alternate history Archives - Page 4 of 4

Yzabel / July 13, 2014

Review: The Steampunk Trilogy

The Steampunk Trilogy by Paul Di Filippo

My rating: [rating=1]

Summary:

An outrageous trio of novellas that bizarrely and brilliantly twists the Victorian era out of shape, by a master of steampunk alternate history

Welcome to the world of steampunk, a nineteenth century outrageously reconfigured through weird science. With his magnificent trilogy, acclaimed author Paul Di Filippo demonstrates how this unique subgenre of science fiction is done to perfection—reinventing a mannered age of corsets and industrial revolution with odd technologies born of a truly twisted imagination.

In “Victoria,” the inexplicable disappearance of the British monarch-to-be prompts a scientist to place a human-lizard hybrid clone on the throne during the search for the missing royal. But the doppelgänger queen comes with a most troubling flaw: an insatiable sexual appetite. The somewhat Lovecraftian “Hottentots” chronicles the very unusual adventure of Swiss naturalist and confirmed bigot Louis Agassiz as his determined search for a rather grisly fetish plunges him into a world of black magic and monsters. Finally, in “Walt and Emily,” the hitherto secret and quite steamy love affair between Emily Dickinson and Walt Whitman is revealed in all its sensuous glory—as are their subsequent interdimensional travels aboard a singular ship that transcends the boundaries of time and reality.

Review:

(I got an e-copy of this book through NetGalley, in exchange for an honest review.)

A strange read, not totally devoid of interest, but that didn’t do much for me, probably in part because its title is definitely misleading when it comes to “steampunk” as a genre, and isn’t representative of what it entails. It’s more Victoriana with a dash of paranormal and alternate history, and references to existing personae (poets, scientists…) and literary works (not always exact—Nana isn’t Balzac’s work, but Zola’s). This book’s title was seemingly what coined the term “steampunk”, though there’s not a whiff of “steam” in there. Sometimes the mind boggles.

As a whole, sometimes it was accurate enough in its depiction of 19th century society, and sometimes it just didn’t work at all.

“Victoria” was amusing enough, if you appreciate a somewhat rompish humour. But its ending was highly unbelievable and improbable, considering the person involved. I just don’t see how anyone in circles of power would consider that a good idea, certainly not in British politics.

“Hottentots” I found mostly boring and disjointed, with no real sense of a plot. I kept reading it because it made fun of Agassiz, and nothing else—the humour helps defuse his racist thoughts and jingoism, which otherwise are pretty cringeworthy and hard to stand. Also, Cesar’s transcribed accent distracted me and threw me out of the story’s flow basically every time he opened his mouth). While there’s a wide variety of accents in languages, such transcriptions in literature are seldom well-done, and too quickly fall in the “too much” category. Not a good idea here, and clearly the story I liked the least (oh, scratch that: I didn’t like it at all). I’d say its only interest was in the satire department.

“Walt and Emily” was more interesting to me, because I know their poetry well enough, could find my marks there, and the planned trip to the Summerland felt at least like there was some plot there, one that fit with the two poets’ works. Style-wise, it was also the most lyrical, and I quite liked this. Unfortunately, it couldn’t really make up for the rest of the book.

1.5 stars.

Yzabel / May 8, 2014

Review: The Shadow Master

The Shadow Master by Craig Cormick

My rating: [rating=3]

Summary:

In a land riven with plague, inside the infamous Walled City, two families vie for control: the Medicis with their genius inventor Leonardo; the Lorraines with Galileo, the most brilliant alchemist of his generation.

And when two star-crossed lovers, one from either house, threaten the status quo, a third, shadowy power – one that forever seems a step ahead of all of the familial warring – plots and schemes, and bides its time, ready for the moment to attack…

Assassination; ancient, impossible machines; torture and infamy – just another typical day in paradise.

Review:

[I got an ARC from the publisher through NetGalley, in exchange for an honest review. Text is liable to change in parts upon publishing.]

I’ll admit I’m not quite sure yet what to make of this book, so for once, I’m going to make up my mind as I write my review.

The story’s set in an alternate Renaissance setting, in which the Medici and Lorraine families compete within the Walled City for the monopoly on a spice able to keep the plague out. While in other parts of the country, plague-infected people are dying by dozens, those in the city worry more about the political schemes of the two families, carried by the inventions of Galileo and Leonardo. The one controls time through clever devices; the other controls weather and has developed a science of metamorphosis. Amidst the tensions, Lucia Lorraine, the Duke’s daughter, and Lorenzo, apprenticed to Galileo and ward of the Medici, just want to be free to let their young love blossom, all too conscious that it could never happen unless they eloped or found another way.

