a triangle), she kept her priorities straight and never let herself be engulfed into that, the way too many characters unfortunately seem to do as soon as a love interest appears. Love was an important motivator for her; however, it was ‘love’ in a wider sense, encompassing friendship and wanting to protect the few people she held dear—not the old-as-sin trope of True Love At First Sight Forever for a boy she had just met. And she remained ‘faithful’ to the Basement people, to her father, even to her sisters, in that she mourned them like the people they had been, and didn’t forget about them as soon as she was out, nor no matter how dire her own circumstances.

I also liked the siblings: Oona for her entusiasm for gardening and living things, in a world so devoid of positive life and new births; and Bowen for being overall sympathetic, understanding, and ready to take calculated risks to get the truth out.

A few things bothered me nevertheless. I expected Tor to be more… impressive when it came to planning, and the same went for Sally (deemed quite the strategist, after all). Some things are explained later when it comes to Tor, but I thought his mother wasn’t so foreseeing, and it seemed a little jarring. (Minor quibble about Tor: his way of calling Cipher ‘love’. It’s probably just me, but I can’t stand that, just like I can’t stand ‘babe’.) I wondered about a couple of inconsistencies, too: for instance, how come Cipher didn’t remember Tor from the Basement, when she was only two years younger, and she said she knew everybody there? She was rather young at the time, yet since she remembered classes she took when she was 4-5, I would’ve thought she would remember him as well?

At times, Cipher’s thoughts also intruded too much on the narrative. They weren’t useless, and contained important information, so they weren’t a problem in themselves; only they tended to interrupt the flow, and made me wonder if they wouldn’t have been better included elsewhere.

I wished Bowen and Oona had been given more importance, probably because of The Truth (the unauthorised Feed they broadcast in the beginning): the latter looked like a useful tool, able to ignite a lot of things, yet it just went away, and the siblings became more and more like ‘people to protect’, and not ‘people who mattered thanks to their actions’. (Perhaps I also slightly resented how Oona was important due to her pregnancy; it made sense within the context of that specific world, but I tend to find such things annoying. As a woman, I’m not at ease with the idea that what makes me important is my ability to have children; I want to believe we’re much more than that. This is however a very personal observation, and I doubt it’ll be a problem for every reader.)

In general, I liked this novel, and if there were to be a next installment—the ending kind of begs for one, especially now that Metis[Metis (hide spoiler)] has appeared—I’d probably want to read it. I just can’t push myself to give it more than 3 stars.

Yzabel / April 7, 2014

Review: The Astounding Adventure of the Ancient Dragon

The Astounding Adventure of the Ancient Dragon by Jose Prendes

My rating: [rating=3]

Summary:

When 12-year-old John Watson is sent to Candlewood boarding school, he makes quick friends with a boy named Sherlock Holmes, a universally disliked know-it-all and amateur sleuth. Before long, Sherlock embroils his new friend in a covert investigation of the mysterious disappearances blamed on a vengeful ghost. Dodging the meaty fists of the bully Moriarty, and aided by bumbling patrolman Lestrade, they uncover a deadly secret hidden deep underneath Candlewood. But does the duo have the brains–and the brawn–to crack this dangerous case?

Review:

[I was sent a copy of this book by the publisher, in exchange for an honest review.]

Strong points:

The Astounding Adventure of the Ancient Dragon caught my eyes because of its premise: an alternate retelling of Holmes’s and Watson’s adventures, in a “what if those two had been children at a boarding school, instead of adults in London?” As a long-time avid reader of Arthur Conan Doyle’s stories, I couldn’t pass up on that, although any potential reader has to be aware that these new adventures are, of course, not canon. (The original Holmes and Watson didn’t meet before they were adults.)

This novel will likely provide an amusing and refreshing read to middle-grade children: boys going on exploring an old school, hidden corridors, mysterious kidnappings, peppered with a dose of humour and “old chap” banter. Some quips made me chuckle more than once:

“I ask you to come up with a distraction and you decide to set the boat on fire? Is that best you could come up with?”

And were even reminiscent of a Princess Bride kind of humour:

“I must warn you, I am a fencing champion,” Holmes replied, taking a defensive posture.
“And I must warn you,” Royston said, yanking out another sword. “I have two swords.”

Honestly, I laughed out loud at those ones.

I like boarding schools for a setting, and the latter had the makings for an interesting place, complete with a gang of local bullies and a head mistress who expresses her dislike for the heroes. Those are typical tropes, but I thought they worked well enough here, because they, too, were presented in a humorous way. The investigation and action are nicely balanced, the latter taking the main characters into fights that were easy to picture in my mind (though the former was a bit simple… but then, they’re twelve). Sherlock was true enough to his original self to my liking: oblivious to girls, possessed of a lot of knowledge, able to notice small details (and with a bonus way of talking his way out of the teachers’ wrath in an elegant and funny manner).

Last but not least, I found it easy enough to get into the concept of Holmes and Watson as children—which I wasn’t sure would happen at first. As with every retelling or alternate setting, this is, in my opinion, a matter of either love or hate. A reader who wants to see Holmes act exactly as he does in Doyle’s novels may not be completely satisfied; what worked for me here won’t work for everyone.

Problematic aspects:

I thought at times that the characters were able to do too many things (taking on opponents with a spear, firing a gun…): I can imagine how it fits an adventure-focused story, but the fact is, they’re only twelve. Sometimes I also found them a little callous, dismissing the death of a goon as if it was nothing, or Watson not seeming to care that much about the sick mother her had left behind him. Again, adventure is a distraction for the mind… but they’re still twelve.

I’m torn about the writing style. As an adult reader, I enjoyed it; the novel is well-written, and I could sense the same kind of vibes I’d get from the original stories, with the narrator (Watson) seeming to hit close enough a mark. It has a “gentlemen’s banter” quality that is exquisite to me. However, I’m not sure a 12-year-old narrator, even a precocious one, would master language to such an extent. In other words: I liked it, but I’m torn about how to judge it in an unbiased way. One thing’s for sure, though: the language wasn’t dumbed down “just because it’s for kids”, and this in itself has to be commended.

You may also want to enact suspension of disbelief regarding the school itself: the action is set in 1865, and I highly doubt there were any mixed-sex schools in Great Britain at the time, lest boarding schools. If you’re willing to overlook that in favour of focusing on the adventure, it’ll probably be all right, otherwise it might keep nagging you.

(NB. I wasn’t too keen on the illustrations, which weren’t necessary in my opinion, and seemed to hesitate between looking like a child’s drawing and “real” illustrations. This is a very minor quibble, though, that has nothing to do with the writing itself.)

I realise this review seems to contain a lot of criticism, and more flaws than merits. I’ve tried to write what I enjoyed, and what I found as being or not problems, in terms of intended audience especially. All in all, I enjoyed this novel, and think younger readers would also like it; but it definitely retains some aspects that could make it or break it for others.