Yzabel / February 2, 2019
The Monsters We Deserve by Marcus Sedgwick
My rating: [rating=2]
Blurb:
‘Do monsters always stay in the book where they were born? Are they content to live out their lives on paper, and never step foot into the real world?’
The Villa Diodati, on the shore of Lake Geneva, 1816: the Year without Summer. As Byron, Polidori, and Mr and Mrs Shelley shelter from the unexpected weather, old ghost stories are read and new ghost stories imagined. Born by the twin brains of the Shelleys is Frankenstein, one of the most influential tales of horror of all time.
In a remote mountain house, high in the French Alps, an author broods on Shelley’s creation. Reality and perception merge, fuelled by poisoned thoughts. Humankind makes monsters; but who really creates who? This is a book about reason, the imagination, and the creative act of reading and writing. Marcus Sedgwick’s ghostly, menacing novel celebrates the legacy of Mary Shelley’s literary debut in its bicentenary year.
Review:
[I received a copy of this book through NetGalley, in exchange for an honest review.]
This book is somewhat of an oddball: part essay, part horror story, part reflection about the writer’s craft and what bringing a story into the world involves.
The book the author-protagonist talks about is Mary Shelley’s “Frankenstein”, but it’s also his own, his best-seller book, and the one about which he harbours the most doubts. It’s about disliking a story so much that you can’t help think about it; about the meaning of one’s writing, and how it completely escapes us from the moment it’s out in the world; about searching one’s soul and having to come to terms with our truths. Not an easy read, though it’s fairly short, and I admit I wasn’t entirely sold on it at first, but then it grew on me.
It’s also about monsters, of course, but not necessarily the kind we think at first.
Not my favourite book by Marcus Sedgwick, though, as parts of it are rather confusing and left me with a somewhat “off” feeling that I couldn’t place. Not to mention that if you’ve studied “Frankenstein” at least a little, most of the reflections outlined in it, as well as the “big reveal”, are kind of… super obvious?
2.5 stars. Interesting as a curiosity, I’d say.