There are lots of hints to well-known plots and historical events and people here. Renaissance Italy, the great inventors, Shakespeare’s plays (Romeo and Juliet comes to mind, of course, and the Duchess definitely has something of Lady Macbeth to her)… Mostly they’re easy to catch, though missing them would mean missing on some finer aspects of the novel. It didn’t lack a touch of humour either, and I found myself smiling more than once, because it was just the right amount for me, without derailing the story. The part with the cook’s assistant and the pie later delivered made me laugh, for its sheer “what the hell” aspect. The inventions were brilliant, and I liked that this strange science, poised between our own and sorcery, had drawbacks, such as making people grow older, faster, or turning them to stone. No such power should ever be totally free to wield.

The novel’s more plot-driven than character-driven. It worked for me, due to the context, the many winks to history and plays, and the city setting (I much prefer fantasy within enclosed spaces, than “travel fantasy”); on the other hand, a reader won’t find deep psychological profiles here.

I found the writing style efficient, able to carry vivid descriptions—the Walled City felt like a character itself, and I had no problem when it came to imagining it. However, the book could do with a last round of proof reading. There were a few typos and missing words now and then, noticeable enough that I couldn’t help but make a mental note about those. (This being an ARC copy, those typos may be fixed once the official publishing date rolls in.)

While the first part of the story was really entertaining, I thought the second one was a little confusing, in that I was left with more than just a couple of questions about who was who and what exactly happened. If those answers were hidden somewhere, then I’m afraid I missed them. What about the Medici and the Lorraine at the end? Was a new order meant to happen, or not? Who exactly were the Nameless One and the Shadow Master? At some point, I had that theory that the Master was part of Lorenzo’s mind only, that he didn’t really exist and was a way for the young man to find his place in the world, but it seems I was wrong. I also wondered if the Nameless One’s wife wasn’t Cosimo’s mother, but no father was ever mentioned, so I guess I was wrong again. I’m not positive I fully “got it”. It may be intentional, in order to leave the readers come up with their own conclusions and interpretations, but in this case, it was a little too vague to my liking.

3 to 3.5 stars, because I liked it no matter what.

Yzabel / April 6, 2014

Review: Midnight Riders

Midnight Riders by Pete Clark

My rating:[rating=3]

Summary:

“Gather ‘round people and you shall hear
about a bunch of bullshit that is clear.
Of riders and horses and monsters too;
your parents lied – they can still get you.
Hardly anyone who was there is alive
to dispel the rumor, uncover the lies,
but there was more than one man who rode that day
and more than just Redcoats who got in their way.”

Along the way, Longfellow lost something in his translation it seems.

Everyone has heard of the French and Indian War and the American Revolution. However, they have not heard about them this way! The American founding fathers had a lot more to deal with at the end of the 18th century than tariffs and tea; avoiding hurled trees from Wendigos and gargoyles falling from the sky took a lot of patience. How is Samuel Prescott supposed to hunt the leader of the Rippers when the British keep infringing upon the colonists’ rights?

Review:

[I got a copy through NetGalley, in exchange for an honest review.]

The promised combination of paranormal, American history and humour of this novel appealed to me, and I must say I spent quite a good time reading it. While the plot itself is actually quite serious (the War of Independence and the couple of decades that preceded it, seen through the prism of “what if supernatural creatures had plagued the colonists on top of it?”), it also makes fun of a lot of events, tropes, and famous characters—often directly, but sometimes also in a more subtle way. If you want to read a really serious supernatural retelling of history, the humour might break it; on the other hand, if you’re looking for a funny story, and don’t mind a bit of swearing and jabs at political correctness at times, then it may be for you. (As a word of warning, though, it’s best to brush up on your American history first, otherwise some hints and jokes won’t work so well.)

What may contribute to a reader liking or not liking this novel—depending on personal tastes:

* The characters aren’t too developed. The story spans over 20 years, and partly rests on assumed knowledge of the historical personas it makes use of. For instance, don’t expect to be carried on a journey into Paul Revere’s life, thoughts and feelings. Too many characters are involved for this to happen. However, you’ll find a lot of known names.

* Tropes. Lots of tropes. Allusions to red shirts, and the likes… I like when a novel plays on those, so I was glad whenever I found some. Since humour is part of the story, they work for me, much better than clichés thrown into a “serious” plot. (There’s one character in particular who likes pointing out every time a Deus Ex Machina pops up.)

* Recurrent jokes, like zombies and werewolves regularly coming to crash a battle or skirmish. (I must admit that after a while, some of them became a little old in my opinion, though.)

* Historical accuracy: not 100% accurate. Mostly the research was well-done in my opinion, but sometimes, a character will find him/herself in a place a few days too early, compared to what really happened. This said, the novel also plays on those “wrong facts”, using them to lean on the fourth wall. Scratch that: to punch a hole through it, actually. Again, this worked for me, but may not do so well for a reader who dislikes such occurrences.

* The writing: a bit dry in places, but otherwise befitting the humorous undertone. I’ve seen better, I’ve seen worse.

3.5 stars. It has its faults, and sometimes overdoes it. Nevertheless, I enjoyed it and laughed regularly.

Yzabel / July 8, 2013

Review: Her Ladyship’s Curse

Her Ladyship’s Curse by Lynn Viehl

My rating: [rating=3]

Summary:

In a steampunk version of America that lost the Revolutionary War, Charmian (Kit) Kittredge makes her living investigating magic crimes and exposing the frauds behind them. While Kit tries to avoid the nobs of high society, as the proprietor of Disenchanted & Co. she follows mysteries wherever they lead.

Lady Diana Walsh calls on Kit to investigate and dispel the curse she believes responsible for carving hateful words into her own flesh as she sleeps. While Kit doesn’t believe in magic herself, she can’t refuse to help a woman subjected nightly to such vicious assaults. As Kit investigates the Walsh family, she becomes convinced that the attacks on Diana are part of a larger, more ominous plot—one that may involve the lady’s obnoxious husband.

Sleuthing in the city of Rumsen is difficult enough, but soon Kit must also skirt the unwanted attentions of nefarious deathmage Lucien Dredmore and the unwelcome scrutiny of police Chief Inspector Thomas Doyle. Unwilling to surrender to either man’s passion for her, Kit struggles to remain independent as she draws closer to the heart of the mystery. Yet as she learns the truth behind her ladyship’s curse, Kit also uncovers a massive conspiracy that promises to ruin her life—and turn Rumsen into a supernatural battleground from which no one will escape alive.

Review:

[I got an ARC of this book through NetGalley.]

Great world-building, revealed little bits by little bits and not through huge info-dumps, as the heroine faces the various circumstances that would demand some explanation for the reader to understand things better. A glossary is included at the end of the book, but I thought I could get most of the specific vocabulary just by using the context. The alternate history developed here seemed believable enough to me, and I went with it without a problem.

The heroine’s an interesting morsel, too. She doesn’t keep her tongue in her pocket, yet she doesn’t go on a feminist rampage every ten pages (which might have become boring after a while), and finds way to cheat the system in order to get what she wants (which is much more clever and logical, consider the powers she’d be up against if she were to blatantly stand up more than she already does). She’s resourceful in many ways, and has managed to create her own little network of useful people—whom good Torian society would deem ‘scum’, but can all contribute to Kit’s schemes for her to get the information she needs. I also liked how she went about discarding magic as something that doesn’t exist, and to explain this through logics and scientific explanations, when the true reason is actually quite clearly hinted at… she’s just the only one who can’t see it, much as if she was standing in the eye of the storm.

My main quibble with this story is how there’s no real conclusion to it. I know books ending on cliffhangers is all the trend these days, but this is too much to stomach. It reads like the first part of a whole book, rather than like volume 1 of a trilogy. Although it seems the next books are due soon enough (every two months or so?), it makes passing fair judgment harder. I wished the author had solved at least one plotline here—and I don’t mean the romantic one (that one might’ve been best kept for later, actually).

I may rethink the mark I’m giving “Her Ladyship’s Curse” later on: the world’s really interesting, and I want to know what’s going on behind the scene. For now, I’m keeping it at a solid 3… Well, alright, 3.5.

Yzabel / April 4, 2013

Review: What’s Left of Me

What’s Left of Me by Kat Zhang

My rating: [rating=3]

Summary:

I should not exist. But I do.

Eva and Addie started out the same way as everyone else—two souls woven together in one body, taking turns controlling their movements as they learned how to walk, how to sing, how to dance. But as they grew, so did the worried whispers. Why aren’t they settling? Why isn’t one of them fading? The doctors ran tests, the neighbors shied away, and their parents begged for more time. Finally Addie was pronounced healthy and Eva was declared gone. Except, she wasn’t . . .

For the past three years, Eva has clung to the remnants of her life. Only Addie knows she’s still there, trapped inside their body. Then one day, they discover there may be a way for Eva to move again. The risks are unimaginable-hybrids are considered a threat to society, so if they are caught, Addie and Eva will be locked away with the others. And yet . . . for a chance to smile, to twirl, to speak, Eva will do anything.

Review:

3.5 stars more than 3, but I’m not sure if I’d wish to go to 4. I’ll have to think about it.

On the plus side, the narrative is quite unique, in that we see things from Eva’s point of view—Eca, who’s the “recessive” soul, the one who should have vanished long ago, and is all but an onlooker, unable to move, act or even simply speak physically. While this could’ve lent to a boring way of relating events one after the other, Kat Zhang manages to give her a voice that makes her very present, very involved; Eva refers to things such as “our hands, our eyes” to speak of Addie and herself, and her personality as well as how she lived through events quickly pulled me into the story.

I liked the relationship between the two “sisters/souls”, how they have different personalities, happen to fight, then make up, always having to pretend that they’re one person only, but doing their best to live together. Eva refuses to fade, and Addie clearly refuses to let her fade as well, wanting her by her side no matter what, no matter the risks. Perhaps Addie came off as a more egotistic person, and wasn’t always very likeable; on the other hand, this isn’t so surprising.

Also, the hybrids are an interesting concept, and I think the reader is led quite subtly to learn to recognize which persona is in control: after a while, I felt I didn’t even need Eva’s words to guess who she was looking at or speaking to.

On the downside, and here’s one of the reasons why I’m not giving this book a better mark, the dystopian/alternate history depicted in “What’s Left of Me” wasn’t too clearly drawn in my opinion. I couldn’t sense strong world-building behind it, and I hope that the next book will remedy to that. For instance, we can guess why being a hybrid might be bad (for instance, souls always competing with each other for control of the body, leading to madness) but all the examples of hybrids we’re shown throughout the story are, all in all, quite rational and balanced people, who manage to get along with their other half. Maybe things would’ve been more convincing if there had been a couple of ‘baddies’ thrown in, or anything else, actually, that would’ve shaken off the underlying, nagging feeling of “the hybrids aren’t bad, it’s just the government lying, because this is a dystopian world, period.”

The second reason is that there was a bit of a slump in the middle of the book. There was a sense of danger, of risk, of hidden truths, of secrets, but it wasn’t pushed far enough in my opinion, and so things at the point seemed a little dull. The pace picked up again afterwards, though.

I’ll probably pick the second book, because I still want to know more. I hope that we’ll get to learn more about why all the lies, and that the characters will be as intriguing as they’re in this first installment.

Yzabel / January 29, 2013

Review: The Greyfriar

The Greyfriar by Clay Griffith

My rating: [rating=4]

Summary:

Vampire predators run wild in this exciting steampunk adventure, the first in an alternate history trilogy that is already attracting attention. In 1870, monsters rise up and conquer the northern lands, As great cities are swallowed up by carnage and disease, landowners and other elite flee south to escape their blood-thirsty wrath.

One hundred fifty years later, the great divide still exists; fangs on one side of the border, worried defenders on the other. This fragile equilibrium is threatened, then crumbles after a single young princess becomes almost hopelessly lost in the hostile territory. At first, she has only one defender—a mysterious Greyfriar who roams freely in dangerous vampire regions.

Review:

I found it hard at first to get into the story, because I couldn’t properly wrap my mind about the geography and politics of the world described in this book—it’s nothing complicated, though, so I guess it was just me, probably reading too late at night as usual, in a language that remains not my own. The problem didn’t last for long anyway, and then I got sucked in.

I want to mention that for once, too, the label ‘steampunk’ is better applied than it usually is to a lot of novels lumped in this genre. I love the steampunk aesthetics, I love in in art and clothing, but I find that too often, an author will slap a few cogs and a dirigible and call it ‘steampunk’. The keyword being ‘steam’. Here, though, we are given a world where such technology is the norm; while it’s not the core of the story, it’s still present enough to be felt throughout the novel.

The vampires are ruthless and inhuman, yet cunning in their own ways. Having the point of view of both humans and vampires throughout the narrative allows the reader to see how each species perceive each other like nothing more than animals, especially since the vampires don’t seem to care about fine clothing, architecture, arts, poetry, and so on, thus making them ‘inferior’ in the eyes of humans. I liked that take, because if we reverse it, it’s also logical: why would immortal creatures bother with the very means through which the short-lived humans strive to make themselves ‘immortal’?

The real identity of the mysterious Greyfriar was easy enough to guess, but that was alright, because the author didn’t try to actually hide it from the reader (if he had tried to do so, on the other hand, it would have fallen flat, for sure). For me, it actually tied quite well with the use of certain clichés that, in retrospect, also make a lot of sense. Greyfriar: a mysterious man who never shows his face and hides his eyes behind smoked glasses; fights like a hero of legend; fights ‘the good fight’, alone, in dangerous territories, isolated from all other humans. Greyfriar was from the beginning an image, a symbol, and I found the reason behind that image somewhat touching, even.

One thing I regularly had problems with, though, was the shift in points of view. It switches between characters several times in a same chapter, sometimes even from one paragraph to the other, yet it’s not an exact omniscient third person POV either. This tends to make me lose focus, and wonder “Wait, what? It was about Flay, and now we’re in Cesare’s thoughts? Huh?”

This put aside, I enjoyed the story, and the gritty side there was to it.